James Patterson’s BookShots. Short, fast-paced, high-impact entertainment. I know who killed my son. Molly Rourke’s son has been murdered... and she knows who’s responsible. Now she’s taking the law into her own hands. Never underestimate a mother’s love.
American historians such as Frederick Jackson Turner have argued that the West has been the region that most clearly defines American democracy and the national ethos. Throughout the twentieth century, the "frontier thesis" influenced film and television producers who used the West as a backdrop for an array of dramatic explorations of America's history and the evolution of its culture and values. The common themes found in Westerns distinguish the genre as a quintessentially American form of dramatic art. In Hollywood's West, Peter C. Rollins, John E. O'Connor, and the nation's leading film scholars analyze popular conceptions of the frontier as a fundamental element of American history and culture. This volume examines classic Western films and programs that span nearly a century, from Cimarron (1931) to Turner Network Television's recent made-for-TV movies. Many of the films discussed here are considered among the greatest cinematic landmarks of all time. The essays highlight the ways in which Westerns have both shaped and reflected the dominant social and political concerns of their respective eras. While Cimarron challenged audiences with an innovative, complex narrative, other Westerns of the early sound era such as The Great Meadow (1931) frequently presented nostalgic visions of a simpler frontier era as a temporary diversion from the hardships of the Great Depression. Westerns of the 1950s reveal the profound uncertainty cast by the cold war, whereas later Westerns display heightened violence and cynicism, products of a society marred by wars, assassinations, riots, and political scandals. The volume concludes with a comprehensive filmography and an informative bibliography of scholarly writings on the Western genre. This collection will prove useful to film scholars, historians, and both devoted and casual fans of the Western genre. Hollywood's West makes a significant contribution to the understanding of both the historic American frontier and its innumerable popular representations.
Their relationship was that of fairy tales. Their devotion so intense they wed each other not once, but twice. In the first book to focus on both Natalie Wood and Robert Wagner, the author of the bestseller Gable & Lombard and the critically acclaimed book Cary Grant gives us a scintillating portrait of this glamorous and exciting couple from their early years working for the studio system to the final, shattering hours before Natalie Wood's life tragically ended. We follow them on their roller-coaster ride of the ups and downs and the magic and the madness of this couple who became Hollywood royalty.
With one of the longest and most controversial careers in Hollywood history, Blake Edwards is a phoenix of movie directors, full of hubris, ambition, and raving comic chutzpah. His rambunctious filmography remains an artistic force on par with Hollywood's greatest comic directors: Lubitsch, Sturges, Wilder. Like Wilder, Edwards’s propensity for hilarity is double-helixed with pain, and in films like Breakfast at Tiffany's, Days of Wine and Roses, and even The Pink Panther, we can hear him off-screen, laughing in the dark. And yet, despite those enormous successes, he was at one time considered a Hollywood villain. After his marriage to Julie Andrews, Edwards’s Darling Lili nearly sunk the both of them and brought Paramount Studios to its knees. Almost overnight, Blake became an industry pariah, which ironically fortified his sense of satire, as he simultaneously fought the Hollywood tide and rode it. Employing keen visual analysis, meticulous research, and troves of interviews and production files, Sam Wasson delivers the first complete account of one of the maddest figures Hollywood has ever known.
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A stirring retelling of the Black Hawk War that brings into dramatic focus the forces struggling for control over the American frontier Until 1822, when John Jacob Aster swallowed up the fur trade and the trading posts of the upper Mississippi were closed, the 6,000-strong Sauk Nation occupied one of North America's largest and most prosperous Indian settlements. Its spacious longhouse lodges and council-house squares, supported by hundreds of acres of planted fields, were the envy of white Americans who had already begun to encroach upon the rich Indian land that served as the center of the Sauk's spiritual world. When the inevitable conflicts between natives and white squatters turned violent, Black Hawk's Sauks were forced into exile, banished forever from the east side of the Mississippi River. Longing for what their culture had been, Black Hawk and his followers, including 700 warriors, rose up in a rage in the spring of 1832, and defiantly crossed the Mississippi from Iowa to Illinois in order to reclaim their ancestral home. Though the war lasted only three months, no other violent encounter between white America and native peoples embodies so clearly the essence of the Republic's inner conflict between its belief in freedom and human rights and its insatiable appetite for new territory. Kerry A. Trask gives new and vivid life to the heroic efforts of Black Hawk and his men, illuminating the tragic history of frontier America through the eyes of those who were cast aside in the pursuit of the new nation's manifest destiny.