This analytical catalogue of sculpture from the historic counties of Devon, Dorset, Somerset and Wiltshire provides a new perspective on the artistic achievement of the late Saxon kingdom. The volume includes individual pieces of the highest quality such as the Bradford-on-Avon and Winterbourne Steepleton angels or the newly discovered figures from Congresbury. Most of the monuments were carved at a time when Wessex art was at its zenith in the tenth and eleventh centuries, a formative period for English cultural identity. This volume sets the sculpture within an historical, topographical and art-historical context, highlighting the close links with contemporary styles in manuscripts and metalwork. Full photographic records of each monument present many new illustrations unique to this volume. An indispensable research tool for all those interested in the early medieval world, this volume is also an authoritative aid for local historians.
The rich and diverse visual heritage of Northern Yorkshire in the pre-Conquest period is revealed in this major addition to the much-admired Corpus series. This volume surveys the sculpture in the historic North Riding of Yorkshire (excluding those parts already covered in Volume III). The total of some 400 carvings include important pre-Viking Age monuments, such as the crosses at Croft, Easby and Masham. The excavated sculpture from Whitby Abbey include a range of inscriptions which form crucial epigraphical evidence for our understanding of the pre-Conquest monastery. But Anglo-Scandinavian monuments predominate, with major collections at Brompton, Kirklevington and Lythe. A number of workshops have been identified and it was in this area that the hogback recumbent memorial first appeared. Much of the Anglian sculpture has stylistic connections with western Yorkshire and Mercia, and the wider connections with Europe are manifest in the iconography and styles of the great crosses at Easby, Masham and Cundall/Aldborough. There are strong Irish links with the area in the Anglo-Scandinavian period. This catalogue is a crucial piece in the Corpus jigsaw linking Volumes I, II and III, and marks the culmination of the lifetime's work of a great Anglo-Saxon scholar.
Understanding Art is a two-volume, fully illustrated work that strives to explain and discuss four important periods in the history of western art--the Romanesque, Gothic, Renaissance, and Baroque. It aims to create a sense of understanding, recognition, and appreciation of art by analysing, within the four periods, three distinct artistic genres: painting; sculpture; and architecture. Besides the excellence of the illustrations, one of the great virtues of this book is its clear and concise explanations. It is truly an excellent first stop for anyone embarking on a serious study of art--or anyone wishing to refresh his or her memory of the facts about the art history of the western world.
A Handbook to Middle English Studies presents a series of original essays from leading literary scholars that explore the relationship between critical theory and late medieval literature. Includes 26 new essays by leading scholars of late medieval literature Sets the new standard for an introduction to the study of late medieval literature Showcases the most current cutting-edge theoretical research Demonstrates a range of approaches to late medieval literature Brings together critical theory and medieval literature