The story of a distinguished university press in its first one hundred years tells a greater tale of a century's intellectual activity. Yale University Press has published more than eight thousand volumes through the years, scores of best sellers and award-winners among them, and these books have come to be through the efforts of a host of colorful authors, editiors, directors, board members, and others of intellectual and literary renown.
Arriving in the west India state of Rudrakot where he hopes to find his idealistic brother, who went missing after joining the local struggle for independence from the British, wounded World War II army captain Sam Hawthorne finds his search complicated by his love for the daughter of a political agent. By the author of A Feast of Roses. Reprint. 75,000 first printing.
“Some of the most inspiring verses ever written.”—Geshe Thupten Jinpa, PhD, founder, Institute for Tibetan Classics The Tibetan saint Tsongkhapa (1357-1419), the founder of the Dalai Lama's tradition of Tibetan Buddhism, was renowned for his vast learning, meditational achievements, influential writings on practice and philosophy, and reform of tantric religious practices. A deeply humble and religious man, he expressed himself in exquisite verse. Here, presented in both the original Tibetan and in English translation, are twenty-one devotional poems by Tsongkhapa. Each verse--dedicated to the Buddha, bodhisattvas, and lamas--illuminates some aspect of the Buddhist path. Gavin Kilty's commentary places each prayer into context, and his careful, artful translations will appeal to anyone with a love of poetry.
Since the rise of modern biblical scholarship there has not been unanimity as to how to characterize Paul. He has been praised for having delivered Christianity from Judaism. Lately it has been argued that he remained so thoroughly a Jew that he was not a Christian at all. Others think he became a Christian because he had become a totally frustrated Pharisee by his failure to observe the law of Moses. Some consider him to have been a male chauvinist with few redeeming qualities. Others see in him a messianist with masochistic tendencies. Some think he was a conceited authoritarian who had no patience with the views of others. For a time it was popular to see him as a mystic who wished to lose himself by being in Christ. It has been said that, as one concerned with the life of the Spirit, he saw reason as the enemy of faith and required his converts to sacrifice the intellect on the altar of submission to authority. All these are, at least in part, reactions against the prevailing picture of him as the one who laid the foundation for the doctrines of righteousness by faith and the God of grace on which the Protestant Reformation was built. – Dr. Herold Weiss, Introduction to Meditations on the Letters of Paul With this beginning, the reader is invited into a Bible study with Dr. Weiss that will not be just an exegetical exercise but will, more importantly, be a personal journey into the Messiah's gospel that Paul so fervently shared throughout the known world of his time and continues to share in our day. Be forewarned that you may find yourself spending more time than you counted on as you truly meditate on the words and the spirit of Paul's letters.
Biography & Autobiography by Catholic Church. Pope (1978-2005 : John Paul II),Pope John Paul II
An Exhibition from the State Art Collections of Dresden, German Democratic Republic : the National Gallery of Art, Washington, June 1-September 4, 1978, the Metropolitan Museum of Art, New York, Oct. 21, 1978-January 13, 1979, the Fine Arts Museums of San Francisco, February 18-May 26, 1979
Author: National Gallery of Art (U.S.),Metropolitan Museum of Art (New York, N.Y.),Fine Arts Museums of San Francisco
Conway is a peaceful southern town. Or is it? Across the river from this quiet burg is a row of saloons, and Maude, a feisty octogenarian, believes something doesn’t feel right. Along with a young physician named Adam, Maude is beginning to think the so-called saloons are actually havens for unsavory and illegal activities. This collection of saloons is a blight on the town of Conway, and someone should do something about it. Why shouldn’t it be old Maude and Adam? Together, they organize a crusade to get the saloons shut down. It’s a moral battle more than anything else, or so they believe. When one of the saloon owners disappears, however, the moral battle becomes a battle to stay alive, despite opposing forces and the predatory Tony Caruso, who holds all the cards. The Splendor of Light follows Maude and Adam as they continue down the dark path of their crusade. Lives are in danger of being lost; a town is on the verge of collapse. Will Maude and Adam remain steadfast in their cause, despite a predatory and ruthless adversary? Will they accept the consequences of their answers, or will they fall into moral darkness themselves and lose everything they value?
From the author The New Yorker hails as “one of the most skillful psychological portraitists writing anywhere.” The Splendor of Portugal’s four narrators are members of a once well-to-do family whose plantation was lost in the Angolan War of Independence; the matriarch of this unhappiest of clans and her three adult children speak in a nightmarish, remorseless gush to give us the details of their grotesque family life. Like a character out of Faulkner’s decayed south, the mother clings to the hope that her children will come back, save her from destitution, and restore the family’s imagined former glory. The children, for their part, haven’t seen each other in years, and in their isolation are tormented by feverish memories of Angola. The vitriol and self-hatred of the characters know no bounds, for they are at once victims and culprits, guilty of atrocities committed in the name of colonialism as well as the cruel humiliations and betrayals of their own kin. Antunes again proves that he is the foremost stylist of his generation, a fearless investigator into the worst excesses of the human animal.
giving an impartial account to the Divan at Constantinople of the most remarkable transactions of Europe: and discovering several intrigues and secrets of the Christian courts, (especially of that of France) continued from the year 1637, to the year 1682
To the layman, all printing types look the same. But for typographers, graphic artists, and others of that lunatic fringe who believe that the letters we look at daily (and take entirely for granted) are of profound importance, the question of how letters are formed, what shape they assume, and how they have evolved remains one of passionate concern. That exploration of letter forms, and their division and classification into "families" or generic groupings, is the heart of this comprehensive study. Written by an expert who has examined letters all his life, this monumental analysis of letter forms considers a broad and representative range of international typefaces. Lawson explores the vast territory of types, their development and uses, their antecedents and offspring, with precision, insight, and clarity. From Garamond to Bembo to the design and manufacture of sans-serif letters and newspaper types, this is the first full-scale investigation of typefaces since D. B. Updike's classic Printing Types was published in 1922.
medieval and Renaissance illuminated manuscripts at the New York Public Library
Author: Jonathan James Graham Alexander,New York Public Library. Humanities and Social Sciences Library,James H. Marrow,Lucy Freeman Sandler
Publisher: Harvey Miller Pub
The New York Public Librarys collection of nearly three hundred Western European illuminated manuscripts is one of the largest in America but also one that is very little known. Dating from the turn of the tenth century well into the period of the Renaissance, these works give vivid testimony to the creative impulses of the often nameless craftsmen who discovered ever-new ways of animating the contents of hand-produced books through inventive and sometimes exuberant manipulations of all the elements of the book: form and format, layout, script, decoration, illustration, and binding. To introduce this magnificent collection and many of its most important works to scholars and the wider audience, The Splendor of the Word presents one hundred manuscripts of particular cultural, historical, and artistic significance, selected from the Librarys collection by three of the most distinguished scholars in the field Jonathan J. G. Alexander, Professor of Fine Arts at the Institute of Fine Arts, New York University, a specialist in early medieval, Romanesque, and Italian illuminated manuscripts; James H. Marrow, Professor Emeritus of Art History at Princeton University, a specialist in late medieval illuminated manuscripts; and Lucy Freeman Sandler, Professor of Art History Emerita at New York University, a specialist in Gothic illuminated manuscripts. The makers of medieval illuminated manuscripts invested their books with sparkle and visual energy. They did so to stimulate delight, imagination, and memoryto make of them objects that fascinate and charm as well as instruct. One need have no knowledge of medieval languages or habits of thought to appreciate the high quality and the aesthetic ebullience of the finely crafted manuscripts shown here, for the very first time, to anyone interested in the ways that books help to define the social, intellectual, and imaginative horizons of their users.