Literary Criticism

Artaud's Theatre Of Cruelty

Author: Albert Bermel

Publisher: Bloomsbury Publishing

ISBN: 1408118025

Category: Literary Criticism

Page: 144

View: 6608

The definitive guide to the life and work of Antonin Artaud Antonin Artaud's theatre of cruelty is one of the most vital forces in world theatre, yet the concept is one of the most frequently misunderstood. In this incisive study, Albert Bermel looks closely at Artaud's work as a playwright, director, actor, designer, producer and critic, and provides a fresh insight into his ideas, innovations and, above all, his writings. Tracing the theatre of cruelty's origins in earlier dramatic conventions, tribal rituals of cleansing, transfiguration and exaltation, and in related arts such as film and dance, Bermel examines each of Artaud's six plays for form and meaning, as well as surveying the application of Artaud's theories and techniques to the international theatre of recent years.
Drama

The Theater and Its Double

Author: Antonin Artaud

Publisher: Grove Press

ISBN: 9780802150301

Category: Drama

Page: 159

View: 3436

A collection of manifestos originally published in 1938, in which the French artist and philosopher attacks conventional assumptions about the drama, and calls for the influx of irrational material - based on dreams, religion, and emotion - in order to make the theater vital for modern audiences.
Performing Arts

Cruelty and Desire in the Modern Theater

Antonin Artaud, Sarah Kane, and Samuel Beckett

Author: Laurens De Vos

Publisher: Fairleigh Dickinson

ISBN: 1611470455

Category: Performing Arts

Page: 256

View: 4012

Departing from a refreshing look at the ideas of Antonin Artaud, this book provides a thorough analysis of how both Sarah Kane and Samuel Beckett are indebted to his legacy. In juxtaposing these playwrights, De Vos minutely points out how both in their own way struggle with coming to terms with Artaud. A key concept in Lacanian psychoanalytic theories, desire lies at the root of the Theatre of Cruelty; Kane and Beckett prove that desire and cruelty are inextricably linked to one another, but that they appear in radically different disguises. Relying on Kane and Beckett, this book not only sheds a light on the precise intentions behind Artaud's project, it also maps out the structural parallels and dichotomies between the Theatre of Cruelty and the literary genre of tragedy.
Literary Criticism

The Medieval Theater of Cruelty

Rhetoric, Memory, Violence

Author: Jody Enders

Publisher: Cornell University Press

ISBN: 9780801487835

Category: Literary Criticism

Page: 268

View: 8402

Why did medieval dramatists weave so many scenes of torture into their plays? Exploring the cultural connections among rhetoric, law, drama, literary creation, and violence, Jody Enders addresses an issue that has long troubled students of the Middle Ages. Theories of rhetoric and law of the time reveal, she points out, that the ideology of torture was a widely accepted means for exploiting such essential elements of the stage and stagecraft as dramatic verisimilitude, pity, fear, and catharsis to fabricate truth. Analyzing the consequences of torture for the history of aesthetics in general and of drama in particular, Enders shows that if the violence embedded in the history of rhetoric is acknowledged, we are better able to understand not only the enduring "theater of cruelty" identified by theorists from Isidore of Seville to Antonin Artaud, but also the continuing modern devotion to the spectacle of pain.
Performing Arts

Der leere Raum

The Empty Space

Author: Peter Brook

Publisher: Alexander Verlag Berlin

ISBN: 3895814156

Category: Performing Arts

Page: 200

View: 8632

Der leere Raum ist der Klassiker unter den Büchern zum Theater. Es basiert auf vier Vorlesungen, die Peter Brook unter dem Titel The Empty Space: The Theater Today in den sechziger Jahren an den Universitäten von Hull, Keele, Manchester und Sheffield hielt. 1968 erschienen diese Gedanken zum Gegenwartstheater in Buchform. Nachdem der Band für längere Zeit vergriffen war, machte ihn der Alexander Verlag 1983 wieder greifbar für das deutsche Publikum. Brook unterteilt das Theater in vier verschiedene Formen: Das konventionelle Theater definiert er als "tödlich", das an Ritualen festhaltende Theater als das "heilige", das leicht verständliche, volksnahe Theater als "derbes" und das von ihm favorisierte als "unmittelbares Theater".
Performing Arts

50 Drawings to Murder Magic

Author: Antonin Artaud

Publisher: Seagull Books London Limited

ISBN: N.A

Category: Performing Arts

Page: 82

View: 7583

Antonin Artaud was a poet, theorist, philosopher, essayist, playwright, actor and director, and one of the 20th century’s most important theoreticians of drama. His theory of the ‘Theatre of Cruelty’ has influenced playwrights as diverse as Beckett, Genet, Albee and Gelber. Magic was always a central concept for Artaud, and in nearly all his writing it is given the most positive force, as something capable of healing the rift between words and things, culture and life. But during his nine years of incarceration in mental asylums, magic seemed to lose its illuminating transformative power and to become demonic and persecutory. Artaud entered the realm of spectres and vampires which he believed were sucking the vitality from his mind and body. Artaud later filled twelve little exercise books with an account of his struggles to escape this physical, psychological and artistic hell. The first eleven books are filled with fragments of writing and extraordinary sketches of totemic figures, pierced bodies and enigmatic machines. Two months before his death, he took a twelfth exercise book and wrote a remarkable, incantatory text, 50 Drawings to Murder Magic. It was the last thing he wrote.

Die Nashörner

Schauspiel in drei Akten ; [mit dem Werkbeitrag aus dem Neuen Kindlers Literatur-Lexikon]

Author: Eugène Ionesco,Claus Bremer

Publisher: N.A

ISBN: 9783596902248

Category:

Page: 134

View: 6639

Drama

1870-1945

Author: Don B. Wilmeth,Christopher Bigsby

Publisher: Cambridge University Press

ISBN: 9780521669597

Category: Drama

Page: 600

View: 6507

Volume three of a unique three-volume history covering all aspects of American theatre.

Mörder Hoffnung der Frauen

Author: Oskar Kokoschka

Publisher: N.A

ISBN: 9780649776719

Category:

Page: 34

View: 9423

Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.
French literature

A Critical Bibliography of French Literature

In Three Parts. The Twentieth century. All genres since 1940. Index (nos 12804-17939)

Author: David Clark Cabeen,Richard A. Brooks,Douglas W. Alden

Publisher: Syracuse University Press

ISBN: 9780815622079

Category: French literature

Page: 658

View: 7016

Performing Arts

Japanese Horror and the Transnational Cinema of Sensations

Author: Steven T. Brown

Publisher: Springer

ISBN: 3319706292

Category: Performing Arts

Page: 330

View: 5788

Japanese Horror and the Transnational Cinema of Sensations undertakes a critical reassessment of Japanese horror cinema by attending to its intermediality and transnational hybridity in relation to world horror cinema. Neither a conventional film history nor a thematic survey of Japanese horror cinema, this study offers a transnational analysis of selected films from new angles that shed light on previously ignored aspects of the genre, including sound design, framing techniques, and lighting, as well as the slow attack and long release times of J-horror’s slow-burn style, which have contributed significantly to the development of its dread-filled cinema of sensations.
Literary Collections

Soll man de Sade verbrennen?

Drei Essays zur Moral des Existenzialismus

Author: Simone de Beauvoir

Publisher: Rowohlt Verlag GmbH

ISBN: 3644511918

Category: Literary Collections

Page: 368

View: 9680

Simone de Beauvoir ist nicht nur eine eigenwillige und geistreiche Schriftstellerin, sondern auch eine glänzende Vertreterin des Existenzialismus Sartre'scher Prägung. Sie beschränkt sich keineswegs darauf, die Gedanken des großen französischen Philosophen und Schriftstellers zu popularisieren, sondern versteht es, aufgrund ihrer Vertrautheit mit Sartres Denken und ihrer Kenntnis vor allem der Kant'schen und Hegel'schen Philosophie wesentliche Aspekte des menschlichen Seins unter einem neuen Blickwinkel darzustellen.
Drama

DIE MÖWE

Author: Anton Tschechow

Publisher: Musaicum Books

ISBN: 8027210771

Category: Drama

Page: 330

View: 5323

Die Möwe ist ein Drama von Anton Tschechow aus dem Jahre 1895. Tschechows Stück spielt auf dem Land im zaristischen Russland der Jahrhundertwende (19./20. Jahrhundert). In schrecklicher Langeweile öden die Gäste auf einem Landsitz einander an: Sie gehen sich mit kleinen Sticheleien auf die Nerven und machen sich so das Leben zur Hölle. Der Sohn einer Schauspielerin, Konstantin Gavrilovič Treplev, möchte Schriftsteller werden und hat ein kleines Theaterstück geschrieben, welches am Abend auf einer improvisierten Bühne den Gästen vorgespielt werden soll. Die Hauptrolle spielt dabei seine Geliebte und Muse Nina. Treplev leidet jedoch unter der ständigen Nörgelei seiner Mutter, die sein schriftstellerisches Talent und sein ganzes Leben in Frage stellt. Außerdem hat sie einen Freund, Boris Alekseevič Trigorin, der ebenfalls und bereits sehr erfolgreich Schriftsteller ist. Diesen Trigorin führt sie immer wieder an, wenn sie versucht, Treplevs Selbstvertrauen in sich und seine Arbeit zu schwächen. Bei der Aufführung von Treplevs Stück kommt es schließlich zum Eklat, Mutter und Sohn geraten in Streit. Mehr und mehr zeigt sich, dass Nina sich zu Trigorin hingezogen fühlt...