Connect is the only integrated learning system that empowers students by continuously adapting to deliver precisely what they need, when they need it, and how they need it, so that your class time is more engaging and effective. Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell and Kristin Thompson's Film Art has been the best-selling and most widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by examples from many periods and countries, the authors help students develop a core set of analytical skills that will enrich their understanding of any film, in any genre. In-depth examples deepen students' appreciation for how creative choices by filmmakers affect what viewers experience and how they respond. Film Art is generously illustrated with more than 1,000 frame enlargements taken directly from completed films, providing concrete illustrations of key concepts. Along with updated examples and expanded coverage of digital filmmaking, the tenth edition also offers Connect for Film Art, a digital solution that includes multimedia tutorials along with web-based assignment and assessment tools.
Performing Arts by Kristin Thompson,Jeff Smith,David Bordwell
Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell, Kristin Thompson and now, Co-Author, Jeff Smith's Film Art has been the best-selling and most widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by examples from many periods and countries, the authors help students develop a core set of analytical skills that will enrich their understanding of any film, in any genre. In-depth examples deepen students' appreciation for how creative choices by filmmakers affect what viewers experience and how they respond. Film Art is generously illustrated with more than 1,000 frame enlargements taken directly from completed films, providing concrete illustrations of key concepts. Along with updated examples and expanded coverage of digital filmmaking, the twelfth edition of Film Art delivers SmartBook, first and only adaptive reading experience currently available, designed to help students stay focused, maximize study time and retain basic concepts.
Die provozierende Vision eines totalitären Staats, in dem Frauen keine Rechte haben: Die Dienerin Desfred besitzt etwas, was ihr alle Machthaber, Wächter und Spione nicht nehmen können, nämlich ihre Hoffnung auf ein Entkommen, auf Liebe, auf Leben ... Margaret Atwoods »Report der Magd« wurde zum Kultbuch einer ganzen Generation und von Volker Schlöndorff unter dem Titel »Die Geschichte der Dienerin« verfilmt.
Written by two of the leading scholars in film studies, "Film History: An Introduction" is a comprehensive, global survey of the medium that covers the development of every genre in film, from drama and comedy to documentary and experimental. As with the authors' bestselling "Film Art: An Introduction" (now in its eighth edition), concepts and events are illustrated with frame enlargements taken from the original sources, giving students more realistic points of reference than competing books that rely on publicity stills. The third edition of "Film History" is thoroughly updated and includes the first comprehensive overviews of the impact of globalization and digital technology on the cinema. Any serious film scholar--professor, undergraduate, or graduate student--will want to read and keep Film History. Visit the author's blog at http: //www.davidbordwell.net/blog/
Performing Arts by David Bordwell,Kristin Thompson
Observations on the Art, Craft, and Business of Filmmaking
Author: David Bordwell,Kristin Thompson
Publisher: University of Chicago Press
Category: Performing Arts
David Bordwell and Kristin Thompson are two of America’s preeminent film scholars. You would be hard pressed to find a serious student of the cinema who hasn’t spent at least a few hours huddled with their seminal introduction to the field—Film Art, now in its ninth edition—or a cable television junkie unaware that the Independent Film Channel sagely christened them the “Critics of the Naughts.” Since launching their blog Observations on Film Art in 2006, the two have added web virtuosos to their growing list of accolades, pitching unconventional long-form pieces engaged with film artistry that have helped to redefine cinematic storytelling for a new age and audience. Minding Movies presents a selection from over three hundred essays on genre movies, art films, animation, and the business of Hollywood that have graced Bordwell and Thompson’s blog. Informal pieces, conversational in tone but grounded in three decades of authoritative research, the essays gathered here range from in-depth analyses of individual films such as Slumdog Millionaire and Inglourious Basterds to adjustments of Hollywood media claims and forays into cinematic humor. For Bordwell and Thompson, the most fruitful place to begin is how movies are made, how they work, and how they work on us. Written for film lovers, these essays—on topics ranging from Borat to blockbusters and back again—will delight current fans and gain new enthusiasts. Serious but not solemn, vibrantly informative without condescension, and above all illuminating reading, Minding Movies offers ideas sure to set film lovers thinking—and keep them returning to the silver screen.
This work is a basic introduction to aesthetics and covers the major theories of art, while referring to various filmic examples to illustrate the complex ideas related to the philosophy of art. In addition, it addresses film itself as an art form, analyzes film studies, and discusses film's ambiguous cultural/artistic position. The overarching theme of the book is the most basic aesthetic question: What is art? That eternal and critical question is explored by addressing representation, formalism, and expressivism, three classic aesthetic theories. Film, Art, and Filmart begins by focusing on Plato, including a look at the issue of censorship as it is raised in his Republic. Then formalism is discussed via Kant, and Roger Fry's and Clive Bell's theory of Significant Form. Expressivism is dealt with by utilizing views by Leo Tolstoy and R.G. Collingwood. Contemporary issues in aesthetics are illuminated with George Dickie's theory of art, while also examining the cognitive theories of Nelson Goodman and Martha Nussbaum. The final chapter opens definitional structure up a bit by investigating the concept of freedom as integral to art and by straying from the largely analytic focus of the rest of the book through analysis of continental philosophers, such as Hegel, Nietzsche, and Foucault.
Publisher: McGraw-Hill Humanities, Social Sciences & World Languages
Category: Performing Arts
Written by two of the leading film scholars, Film History: An Introduction, is the long-awaited, comprehensive survey that not only acknowledges the contributions of Hollywood and films from other U.S. sources, but broadens its scope to examine filmmaking internationally. As with the authors' bestselling Film Art, Fifth Edition, concepts and events are illustrated with actual frame enlargements, giving students more realistic points of reference than competing books that use publicity stills. Any serious film scholar -- professor, undergraduate, or graduate student -- will want to see and keep Film History.
Alle Romane von John le Carré jetzt als E-Book! - George Smiley, Chef des britischen Geheimdienstes, soll nach einer gescheiterten Operation seinen Posten räumen. Doch da stellt sich heraus, dass einer seiner Leute ein Doppelagent ist, der insgeheim für Moskau arbeitet. Smiley setzt sich auf seine Fährte und gerät dabei, als Tarnung selbst zum Maulwurf geworden, mitten ins Reich des großen Gegners im kalten Krieg ... Der Weltbestseller jetzt verfilmt mit Oscarpreisträger Colin Firth.
Obwohl der 10-jährige August schon 27 Operationen hinter sich hat, ist sein Gesicht durch Gendefekte immer noch schwer entstellt. Nun soll er erstmals eine Schule besuchen und trifft dort nicht nur auf wohlgesonnene Mitschüler. Ab 12.