Titles from England: Hares on the Mountain * Allan Water * My Boy Willie * Greensleeves * The Three Raven * Early One Morning * Lavender's Blue and more. Titles from Ireland: Let Erin Remember the Days of Old * The Rising Moon * The Road to the Isles * and more. Titles from Wales: The Bells of Aberdovey (Clychau Aberdyfi) * The Kind Old Man (Yr Hen Wr Mwyn) * Over the Stone (Tros y Gareg) * The Dove (Y Deryn Pur) and more. Scotland Titles: Baloo Baleerie * Corn Rigs Are Bonne * and more.
This history of folk music looks at musicians, collectors and other figures from around the world. The book presents an overview of international folk roots and shows the contributions of the artists and the evolution of folk music as a force for political and social change. Profiles of Pete Seeger, Burl Ives, Woody Guthrie and others show how the stage was set for the American folk revival of the 1960s.
Known for his work as a performer and songwriter with the Birthday Party, the Bad Seeds and Grinderman, Australian artist Nick Cave has also pursued a variety of other projects, including writing and acting. Covering the full range of Cave's creative endeavors, this collection of critical essays provides a comprehensive overview of his multifaceted career. The contributors, who hail from an array of disciplines, consider Cave's work from many different angles, drawing on historical, psychological, pedagogical, and generic perspectives. Illuminating the remarkable scope of Cave's achievements, they explore his career as a composer of film scores, scriptwriter, and performer, most strikingly in Ghosts of the Civil Dead; his work in theater; and his literary output, which includes the novels And the Ass Saw the Angel and The Death of Bunny Munro, as well as two collections of prose. Together, the resulting essays provide a lucid overview of Nick Cave's work that will orient students and fans while offering fresh insights sure to deepen even expert perspectives.
Leading folklorist Edward "Sandy" Ives illuminates the process of gathering songs, learning about their singers, and discovering their histories in this candid and revealing account. The folksongs in this collection are embedded in the cultural history of Prince Edward Island and in the rich, Celtic-influenced, local songmaking tradition.
This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The objective of the volume has been to add significantly to the growing literature on these topics. It benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture, including religious, political and social life. The essays are by scholars from the USA, Britain, and Europe, covering a wide range of experience. Topics range from the reception of Bach, Mozart, and Liszt in England, a musical response to Shakespeare, Italian opera in Dublin, exoticism, gender, black musical identities, British musicians in Canada, and uses of music in various theatrical genres and state ceremony, and in articulating the politics of the Union and Empire.
The songs of the British Isles---England, Ireland, Scotland, and Wales---are among the most expressive and singable in Western music. The 11 songs selected for this collection are ideal for both the beginning soloist and the more skilled singer. Included are ballads, love songs, folk songs, and even two Christmas carols. Titles: *Annie Laurie *The Ash Grove *The Blaydon Races *Danny Boy *Flow Gently, Sweet Afton *Greensleeves *God Rest You Merry, Gentlemen *Scarborough Fair *Skye Boat Song *The Snow Lay on the Ground *The Water Is Wide (O Waly, Waly)
This volume brings together, for the first time, more than one hundred traditional songs from Middle Tennessee-a region that is synonymous in the popular mind with music but one that has been curiously neglected in folksong scholarship.