Treasury of over 100 folk songs and ballads, nursery songs and singing games, lumbermen's songs, sea chanteys, country dances, minstrel songs, Child ballads and much more. Blow the Man Down, The Devil and the Farmer's Wife, Shenandoah, Barbara Allen, many others. Piano accompaniment for each song, complete instructions for singing games and country dances, historical notes on songs, other material. Ideal for sing-alongs, dances, school programs, and more.
Old-Time Music Makers of New York State is the first book published on this rich legacy of traditional Anglo-American music and dance. It traces the development of old-time music beginning with its movement into New York State from New England in the early nineteenth century and to its combination with commercial country music in the twentieth century.
Both biographical and topical, The Ballad Collectors of North America chronicles those individuals most influential in the gathering of North American folksongs and investigates the two leading schools of thought regarding the collection process, the leading proponents of those schools, and the projects shaped by them. Contributors also reflect on the role of technology—especially the phonograph—in the collection efforts and the impact of that technology. Ballad Collectors considers the larger role of ballads in the development of American identity, from the national appreciation of cowboy songs in popular culture to the use of Appalachian song forms in radio broadcasts to the role of dustbowl ballads in the urban folk revival.
Folk Music: The Basics gives a brief introduction to British and American folk music. Drawing upon the most recent and relevant scholarship, it will focus on comparing and contrasting the historical nature of the three aspects of understanding folk music: traditional, local performers; professional collectors; and the advent of professional performers in the twentieth century during the so-called "folk revival." The two sides of the folk tradition will be examined--both as popular and commercial expressions. Folk Music: The Basics serves as an excellent introduction to the players, the music, and the styles that make folk music an enduring and well-loved musical style. Throughout, sidebars offer studies of key folk performers, record labels, and related issues to place the general discussion in context.
This is not a textbook nor an encyclopedia; rather, it is a collection of papers representing a variety of points of view on contemporary is sues, controversies, and questions about female sexual development. The editor has a point of view, not a point of view as to which of the various authors' positions presented in this book is correct, or even the most useful, but a point of view about the format of such a book; namely, that the definitive answers, and the experts who will provide them, are not yet identified. Therefore, many voices should be heard from different areas of expertise, training, experience, and back ground. Inevitably there are contradictions and disagreements. There should be. Several authors who were asked to provide short discus sions for papers found themselves unable to answer in less than an ad ditional paper. The editor welcomed this response. This is an area full of ancient myths, new discoveries, and alternate perspectives. It is hoped that the book reflects these ambiguities and controversies and that it will stimulate as many questions as it provides answers. You will find represented in this volume, and its forthcoming companion volume on women's sexual experience, authors not gener ally found together between the covers. When useful and where pos sible, a discussion or an addendum to a paper has been included by an author who approaches the subject from a different base of infor mation or experience.
One of the Spectator's Books of the Year 2012 'Farewell and adieu to you fair Spanish ladies Farewell and adieu to you ladies of Spain For we've received orders for to sail for old England But we hope in a short while to see you again' One of the great English popular art forms, the folk song can be painful, satirical, erotic, dramatic, rueful or funny. They have thrived when sung on a whim to a handful of friends in a pub; they have bewitched generations of English composers who have set them for everything from solo violin to full orchestra; they are sung in concerts, festivals, weddings, funerals and with nobody to hear but the singer. This magical new collection brings together all the classic folk songs as well as many lesser-known discoveries, complete with music and annotations on their original sources and meaning. Published in cooperation with the English Folk Dance and Song Society, it is a worthy successor to Ralph Vaughan Williams and A.L.Lloyd's original Penguin Book of English Folk Songs. 'Her keen eye did glitter like the bright stars by night The robe she was wearing was costly and white Her bare neck was shaded with her long raven hair And they called her pretty Susan, the pride of Kildare' In association with EFDSS, the English Folk Dance and Song Society
Jean Ritchie is the best known and most respected singer of traditional ballads in the United States. The youngest daughter of one of the most famous American ballad-singing families, the Ritchie family of Perry County, Kentucky, Jean carries on her family's legacy as a singer of folk songs and traditional ballads. The music found here tells the story of the ""Singing Ritchie Family."" Built upon a foundation of balladry inherited from old-world Scotland, the family's repertoire was certainly eclectic but not haphazard. The Child ballads, lyric folksongs, play party or frolic songs, Old Regular Baptist lined hymns, Native American ballads, "hant" songs, and carols brought together in this collection were assembled by family members who actively sought out fragments of tunes and completed them by adding or embellishing verses and melodies. This new edition has faithfully retained all seventy-seven line scores of the songs and added four new ones, Loving Hannah, Lovin' Henry, Her Mantle So Green, and The Reckless and Rambling Boy. The original headnotes and photographs tell the history of the song as well as how it became a part of the family's life. Chords are indicated for accompainment, and a new audiography and videography have been added to this edition.