Fragments of wisdom from the ancient world In the sixth century b.c.-twenty-five hundred years before Einstein-Heraclitus of Ephesus declared that energy is the essence of matter, that everything becomes energy in flux, in relativity. His great book, On Nature, the world's first coherent philosophical treatise and touchstone for Plato, Aristotle, and Marcus Aurelius, has long been lost to history-but its surviving fragments have for thousands of years tantalized our greatest thinkers, from Montaigne to Nietzsche, Heidegger to Jung. Now, acclaimed poet Brooks Haxton presents a powerful free-verse translation of all 130 surviving fragments of the teachings of Heraclitus, with the ancient Greek originals beautifully reproduced en face. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators. From the Trade Paperback edition.
A 2016 Book of the Year, BBC History Magazine Human wisdom is of little or no value', wrote Plato in his Apology. And yet the ancient Greeks, including Plato himself, more than any other people of antiquity were fascinated by the pursuit of the wisdom they called philosophia. That search for knowledge involved an extensive use of maxims and quotations, as we can see from those expressions of Homer prefaced by the phrase 'as people say'. Homer, the Seven Sages and the Pre-Socratic philosophers are still extensively quoted in all the major western languages. Yet for all their popularity, until now there has been no single resource to which interested readers might turn. This unique reference book offers one of the most comprehensive selections of Greek quotations ever committed to print. With its English text matched by the original Greek, the volume collects 7500 entries, ranging from the archaic period to late antiquity, and across philosophy, drama, poetry, history, science and medicine, each indexed with key words to enable fast sourcing. Together, these selections provide an incomparable insight into the glories of Greek civilization.
Have you ever wondered how we know what we know? The Pattern Paradigm looks beneath the surface of what passes for truth and presents a new way of understanding. It tells the story of how knowledge is achieved; starting from the basics and progressing to the pyramid of patterns which lie at the heart of thinking. It describes how the pattern paradigm is superior to the status quo paradigm that pervades much of philosophy today. It is able to do this because it is a paradigm of great simplicity and great power. It opens up a new and more accurate way of understanding. It provides the missing link between sense-data and knowledge. It provides new insights into old problems which are not only amazing but also robust and self consistent. It is a book for both keen philosophers and for anyone else interested in philosophy, as it is easy to read and written in layman's terms. If you only ever read one book on philosophy, make it this one. This is a work of genius.'- J. E. Shearer.
Friedrich Hölderlin (1770-1843) is now recognized as one of Europe’s supreme poets. He first found his true voice in the epigrams and odes he wrote when transfigured by his love for the wife of a rich banker. He later embarked on an extraordinarily ambitious sequence of hymns exploring cosmology and history, from mythological times to the discovery of America and his own era. The ’Canticles of Night’, by contrast, include enigmatic fragments in an unprecedented style, which anticipates the Symbolists and Surrealists. Together the works collected here show Hölderlin’s use of Classical and Christian imagery and his exploration of cosmology and history in an attempt to find meaning in an uncertain world.
Wilhelm Waiblinger: Friedrich Hölderlins Leben, Dichtung und Wahnsinn Entstanden 1827/28. Erstdruck »Zeitgenossen. Biographisches Magazin für die Geschichte unserer Zeit«, Leipzig, Brockhaus, 1831. Neuausgabe mit einer Biographie des Autors. Herausgegeben von Karl-Maria Guth. Berlin 2017. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Friedrich Hölderlin (Pastell von Franz Karl Hiemer, 1792). Gesetzt aus der Minion Pro, 12 pt.
The Obstacle is the Way has become a cult classic, beloved by men and women around the world who apply its wisdom to become more successful at whatever they do. Its many fans include a former governor and movie star (Arnold Schwarzenegger), a hip hop icon (LL Cool J), an Irish tennis pro (James McGee), an NBC sportscaster (Michele Tafoya), and the coaches and players of winning teams like the New England Patriots, Seattle Seahawks, Chicago Cubs, and University of Texas men’s basketball team. The book draws its inspiration from stoicism, the ancient Greek philosophy of enduring pain or adversity with perseverance and resilience. Stoics focus on the things they can control, let go of everything else, and turn every new obstacle into an opportunity to get better, stronger, tougher. As Marcus Aurelius put it nearly 2000 years ago: “The impediment to action advances action. What stands in the way becomes the way.” Ryan Holiday shows us how some of the most successful people in history—from John D. Rockefeller to Amelia Earhart to Ulysses S. Grant to Steve Jobs—have applied stoicism to overcome difficult or even impossible situations. Their embrace of these principles ultimately mattered more than their natural intelligence, talents, or luck. If you’re feeling frustrated, demoralized, or stuck in a rut, this book can help you turn your problems into your biggest advantages. And along the way it will inspire you with dozens of true stories of the greats from every age and era. From the Hardcover edition.
The Original of Laura is Vladimir Nabokov's final, incredible unfinished novel in fragments. Dr Philip Wild, a man of brilliance, wit, fortune and tremendous bulk, is used to suffering humiliations at the hands of his wife, the younger, slender, and rudely promiscuous Flora. But in a novel, a 'maddening masterpiece' documenting her infidelities, written by one of her lovers and given to the doctor, she appears as My Laura. Dishonoured, Wild still finds pleasure in life, by indulging in self-annihilation, beginning with the removal of his toes.
The most complete of all remaining surviving fragments sections of The Canterbury Tales, the First Fragment contains some of Chaucer's most widely enjoyed work. In The General Prologue, Chaucer introduces his pilgrims through a set of speaking portraits, drawn with a clarity that makes no attempt to conceal their peculiarities. The four tales that follow - those of the Knight, Miller, Reeve and Cook - reveal a wide variety of human preoccupations: whether chivalrous, romantic or simply sexual. Brilliantly bawdy and subtly complex, each of these tales is alive with Chaucer's skills as a poet, storyteller and creator of comedy.
One of the great romances of the Middle Ages, Tristan, written in the early thirteenth century, is based on a medieval love story of grand passion and deceit. By slaying a dragon, the young prince Tristan wins the beautiful Isolde’s hand in marriage for his uncle, King Mark. On their journey back to Mark’s court, however, the pair mistakenly drink a love-potion intended for the king and his young bride, and are instantly possessed with an all-consuming love for each another - a love they are compelled to conceal by a series of subterfuges that culminates in tragedy. Von Strassburg’s work is acknowledged as the greatest rendering of this legend of medieval lovers, and went on to influence generations of writers and artists and inspire Richard Wagner’s Tristan and Isolde.
More or less 150 years after Homer's Iliad, Sappho lived on the island of Lesbos, west off the coast of what is present Turkey. Little remains today of her writings, which are said to have filled nine papyrus rolls in the great library at Alexandria some 500 years after her death. The surviving texts consist of a lamentably small and fragmented body of lyric poetry - among them poems of invocation, desire, spite, celebration, resignation and remembrance - that nevertheless enables us to hear the living voice of the poet Plato called the tenth Muse. This is a new translation of her surviving poetry.
Der Mann mit dem Spitznamen »Samstagsklient« hat es wahrlich nicht leicht. Es ist verdammt schwierig, die Situation, in der er lebt, einem Fremden wie dem Kommissar zu schildern. Das mag mit ein Grund sein, weshalb er nicht im Kommissariat Hilfe sucht, sondern bei Maigret zu Hause. Hier macht er dem Kommissar mit großer Dringlichkeit klar, dass er zwar nicht verrückt, aber dennoch drauf und dran sei, seine Frau umzubringen, und das der Ordnung halber nur schon mal ankündigen wolle. Und das ist doch genau das, was ein Polizeikommissar an einem Samstagabend hören will, oder?"
In Either/Or, using the voices of two characters - the aesthetic young man of part one, called simply 'A', and the ethical Judge Vilhelm of the second section - Kierkegaard reflects upon the search for a meaningful existence, contemplating subjects as diverse as Mozart, drama, boredom, and, in the famous Seducer's Diary, the cynical seduction and ultimate rejection of a young, beautiful woman. A masterpiece of duality, Either/Or is a brilliant exploration of the conflict between the aesthetic and the ethical - both meditating ironically and seductively upon Epicurean pleasures, and eloquently expounding the noble virtues of a morally upstanding life.
Für sein “Kriegsmuseum zum Zwecke des Friedens” sammelt ein Mann in Triest Kriegsgeräte aller Art. Sie erzählen die Geschichten derer, die damit getötet haben oder getötet wurden. Als Jahre später das Museum bei einem Brand zerstört wird, versucht Luisa, Tochter einer Jüdin und eines afroamerikanischen Leutnants, es zu rekonstruieren. Dabei wird nicht nur die Geschichte ihrer Vorfahren zwischen Diaspora und Sklaverei wieder lebendig, sondern auch die von San Sabba, dem einzigen Konzentrationslager Italiens. Doch die Kraft des Vergessens erscheint ungeheuer: die Verbrechen wurden vertuscht, die Verfahren eingestellt. Gestützt auf eine wahre Geschichte hat Claudio Magris ein gewaltiges Epos geschrieben.
The first collection of original poetry from Poochigian, well-known for his translations of Sappho, Aeschylus, Aratus, and Apollonius of Rhodes, is enlightened by uncommonly fresh wisdom and deployed in the delightfully masterful, elegant, and naturally flowing metrical forms his translations are known for.
Contemporary productions on stage and film, and the development of theater studies, have created a new audience for ancient Greek drama. This volume fills the need for a clear, concise statement of what is known about the original conditions of production for tragedy, comedy, and satyr play in the age of Pericles and provides observations on all aspects of performance. Reexamining the surviving plays of the tragic writers Aeschylus, Sophocles, and Euripides and of the comedian Aristophanes, Graham Ley discusses the actor's technique, the power and range of the chorus, the use of theatrical space, and parody in the plays. A series of diagrams relates the theater to the city and political life of ancient Athens, and photographic illustrations of scenes from Greek vases document the visualization of theatrical performance. An ideal companion to The Complete Greek Tragedies (University of Chicago Press), Ley's work is a valuable user's guide to the critical assessment of modern translations and adaptations of tragedy and comedy. It is designed for all students of Greek drama with an interest in performance, and for theatrical practitioners who require a concise but informative introduction to one of the great periods of world drama.