From national bestselling author Sylvain Reynard comes the haunting, unforgettable tale of one man’s salvation and one woman’s sensual awakening . . . Enigmatic and sexy, Professor Gabriel Emerson is a well-respected Dante specialist by day, but by night he devotes himself to an uninhibited life of pleasure. He uses his notorious good looks and sophisticated charm to gratify his every whim, but is secretly tortured by his dark past and consumed by the profound belief that he is beyond all hope of redemption. When the sweet and innocent Julia Mitchell enrolls as his graduate student, his attraction and mysterious connection to her not only jeopardizes his career, but sends him on a journey in which his past and his present collide. An intriguing and sinful exploration of seduction, forbidden love, and redemption, Gabriel’s Inferno is a captivating and wildly passionate tale of one man’s escape from his own personal hell as he tries to earn the impossible—forgiveness and love. From the Trade Paperback edition.
National bestselling author Sylvain Reynard continues the story of Gabriel and Julia, two lovers bound together by their darkest desires. But those very desires may destroy them . . . Professor Gabriel Emerson has embarked on a passionate, yet clandestine affair with his former student Julia Mitchell. Sequestered on a romantic holiday in Italy, he tutors her in the sensual delights of the body and the raptures of sex. But when they return, their happiness is threatened by conspiring students, academic politics, and a jealous ex-lover. When Gabriel is confronted by the university administration, will he succumb to Dante’s fate? Or will he fight to keep Julia, his Beatrice, forever? In Gabriel’s Rapture, the brilliant sequel to the wildly successful debut novel, Gabriel’s Inferno, Sylvain Reynard weaves an exquisite love story that will touch the reader’s mind, body, and soul, forever.
From the author of the New York Times bestsellers Gabriel’s Rapture and Gabriel’s Inferno comes the epic conclusion to the captivating romantic trilogy. Professor Gabriel Emerson has left his position at the University of Toronto to embark on a new life with his beloved Julianne. Together, he’s confident that they can face any challenge. And he’s eager to become a father. But Julianne’s graduate program threatens Gabriel’s plans, as the pressures of being a student become all consuming. When she is given the honor of presenting an academic lecture at Oxford, Gabriel is forced to confront Julianne about the subject of her presentation—research that conflicts with his own. And in Oxford, several individuals from their past appear, including an old nemesis intent on humiliating Julia and exposing one of Gabriel’s darkest secrets. In an effort to confront his remaining demons, Gabriel begins a quest to discover more about his biological parents, beginning a chain of events that has startling repercussions for himself, Julianne, and his hope of having a family.
This brilliant, penetrating, and ambitious book by a well-known literary theorist studies the complex relationship between the emotions on the one side and literary works and paintings on the other. A central aim of Charles Altieri's is to rescue our understanding of the affects from philosophical theories that subordinate them to cognitive control and ethical judgment. Altieri concentrates on two fundamental aspects of aesthetic experience: the first describes how representative texts and paintings compose intricate affective states; the second engages how we might generalize from the values involved in the affects made articulate by works of art. He addresses a range of affective states, distinguishing carefully among sensations, feelings, moods, emotions, and passions. He shows how art solicits, organizes, and reflects upon affective energies and how many of the qualities of the affects developed within artworks simply disappear when observers are content with adjectival labels such as "sad," "angry," or "happy." The Particulars of Rapture proposes treating affects in adverbial rather than in adjectival terms, emphasizing the way in which text and paintings shape distinct affective states. Such an emphasis places the manner in which artwork acts upon the emotions central to the quality of the resulting affect. And that emphasis in turn enables Altieri to show how a more general expressivist model for establishing and assessing values can compete with perspectives based on rationality.
Vol. 6 of this series, The Antichrist Septenate, the authors have revealed the unscriptural roots of the general Evangelical Protestant views of the Antichrist and the Rapture. They have sought to return Protestants to their Reformation roots. This volume takes up issues crucial to our understanding of the final events preceding the return of our Lord-events important to our preparation for His Second Coming.
The unveiling of a set of priceless illustrations of Dante’s Divine Comedy at the Uffizi Gallery in Florence exposes Professor Gabriel Emerson and his beloved wife, Julianne, to a mysterious enemy. Gabriel may have acquired the illustrations only a few years ago, but unbeknownst to him, they were stolen a century earlier from the ruler of Florence’s underworld. Now one of the most dangerous beings in the city is determined to reclaim his prize and exact his revenge on the Emersons—but not before he uncovers something disturbing about Julianne… Don’t miss the first novel in the Florentine series, The Raven, available February 3, 2015. Praise for the Gabriel Trilogy “The Professor is sexy and sophisticated . . . I can’t get enough of him!”—USA Today bestselling author Kristen Proby “[In Gabriel’s Inferno and Gabriel’s Rapture,] I found myself enraptured by Sylvain Reynard’s flawless writing. Gabriel’s Inferno and Gabriel’s Rapture are books I will always treasure and are among my top ten reads of last year.”—The Autumn Review “An unforgettable and riveting love story that will sweep readers off their feet.”—Nina’s Literary Escape “Sylvain Reynard’s writing is captivating and intense . . . It’s hard not to be drawn to the darkly passionate and mysterious Gabriel, a character you’ll be drooling and pining for!”—Waves of Fiction Sylvain Reynard is the New York Times bestselling author of The Raven and the Gabriel Trilogy, including Gabriel's Inferno, Gabriel's Rapture, and Gabriel's Redemption.
In Oh Joy! Oh Rapture! expert and enthusiast Ian Bradley explores the world of Gilbert and Sullivan over the last four and a half decades, looking at the way this "phenomenon" is passed from generation to generation. Taking as his starting point the expiry of copyright on the opera libretti at the end of 1961 and using fascinating hitherto unpublished archive material, Bradley reveals the extraordinary story of the last years of the old D'Oyly Carte Opera Company, the guardian of Savoy tradition for over a hundred years, and the troubled history of its successor. He explores the rich vein of parodies, spoofs, and spin-offs of the songs, as well as their influence on twentieth century lyricists and composers. He analyzes professional productions across the world, looks at the unique place of G&S in schools, colleges, and universities, and lovingly explores the culture of amateur performance. He also uncovers the largely male world of the obsessive fans, those collecting memorabilia, the myriad magazines, journals, websites, and festivals devoted to G&S, and the arcane interests of some of the faithful "inner brotherhood."
In 1870, Dante Gabriel Rossetti published the first version of his sonnet sequence The House of Life. The next thirty years saw the greatest flourishing of the sonnet sequence since the 1590s. John Holmes's carefully researched and eloquent study illuminates how leading sonneteers, including the Rossettis, John Addington Symonds, Wilfrid Blunt and Augusta Webster, and their early twentieth-century successors Rosa Newmarch and Rupert Brooke, addressed the urgent questions of selfhood, religious belief and doubt, and sexual and national identity which troubled late Victorian England.