Ran McGhie's world has been turned upside down. A young, lonely, and frustrated writer, and suffering from mental-health problems, he discovers that his long-dead mother was related to one of Glasgow's oldest merchant families. Not only that, but Ran has inherited Newton Hall, a vast mansion that belonged to his great-uncle, who it seems has been watching from afar as his estranged great-nephew has grown up. Entering his new-found home, it seems Great-Uncle Fitzpatrick has turned it into a temple to the written word—the perfect place for poet Ran. But everything is not as it seems. As he explores the Hall's endless corridors, Ran's grasp on reality appears to be loosening. And then he comes across an ancient lift; and in that lift a mirror. And in the mirror . . . the reflection of a woman.
This series trails the Winslow family through generations of American history, depicting key moments from the eyes of characters experiencing them firsthand. Collection I includes books 1 - 10. 1 The Honorable Imposter 2 The Captive Bride 3 The Indentured Heart 4 The Gentle Rebel 5 The Saintly Buccaneer 6 The Holy Warrior 7 The Reluctant Bridegroom 8 The Last Confederate 9 The Dixie Widow 10 The Wounded Yankee
Matt is six years old when he discovers that he is different from other children and other people. To most, Matt isn't considered a boy at all, but a beast, dirty and disgusting. But to El Patron, lord of a country called Opium, Matt is the guarantee of eternal life. El Patron loves Matt as he loves himself - for Matt is himself. They share the exact same DNA. As Matt struggles to understand his existence and what that existence truly means, he is threatened by a host of sinister and manipulating characters, from El Patron's power-hungry family to the brain-deadened eejits and mindless slaves that toil Opium's poppy fields. Surrounded by a dangerous army of bodyguards, escape is the only chance Matt has to survive. But even escape is no guarantee of freedom… because Matt is marked by his difference in ways that he doesn't even suspect.
Legislation by Great Britain. Parliament. House of Commons
In five short centuries, the mighty Empire of the Méxica, descendants of the ancient Aztecs allied with Imperial Japan, has spread out to conquer the Earth, left the homeworld, and set its sights on the stars. But the universe is a dangerous place, filled with hidden powers and the relics of ancient civilizations. The Méxica are only the latest of the great Imperial powers to reach for the stars. But that doesn't stop Imperial Méxica from claiming control. Xenoarcheologist Gretchen Anderssen had hoped to enjoy her well-earned vacation. She hadn't seen her home-world or her children for many months. But the Company has other plans for her - when she checks in for her transport, she finds new orders for her team. It looks like only a small diversion - a quick trip to the Planet Jagen, to investigate reports of a possible First Sun artifact. She doesn't have to run an excavation, or even gain possession of the artifact. Just file a report. But it smells bad, says Gretchen's Hesht companion, Magdalena. David Parker, the Company pilot assigned to Anderssen's analysis team agrees. And they are so right. Gretchen, Magdalena, and Parker find themselves in very dangerous territory indeed. Because, unbeknownst to anyone at the Company, the Imperial Méxican Priesthood has decided to wage a war on Jagan - a war not of conquest or defense, but a "flowery war", planned and fomented for the purpose of blooding the Emperor's youngest son. Gretchen and her team are headed right into the middle of the battle. It may be a War of Flowers, but many people will die, and blood will flow in the streets. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
House of Small Shadows is the disturbing novel about a modern phobia from award-winning author Adam Nevill. The Red House: home to the damaged genius of the late M. H. Mason, master taxidermist and puppeteer, where he lived and created some of his most disturbing works. The building and its treasure trove of antiques is long forgotten, but the time has come for his creations to rise from the darkness. Catherine Howard can't believe her luck when she's invited to value the contents of the house. When she first sees the elaborate displays of posed, costumed and preserved animals and macabre puppets, she's both thrilled and terrified. It's an opportunity to die for. But the Red House has secrets, secrets as dreadful and dark as those from Catherine's own past. At night the building comes alive with noises and movements: footsteps, and the fleeting glimpses of small shadows on the stairs. And soon the barriers between reality, sanity and nightmare begin to collapse . . .