An excellent introduction to the formidable life and career of Peter the Great and his impact on Russia. M.S. Anderson assesses his aims and achievements at home and abroad, and examines the pressures and restrictions that shaped his attitudes and limited his actions.
There has never been a more remarkable national leader in modern history than Peter the Great (1672–1725). He was a giant in every way. In physical stature, willpower, enthusiasm, energy, libertinism, and refusal to accept old conventions, he stood head and shoulders above his contemporaries. He grew up in an atmosphere of fear, suspicion, and court rivalries that often assumed violent forms. He only gained power, at the age of seventeen, by ousting his half sister, Sophia, and shutting her up in a nunnery. As a product of the system, Peter was, of necessity, ruthless and tyrannical, personally carrying out the execution of defeated rebels and even effecting the death of his own son. But there his identification with Russia's past ends. For what has earned Peter his place in history is his tearing his country, kicking and screaming, from its traditional, oriental customs and beliefs and integrating it into the life of Europe. He removed the privileges of the medieval aristocracy, brought the church under state control, and rejected the old Russian calendar in favor of the dating system used in Europe. He even ordered his courtiers and officials to shave their traditional beards and adopt Western dress codes. He avidly studied the latest scientific and technological advances and employed them to build a modern army and to create from scratch a Russian navy. These tools he used to devastating effect by destroying the Swedish Empire and making Russia (with its brand-new capital, St. Petersburg) master of the Baltic. European leaders did not know what to make of this eccentric, unsophisticated tsar who loathed pomp and ceremony, served as a junior officer in his own armed forces, and indulged in rowdy, boorish behavior. Yet, by the end of his remarkable reign, this man, who had made a servant girl his own wife and empress, had married members of his family into the royal houses of Europe. Thanks to Peter the Great, Russia was profoundly changed. So was Europe. Derek Wilson tells his extraordinary story with a verve and atmospheric detail that emphasizes vividly the impact this one man made not only in Russia, but in the wider world. Peter the Great created a new Europe in which, for good or ill, Russia was to play a crucial part. His contemporaries were obliged to come to terms with him. And today, it is perhaps even more important for us to understand the historical context and the pivotal role Peter played in the creation of a whole new order.
When Catherine II died in St Petersburg in 1796 the world sensed the loss of the most celebrated monarch of Europe - something no one would have predicted at the birth sixty-seven years before of an obscure German princess, Sophie of Anhalt-Zerbst, later married off to the pathetic heir to the Russian throne. There were few greater transformations of fortunes in history. Sophie/Catherine had come to rule in her own right over the largest state in existence since the fall of the Roman Empire. She was branded both a usurper and an assassin when she seized power from her wretched husband in 1762. Yet she survived the initial succession crisis, and went on to occupy the Russian throne for thirty-four years. In the process, she turned her new empire from peripheral pariah to European great power.
More than once he professed an aversion to the exercise of power, asking only for a quiet life outside Russia; yet he acceded to the throne in a bloody coup which involved the murder of his own father, Paul I. He claimed to 'love constitutions'; yet he failed to implement the constitutional programmes written in his reign for Russia. He frequently expressed his abhorrence of serfdom; yet he did little to challenge the institution of serfdom or ameliorate the condition of the peasants - indeed he consigned tens of thousands of them to the hated military colonies. He asserted that his only ambition was to see Europe at peace; yet his wars, not only with Napoleonic France but also with Sweden and the Ottoman Empire, drove the borders of Russia deeper into the continent of Europe than in any previous reign. Janet Hartley explores these contradictions and paradoxes
Offers two hundred biographical entries about great leaders from history, classifying them as conquerors, innovators, problem solvers, profit makers, strategists, visionaries, systems creators, and leveragers.
American history has always been an irresistible source of inspiration for filmmakers, and today, for good or ill, most Americans'sense of the past likely comes more from Hollywood than from the works of historians. In important films such as The Birth of a Nation (1915), Roots (1977), Apocalypse Now (1979), and Saving Private Ryan (1998), how much is entertainment and how much is rooted in historical fact? In The Columbia Companion to American History on Film, more than seventy scholars consider the gap between history and Hollywood. They examine how filmmakers have presented and interpreted the most important events, topics, eras, and figures in the American past, often comparing the film versions of events with the interpretations of the best historians who have explored the topic. Divided into eight broad categories—Eras; Wars and Other Major Events; Notable People; Groups; Institutions and Movements; Places; Themes and Topics; and Myths and Heroes—the volume features extensive cross-references, a filmography (of discussed and relevant films), notes, and a bibliography of selected historical works on each subject. The Columbia Companion to American History on Film is also an important resource for teachers, with extensive information for research or for course development appropriate for both high school and college students. Though each essay reflects the unique body of film and print works covering the subject at hand, every essay addresses several fundamental questions: What are the key films on this topic? What sources did the filmmaker use, and how did the film deviate (or remain true to) its sources? How have film interpretations of a particular historical topic changed, and what sorts of factors—technological, social, political, historiographical—have affected their evolution? Have filmmakers altered the historical record with a view to enhancing drama or to enhance the "truth" of their putative message?
In this provocative interdisciplinary study, Nicholas and Peter Onuf argue that the American Civil War was the first great war between modern nations, emerging from the wreckage of a federal union that was supposed to secure perpetual peace. Situating conceptions of nationhood and war in the broader context of modern history, the authors draw attention to overlooked aspects of liberal thought that stand in tension with the ahistorical individuals and markets that are so familiar to us today. The liberal conception of the autonomous, rights-bearing individual is the product, not the predicate, of what has actually been a protracted process of development. New ways of historical thinking gave rise to new ideas about the nations that collectively constituted international society; the behavior of sovereign nations in turn provided a liberal model for the reorganization of domestic societies. Changing conceptions of markets provided the impetus for nation-making, as well as for war. In the bookís second part the authors show how controversy over trade policy in the early American republic led to irreconcilable ideas about the nature of the union and the relationship between home and world markets. When Southerners embraced the logic of nationhood of their known region and insisted that slavery promoted the wealth and welfare of the civilized world, Northerners held that an expanding continental republic embodied their national aspirations. In this light, the clash between Southern concerns with free markets and Northern concerns about nation-making, each classically liberal in its own way, looms especially large in the sectional tensions that led to the Civil War. The Union and Confederacy went to war as great nations determined to secure their place in the modern, civilized world because they were so much alike. Their war should not be seen as a tragic, inexplicable anomaly in American history. It was, instead, the precedent for subsequent, and even more horrific, conflicts among nations.
Secrets of God's Power Revealed God confirmed Smith Wigglesworth’s ministry through powerful signs and wonders. These included the restoration of hearing and sight, the creative formation of missing limbs, the disappearance of cancerous growths, the recovery of mental wholeness by the violently insane, and the raising of several people from the dead. What changed an ordinary plumber, who suffered from stage fright, into one of the most compelling healing evangelists of the twentieth century? Author Peter Madden unfolds specific keys from the life and ministry of Smith Wigglesworth that will enable you to understand God’s ways and take your life from ordinary to extraordinary. You, too, can... See the “incurable” healed. Find purpose for your life. Receive God's favor and blessings. Be led by the Holy Spirit. Deal with evil powers. Have freedom from fear Experience His love and joy. Jesus wants us to understand and use the power of the Spirit, because He said: “He who believes in Me, the works that I do he will do also; and greater works than these he will do” (John 14:12).
The Great War was the first truly global conflict, and it changed the course of world history In this magnum opus, critically-acclaimed historian Peter Hart examines the conflict in every arena around the world, in a history that combines cutting edge scholarship with vivid and unfamiliar eyewitness accounts, from kings and generals, and ordinary soldiers. He focuses in particular on explaining how technology and tactics developed during the conflict - and determines which battles were crucial to its outcome. Combatants from every corner of Earth joined the fray, but their voices are rarely heard together. This is a major history of the conflict whose centenary is fast approaching. Published in paperback for the anniversary of the conflict, this is a pioneering and comprehensive account of the First World War, comparable to Anthony Beevor or Max Hastings.
Profiles in Canadian Literature is a wide-ranging series of essays on Canadian authors. Each profile acquaints the reader with the writer’s work, providing insight into themes, techniques, and special characteristics, as well as a chronology of the author’s life. Finally, there is a bibliography of primary works and criticism that suggests avenues for further study. "I know of no better introduction to these writers, and the studies in question are full of basic information not readily obtainable elsewhere."-U of T Quarterly
Wir leben in einer technologischen Sackgasse. Zwar suggeriert die Globalisierung technischen Fortschritt, doch das vermeintlich Neue, sind vor allem Kopien des Bestehenden. Peter Thiel, Silicon-Valley-Insider und in der Wirtschaftscommunity bestens bekannter Innovationstreiber ist überzeugt: Globalisierung ist kein Fortschritt, Konkurrenz ist schädlich und nur Monopole sind nachhaltig erfolgreich. Er zeigt: Wahre Innovation entsteht nicht horizontal, sondern sprunghaft - from Zero to One. Um die Zukunft zu erobern, reicht es nicht, der Beste zu sein. Gründer müssen aus dem Wettkampf des Immergleichen heraustreten und völlig neue Märkte erobern. Wie man wirklich Neues erfindet, enthüllt seine beeindruckende Anleitung zum visionären Querdenken. Ein Appell für einen Startup der ganzen Gesellschaft.
Unique survey of best works by16th-century Flemish printmaker presents 64 engravings and one woodcut, each accompanied by an informative essay. Subjects include landscapes, ships and the sea, peasants, humor, and religion.
In Russia, a group of leading Russian intellectuals and social scientists join with top researchers from around the world to examine the social, political, and economic transformation in Russia. This timely and important book of orginal essays makes clear that neither politics nor economics alone holds the key to Russia's future, presenting critical perspectives on challenges facing Russia, both in its domestic policies and in its international relations. It also explores how global order—or disorder—may develop over the coming decades.Contributors include: Oleg Atkov, Timothy J. Colton, Georgi Derluguian, Mikhail K. Gorshkov, Leonid Grigoriev, Nur Kirabaev, Andrew C. Kuchins, Bobo Lo, Roderic Lyne, Vladimir Popov, Alexander Rahr, Richard Sakwa, Guzel Ulumbekova, Vladimir I. Yakunin, Rustem Zhangozha.
A History of Russia: Peoples, Legends, Events, Forces is a comprehensive narrative conceived and developed after the collapse of the former Soviet Union. Informed by the burgeoning historiography of the 1990s, the text balances political and economic explorations of everyday life, social roles, cultural dynamics, and gender issues. Many texts on this subject are written from a pre-Confederation point of view that may be unsuitable for today's classroom. This text provides strong coverage of 20th-century Russia and the U.S.S.R. without sacrificing its coverage of earlier historical periods.
The definitive cultural biography of the “Venice of the North” and its transcendent artistic and spiritual legacy, written by Russian emerge and acclaimed cultural historian, Solomon Volkov. Long considered to be the mad dream of an imperious autocrat—the "Venice of the North," conceived in a setting of malarial swamps—St. Petersburg was built in 1703 by Peter the Great as Russia's gateway to the West. For almost 300 years this splendid city has survived the most extreme attempts of man and nature to extinguish it, from flood, famine, and disease to civil war, Stalinist purges, and the epic 900-day siege by Hitler's armies. It has even been renamed twice, and became St. Petersburg again only in 1991. Yet not only has it retained its special, almost mystical identity as the schizophrenic soul of modern Russia, but it remains one of the most beautiful and alluring cities in the world. Now Solomon Volkov, a Russian emigre and acclaimed cultural historian, has written the definitive cultural biography of this city and its transcendent artistic and spiritual legacy. For Pushkin, Gogol, and Dostoyevsky, Petersburg was a spectral city that symbolized the near-apocalyptic conflicts of imperial Russia. As the monarchy declined, allowing intellectuals and artists to flourish, Petersburg became a center of avant-garde experiment and flamboyant bohemian challenge to the dominating power of the state, first czarist and then communist. The names of the Russian modern masters who found expression in St. Petersburg still resonate powerfully in every field of art: in music, Stravinsky, Prokofiev, and Shostakovich; in literature, Akhmatova, Blok, Mandelstam, Nabokov, and Brodsky; in dance, Diaghilev, Nijinsky, and Balanchine; in theater, Meyerhold; in painting, Chagall and Malevich; and many others, whose works are now part of the permanent fabric of Western civilization. Yet no comprehensive portrait of this thriving distinctive, and highly influential cosmopolitan culture, and the city that inspired it, has previously been attempted.
In his lifetime Gielgud was acclaimed as the finest classical actor of the twentieth century and Jonathan Croall's biography from 2000 was instantly recognised by critics as a masterful achievement, one that was 'unlikely to be surpassed' (Sunday Telegraph). Since that time however a considerable amount of new material has come to light and the passing of time has allowed a new candour. John Gielgud: Matinee Idol to Movie Star sees this peerless biographer return to his subject to offer the definitive life of Gielgud. For this new biography Croall's exhaustive research has included over a hundred new interviews with key people from his life and career, several hundred letters from Gielgud that have never been published, scores of letters written to him and archived versions of his film and television work. As Gielgud worked increasingly in this medium during the last third of his life much greater attention is given to this than in the earlier work. Fresh light is thrown on his professional relationships with figures such as Laurence Olivier and Edith Evans, and on turbulent episodes of his private life. The overall result is a a much more rounded, candid and richly textured portrait of this celebrated and complex actor.
Because the turbulent trajectory of Russia's foreign policy since the collapse of the Soviet Union echoes previous moments of social and political transformation, history offers a special vantage point from which to judge the current course of events. In this book, a mix of leading historians and political scientists examines the foreign policy of contemporary Russia over four centuries of history. The authors explain the impact of empire and its loss, the interweaving of domestic and foreign impulses, long-standing approaches to national security, and the effect of globalization over time. Contributors focus on the underlying patterns that have marked Russian foreign policy and that persist today. These patterns are driven by the country's political makeup, geographical circumstances, economic strivings, unsettled position in the larger international setting, and, above all, its tortured effort to resolve issues of national identity. The argument here is not that the Russia of Putin and his successors must remain trapped by these historical patterns but that history allows for an assessment of how much or how little has changed in Russia's approach to the outside world and creates a foundation for identifying what must change if Russia is to evolve. A truly unique collection, this volume utilizes history to shed crucial light on Russia's complex, occasionally inscrutable relationship with the world. In so doing, it raises the broader issue of the relationship of history to the study of contemporary foreign policy and how these two enterprises might be better joined.
Technology & Engineering by Friedrich Kiessling,Peter Nefzger,Ulf Kaintzyk,Joao Felix Nolasco
Author: Friedrich Kiessling,Peter Nefzger,Ulf Kaintzyk,Joao Felix Nolasco
Publisher: Springer Science & Business Media
Category: Technology & Engineering
"This publication is intended to introduce students and beginners to the full range of relevant topics of line design and implementation and to serve as a valuable reference to engineers and technicians employed by overhead line operators, contractors and consulting companies to carry out their daily tasks. The book also supplies everyone else in the electric-energy supply industry, including design, maintenance, and construction engineers, with a ready reference. This first English-language edition is based on the 5th German-language edition and incorporates the latest international standards edited by Cigre, the International Council of Large Electric Systems, IEC, and CENELEC."--BOOK JACKET.