Barb Cook and 14 other autistic women describe life from a female autistic perspective, and present empowering, helpful and supportive insights from their personal experience for fellow autistic women. Michelle Garnett's comments validate and expand the experiences described from a clinician's perspective, and provide extensive recommendations. Autistic advocates including Liane Holliday Willey, Anita Lesko, Jeanette Purkis, Artemisia and Samantha Craft offer their personal guidance on significant issues that particularly affect women, as well as those that are more general to autism. Contributors cover issues including growing up, identity, diversity, parenting, independence and self-care amongst many others. With great contributions from exceptional women, this is a truly well-rounded collection of knowledge and sage advice for any woman with autism.
This insightful book investigates the experiences of seven women with autism as they transition from childhood to adulthood, and how they make sense of that journey. Taken from the autobiographies of women including Liane Holliday-Willey and Temple Grandin, these accounts shine a light on issues unique to women with autism. Heather Stone Wodis provides a detailed and thoughtful exploration of their common experiences, and each story offers a new perspective that illuminates the diagnosis from a different angle. This is a fascinating look at how generational differences, such as access to the internet, can provide more avenues toward self-expression, political mobilization, and advocacy. It also explores the idea that, no matter the era, the unyielding support of family and a diagnosis in childhood can help girls with autism transition toward adulthood.
A survey of British womens' attitudes to work and home in the 1980s and how they have changed since World War II. The relevant literature is reviewed and the result of recent surveys of womens' attitudes are cited.
Selected by Choice as a 2012 Outstanding Academic Title Awarded a 2012 PROSE Honorable Mention as a Single Volume Reference/Humanities & Social Sciences A Companion to Women in the Ancient World presents an interdisciplinary, methodologically-based collection of newly-commissioned essays from prominent scholars on the study of women in the ancient world. The first interdisciplinary, methodologically-based collection of readings to address the study of women in the ancient world Explores a broad range of topics relating to women in antiquity, including: Mother-Goddess Theory; Women in Homer, Pre-Roman Italy, the Near East; Women and the Family, the State, and Religion; Dress and Adornment; Female Patronage; Hellenistic Queens; Imperial Women; Women in Late Antiquity; Early Women Saints; and many more Thematically arranged to emphasize the importance of historical themes of continuity, development, and innovation Reconsiders much of the well-known evidence and preconceived notions relating to women in antiquity Includes contributions from many of the most prominent scholars associated with the study of women in antiquity
In her immensely readable and richly documented book, Christine Bayles Kortsch asks us to shift our understanding of late Victorian literary culture by examining its inextricable relationship with the material culture of dress and sewing. Even as the Education Acts of 1870, 1880, and 1891 extended the privilege of print literacy to greater numbers of the populace, stitching samplers continued to be a way of acculturating girls in both print literacy and what Kortsch terms "dress culture." Kortsch explores nineteenth-century women's education, sewing and needlework, mainstream fashion, alternative dress movements, working-class labor in the textile industry, and forms of social activism, showing how dual literacy in dress and print cultures linked women writers with their readers. Focusing on Victorian novels written between 1870 and 1900, Kortsch examines fiction by writers such as Olive Schreiner, Ella Hepworth Dixon, Margaret Oliphant, Sarah Grand, and Gertrude Dix, with attention to influential predecessors like Elizabeth Gaskell, Charlotte Brontë, and George Eliot. Periodicals, with their juxtaposition of journalism, fiction, and articles on dress and sewing are particularly fertile sites for exploring the close linkages between print and dress cultures. Informed by her examinations of costume collections in British and American museums, Kortsch's book broadens our view of New Woman fiction and its relationship both to dress culture and to contemporary women's fiction.
Are women benefiting from current changes in the Middle East media? With media all over the world still marginalizing women and trivializing gender inequalities, how does the situation in the Middle East compare? Proliferating satellite channels have increased women’s visibility in the region but visibility does not necessarily confer power. This book explores various ways in which media have been used to open up possibilities for women in the Middle East or, conversely, to restrict them. Having as their starting point the diverse experiences and multi-layered identities of women, the contributors treat media institutions and practices as part of wider power relations in society. By analyzing media production, consumption and texts, they reveal where and how gender boundaries have been erected or crossed. In eleven chapters, Women and Media in the Middle East spans both the region, from Iran to Morocco, and the media, from film and broadcasting to the press and internet. It looks back at women’s journalism in pre-1952 Egypt and forward to future trends in women’s internet use. One chapter shows how Maghrebi women filmmakers achieved a belated symbolic liberation for the ‘colonized of the colonized’. Another reveals how Egyptian political films link the representation of women to nationalist ideals. A study of the women’s press in Iran shows how it forced gender to the forefront of government concerns, while an investigation of Kuwait’s mainstream press uncovers duplicity in the struggle over female suffrage. A chapter on audience reception exposes clashing identity constructions and competing knowledge systems in a rural community. Further chapters explore an experiment in gender awareness programming on Palestinian TV and women’s role on Hezbollah’s television station, Al-Manar. The book begins by considering whether research on women and media in other contexts can be applied to the Middle East. It ends by discussing the careers of seven well-knon Arab women journalists. Rich and illuminating, this highly original book will be useful to scholars, media professionals and general readers interested in women’s studies, media and shifting power structures in the Middle East.
Conservative evangelical women are least likely to be trained in the areas of teaching and preaching. It's a tragic state of affairs, given the central value that our tradition places on the Scriptures. In this book, Jackie Roese examines the forces, both past and present, that have discouraged women from becoming trained. We'll discover that women are indeed called, gifted, and mandated in Scripture to herald the Word of God. The first half of the book will focus on encouraging women to become as fully equipped as our male counterparts, and to use their uniquely female voice in proclaiming truth to other women in various settings outside pulpit preaching. But encouragement isn't enough. Many women who already teach Bible studies, or who desire to teach, are in no position to pursue formal studies in a seminary. To that end, the second half of She Can Teach is dedicated to developing homiletic skills. Together we will learn how to study a passage, find the main idea, and build and deliver a biblical message. By the end of this book, the reader will be better equipped to proclaim truth, through her uniquely female voice, to her female audience.
Orphan Black’s Tatiana Maslany plays a host of the show’s main characters, all clones of an illegal experiment. The mighty heroines save one another and destroy the patriarchy while subverting gender expectations. The feminist clones are Sarah, who clashes with her radical feminist foster-mother; Alison, the quintessential post-feminist housewife; Cosima, a second-wave feminist lesbian; Beth, a third-wave feminist bogged down by addiction; and M.K., a fourth-wave feminist who tackles the hardships of disability through the Internet. The book explores the women’s war against corporate power and how it relates to the science and ethics surrounding cloning.