Despite the close and longstanding links between sport and music, the relationships between these two significant cultural forms have been relatively neglected. This book addresses the oversight with a series of highly original essays written by authors from a range of academic disciplines including history, psychology, musicology and cultural studies. It deals with themes including sport in music; music in sport; the use of music in mass sporting events; and sport, music and protest. In so doing, the book raises a range of important themes such as personal and collective identity, cultural value, ideology, globalisation and the commercialisation of sport. As well as considering the sport/music nexus in Great Britain, the collection examines sport and music in Ireland, the United States, Germany and the former Soviet Union, as well as in the Olympic movement. Musical styles and genres discussed are diverse and include classical, rock, music hall and football-terrace chants. For anybody with an interest in sport, music or both, this collection will prove an enjoyable and stimulating read. This book was previously published as a Special Issue of Sport in Society.
Applying Music in Exercise and Sport combines contemporary research, evidence-based practice, and specific recommendations to help exercise and sport professionals, researchers, coaches, students, and enthusiasts use music to enhance physical activity enjoyment, motivation, and performance.
Football, in many ways, is a visual endeavour. From the visual experience within the stadium itself to worldwide media representations, from advertisements to football art and artefacts: football is much about seeing and being seen, about watching, making visual and being visualised. The FIFA World Cup 2010 in South Africa has turned into a perfect example of the visual dimensions of football. Stadiums have been built and marketed as tourist attractions, mass media and internet platforms are advertising South African cities and venues, logos and emblems are displayed and celebrated, exhibitions are organised in museums world-wide. This book explores the social, cultural and political role of football in Africa by focusing on the issue of its visibility and invisibility. The contributions consider the history and present of football in different parts of Africa. They examine historical and recent pictures and images of football and football players, as well as places and spaces of their production and perception. They analyse the visual dimensions expressed in sports infrastructure, football media-scapes, and in expressive and material arts. This book thus contributes to the growing interest in football in Africa by exploring a new field of research into sports. This book was previously published as a special issue of Soccer and Society.
This text, specifically for AQA specifications, is designed to be easy and encouraging for students to use. The book contains updated material and activities together with a new chapter on study skills. It also indicates clearly where activities meet the new evidence requirements for key skills.
Anthology from the year 2008 in the subject Urban and Regional Planning, University of Weimar (Institut für Europäische Urbanistik ), 333 entries in the bibliography, language: English, abstract: Music-City. Sports-City. Leisure-City.’ is the latest publication from the Europäisches Institut für Urbanistik at the Bauhaus University Weimar. It is a contemporary examination of the role that culture plays in the urban environment and in its development. The book’s genesis derives from two seminars held at the institute, led by PhD candidate Alexander Bergmann, dealing with the same topic and it consists of a collection of essays primarily assembled from the students partaking in the seminar. It is broad in both its range and scope, first laying down a theoretical foundation exploring the historical and critical role of culture in the city, followed by a more current assessment of culture-led urban development around the world. The book concludes with the description of four proposed projects for Sheffield, where the students were assigned hypothetical scenarios for the city and asked to propose solutions. The book’s strength draws from the diversity of its contributors, trained architects, planners and academics hailing from cities across the globe. Contemporary urban cultural issues, such as graffiti, hip-hop, skateboarding and the creative classes, are approached with fresh new perspectives. The cities of Sheffield, Chemnitz and Essen are put under the cultural spotlight as we learn about the growing hip-hop movement in the former GDR, industrial cultural beauty in the Rhine-Ruhr Region and a cultural industry quarter in the heart of England’s steel city. In the final section, we are taken on a fantastical tour of possible futures for the city of Sheffield. o Will the city transform itself into a city of networked slides? o Will the youth congregate around spontaneous i-pod car parties? o How could a company like Apple help restore industrial heritage while building a clustered specialised high-tech community of its own? o What role could companies like Nike and Adidas play in supporting a healthy active lifestyle for Sheffielders? The book promises to be an exciting trek through this cultural cityscape. It is illustrated by one of Germany’s famous graffiti artists – Hamburg based CIDE.
Politics and music are intertwined in this study of different musical forms in Latin America from the twentieth century to the present as scholars from diverse disciplines analyze various musical genres contextualized by moments of political importance in Latin America. Interviews of prominent and up-and-coming musicians from Latin America discuss how the personal is actually political.
The song 'God Bless America' has come to inhabit our collective consciousness. This book tells the fascinating story behind the song, from its composition in 1918 by Irving Berlin, to its first performance by Kate Smith in 1938, to its post 9/11 popularity.