Aesthetics

Theory of the Avant-garde

Author: Peter Bürger

Publisher: Manchester University Press

ISBN: 9780719014536

Category: Aesthetics

Page: 135

View: 4856

Art

Avant-garde

Author: Renato Poggioli

Publisher: Harvard University Press

ISBN: 9780674882164

Category: Art

Page: 250

View: 3836

Convinced that all aspects of modern culture have been affected by avant-garde art, Poggioli explores the relationship between the avant-garde and civilization. Historical parallels and modern examples from all the arts are used to show how the avant-garde is both symptom and cause of many major extra-aesthetic trends of our time, and that the contemporary avant-garde is the sole and authentic one.
Performing Arts

Theories of the Avant-garde Theatre

A Casebook from Kleist to Camus

Author: Bert Cardullo

Publisher: Rowman & Littlefield

ISBN: 0810887045

Category: Performing Arts

Page: 185

View: 3083

In this collection of essays by avant-garde theatre's most creative practitioners—directors, playwrights, performers, and designers—these writings provide direct access to the thinking behind much of the most stimulating playwriting and performance of the late nineteenth and twentieth centuries.
Literary Criticism

The Concept of Modernism

Author: Astradur Eysteinsson

Publisher: Cornell University Press

ISBN: 9780801480775

Category: Literary Criticism

Page: 265

View: 7866

The term "modernism" is central to any discussion of twentieth-century literature and critical theory. Astradur Eysteinsson here maintains that the concept of modernism does not emerge directly from the literature it subsumes, but is in fact a product of critical practices relating to nontraditional literature. Intervening in these practices, and correlating them with modernist works and with modern literary theory, Eysteinsson undertakes a comprehensive reexamination of the idea of modernism.
Literary Criticism

The Cambridge History of Literary Criticism: Volume 7, Modernism and the New Criticism

Author: George Alexander Kennedy,A. Walton Litz

Publisher: Cambridge University Press

ISBN: 9780521300124

Category: Literary Criticism

Page: 576

View: 6234

This volume of The Cambridge History of Literary Criticism, first published in 2000, provides a thorough account of the critical tradition emerging with the modernist and avant-garde writers of the early twentieth century (Eliot, Pound, Stein, Yeats), continuing with the New Critics (Richards, Empson, Burke, Winters), and feeding into the influential work of Leavis, Trilling and others who helped form the modern institutions of literary culture. The core period covered is 1910–60, but explicit connections are made with nineteenth-century traditions and there is discussion of the implications of modernism and the New Criticism for our own time, with its inherited formalism, anti-sentimentalism, and astringency of tone. The book provides a companion to the other twentieth-century volumes of The Cambridge History of Literary Criticism, and offers a systematic and stimulating coverage of the development of the key literary-critical movements, with chapters on groups and genres as well as on individual critics.
Performing Arts

Avant-garde Performance & the Limits of Criticism

Approaching the Living Theatre, Happenings/Fluxus, and the Black Arts Movement

Author: Mike Sell

Publisher: University of Michigan Press

ISBN: 0472033077

Category: Performing Arts

Page: 327

View: 1985

Avant-Garde Performance and the Limits of Criticism looks at the American avant-garde during the Cold War period, focusing on the interrelated questions of performance practices, cultural resistance, and the politics of criticism and scholarship in the U.S. counterculture. This groundbreaking book examines the role of the scholar and critic in the cultural struggles of radical artists and reveals how avant-garde performance identifies the very limits of critical consideration. It also explores the popularization of the avant-garde: how formerly subversive art is eventually discovered by the mass media, is gobbled up by the marketplace, and finds its way onto the syllabi of college and university courses. This book is a timely and significant book that will appeal to those interested in avant-garde literary criticism, theater history, and performance studies.
Literary Criticism

Theorizing the Avant-Garde

Modernism, Expressionism, and the Problem of Postmodernity

Author: Richard John Murphy

Publisher: Cambridge University Press

ISBN: 9780521648691

Category: Literary Criticism

Page: 325

View: 5075

In Modernism, Expressionism and Theories of the Avant Garde, Richard Murphy mobilises theories of the postmodern to challenge our understanding of the avant-garde. He assesses the importance of the avant-garde for contemporary culture and for the debates among theorists of postmodernism such as Jameson, Eagleton, Lyotard and Habermas. Murphy reconsiders the classic formulation of the avant-garde in Lukacs and Bloch, especially their discussion of aesthetic autonomy, and investigates the relationship between art and politics via a discussion of Marcuse, Adorno and Benjamin. Combining close textual readings of a wide range of films as well as works of literature, it draws on a rich array of critical theories, such as those of Bakhtin, Todorov, MacCabe, Belsey and Raymond Williams. This interdisciplinary project will appeal to all those interested in modernist and avant-garde movements of the early twentieth century, and provides a critical rethinking of the present-day controversy regarding postmodernity.
Art

Avant-Garde Canadian Literature

The Early Manifestations

Author: Gregory Betts

Publisher: University of Toronto Press

ISBN: 1442696915

Category: Art

Page: 328

View: 4268

In Avant-Garde Canadian Literature, Gregory Betts draws attention to the fact that the avant-garde has had a presence in Canada long before the country's literary histories have recognized, and that the radicalism of avant-garde art has been sabotaged by pedestrian terms of engagement by the Canadian media, the public, and the literary critics. This book presents a rich body of evidence to illustrate the extent to which Canadians have been producing avant-garde art since the start of the twentieth century. Betts explores the radical literary ambitions and achievements of three different nodes of avant-garde literary activity: mystical revolutionaries from the 1910s to the 1930s; Surrealists/Automatists from the 1920s to the 1960s; and Canadian Vorticists from the 1920s to the 1970s. Avant-Garde Canadian Literature offers an entrance into the vocabulary of the ongoing and primarily international debate surrounding the idea of avant-gardism, providing readers with a functional vocabulary for discussing some of the most hermetic and yet energetic literature ever produced in this country.
Literary Collections

European Avant-garde

New Perspectives : Avantgarde, Avantgardekritik, Avantgardeforschung

Author: Dietrich Scheunemann,American Comparative Literature Association

Publisher: Rodopi

ISBN: 9789042012042

Category: Literary Collections

Page: 274

View: 318

This collection of critical essays is designed to lay the foundations for a new theory of the European avant-garde. It starts from the assumption that not one all-embracing intention of all avant-garde movements - i.e. the intention of “reintegrating art into the practice of life” (Peter Bürger) - but the challenge of new cultural technologies, in particular photography and cinema, constitutes the main driving force of the formation and further development of the avant-garde. This approach permits to establish a theoretical framework that takes into account the diversity of artistic aims and directions of the various art movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Following the theoretical foundation of the new approach, individual contributions concentrate on a diverse range of avant-gardist concepts, trends and manifestations from cubist painting and the literary work of Apollinaire and Gertrude Stein to the screeching voices of futurism, dadaist photomontage and film, surrealist photographs and sculptures and neo-avant-gardist theories as developed by the French group OuLiPo. The volume closes with new insights gained from placing the avant-garde in the contexts of literary institutions and psychoanalytical and sociological concepts. The main body of the volume is based on presentations and discussions of a three-day research seminar held at Yale University, New Haven, in February 2000. The research group formed on this occasion will continue with its efforts to elaborate a new theory of the avant-garde in the coming years.
Literary Criticism

Reading World Literature

Theory, History, Practice

Author: Sarah Lawall

Publisher: University of Texas Press

ISBN: 0292786379

Category: Literary Criticism

Page: 380

View: 7919

As teachers and readers expand the canon of world literature to include writers whose voices traditionally have been silenced by the dominant culture, fundamental questions arise. What do we mean by "world"? What constitutes "literature"? Who should decide? Reading World Literature is a cumulative study of the concept and evolving practices of "world literature." Sarah Lawall opens the book with a substantial introduction to the overall topic. Twelve original essays by distinguished specialists run the gamut from close readings of specific texts to problems of translation theory and reader response. The sequence of essays develops from re-examinations of traditional canonical pieces through explorations of less familiar works to discussions of reading itself as a "literacy" dependent on worldview. Reading World Literature will open challenging new vistas for a wide audience in the humanities, from traditionalists to avant-garde specialists in literary theory, cultural studies, and area studies.
History

Modernism

Author: Robin Walz

Publisher: Routledge

ISBN: 1317860926

Category: History

Page: 204

View: 9149

Robin Walz’s updated Modernism, now part of the Seminar Studies series, has been updated to include significant primary source material and features to make it more accessible for students returning to, or studying the topic for the first time. The twentieth century was a period of seismic change on a global scale, witnessing two world wars, the rise and fall of communism, the establishment of a global economy, the beginnings of global warming and a complete reversal in the status of women in large parts of the world. The modernist movements of the early twentieth century launched a cultural revolution without which the multi-media-driven world in which we live today would not have been possible. Today modernism is enshrined in art galleries and university courses. Its techniques of abstraction and montage, and its creative impulse to innovate and shock, are the stock-in-trade of commercial advertising, feature films, television and computer-generated graphics. In this concise cultural history, Robin Walz vividly recaptures what was revolutionary about modernism. He shows how an aesthetic concept, arising from a diversity of cultural movements, from Cubism and Bauhaus to Abstract Expressionism and Pop Art, and operating in different ways across the fields of art, literature, music, design and architecture, came to turn intellectual and cultural life and assumptions upside down, first in Europe and then around the world. From the nineteenth century origins of modernism to its postmodern legacies, this book will give the reader access to the big picture of modernism as a dynamic historical process and an unfinished project which still speaks to our times.
Art

Art Theory and Criticism

An Anthology of Formalist, Avant-Garde, Contextualist and Post-Modernist Thought

Author: Sally Everett

Publisher: McFarland

ISBN: 9780786401406

Category: Art

Page: 296

View: 7987

Arranged chronologically, the essays in this book--each brilliantly introduced by the editor--deal with the way art and culture interact in modern times. Each author focuses on one aspect of modern art and its relation to culture by analyzing, questioning or refuting the ideas about art that people just assume are true. The essays are also grouped into one of four different models used by art theorists today: the formalist (in which the works of art describe the processes of making art), the avant-garde (art that threatens the status quo), the contextualist (in which art can exist only in a specific situation or context), and the post-modernist (stating that art is not completely detached from popular culture).
History

The Chinese Postmodern

Trauma and Irony in Chinese Avant-garde Fiction

Author: Xiaobin Yang

Publisher: University of Michigan Press

ISBN: 9780472112418

Category: History

Page: 286

View: 8328

An insightful look into contemporary Chinese avant-garde fiction and the problem of Chinese postmodernity
Art

The Aesthetics of Disturbance

Anti-art in Avant-garde Drama

Author: David Graver

Publisher: University of Michigan Press

ISBN: 9780472105076

Category: Art

Page: 253

View: 9223

Explores interconnections among early 20th-century visual, literary, and performance art
Literary Criticism

The Cambridge History of Twentieth-Century English Literature

Author: Laura Marcus,Professor of English Literature Laura Marcus,Peter Nicholls

Publisher: Cambridge University Press

ISBN: 9780521820776

Category: Literary Criticism

Page: 886

View: 1025

The most authoritative history of writing from England, Scotland, Wales, and Ireland across the twentieth century.
Literary Criticism

The British avant-garde

the theory and politics of tradition

Author: Josephine M. Guy

Publisher: N.A

ISBN: N.A

Category: Literary Criticism

Page: 176

View: 8640

Literary Criticism

The Rules of Art

Genesis and Structure of the Literary Field

Author: Pierre Bourdieu

Publisher: Stanford University Press

ISBN: 9780804726276

Category: Literary Criticism

Page: 408

View: 1146

Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world’s leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, art’s new autonomy is one such structure, which complicates but does not eliminate the interconnection. The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.
Performing Arts

Poetics of Dance

Body, Image, and Space in the Historical Avant-Gardes

Author: Gabriele Brandstetter

Publisher: Oxford University Press, USA

ISBN: 0199916578

Category: Performing Arts

Page: 432

View: 5603

When it was first published in Germany in 1995, Poetics of Dance was already seen as a path-breaking publication, the first to explore the relationships between the birth of modern dance, new developments in the visual arts, and the renewal of literature and drama in the form of avant-garde theatrical and movement productions of the early twentieth-century. Author Gabriele Brandstetter established in this book not only a relation between dance and critical theory, but in fact a full interdisciplinary methodology that quickly found foothold with other areas of research within dance studies. The book looks at dance at the beginnings of the 20th century, the time during which modern dance first began to make its radical departure from the aesthetics of classical ballet. Brandstetter traces modern dance's connection to new innovations and trends in visual and literary arts to argue that modern dance is in fact the preeminent symbol of modernity. As Brandstetter demonstrates, the aesthetic renewal of dance vocabulary which was pursued by modern dancers on both sides of the Atlantic - Isadora Duncan and Loie Fuller, Valeska Gert and Oskar Schlemmer, Vaslav Nijinsky and Michel Fokine - unfurled itself in new ideas about gender and subjectivity in the arts more generally, thus reflecting the modern experience of life and the self-understanding of the individual as an individual. As a whole, the book makes an important contribution to the theory of modernity.