From the acclaimed translators of War and Peace and Anna Karenina, a stunning new translation of Boris Pasternak's Nobel Prize-winning masterpiece, the first since the 1958 original. Banned in the Soviet Union until 1988, Doctor Zhivago is the epic story of the life and loves of a poet-physician during the turmoil of the Russian Revolution. Taking his family from Moscow to what he hopes will be shelter in the Ural Mountains, Yuri Zhivago finds himself instead embroiled in the battle between the Whites and the Reds, and in love with the tender and beautiful nurse Lara. Richard Pevear and Larissa Volokhonsky have restored the rhythms, tone, precision, and poetry of Pasternak's original, bringing this classic of world literature gloriously to life for a new generation of readers.
TRANSLATED BY RICHARD PEVEAR AND LARISSA VOLOKHONSKY Consumed by the idea of his own special destiny, immured in poverty and deprivation, Rashkolnikov is drawn to commit a terrible crime. In the aftermath, Rashkolnikov is dogged by madness, guilt and a calculating detective, and a feverish cat-and-mouse game unfolds. The only hope for redemption, if Rashkolnikov can but recognise it, lies in the virtuous and faithful Sonya. The Vintage Classic Russians Series: Published for the 100th anniversary of the 1917 Russian Revolution, these are must-have, beautifully designed editions of six epic masterpieces that have survived controversy, censorship and suppression to influence decades of thought and artistic expression.
An extraordinary book in the original translation. 50th Anniversary Edition Afterwards, when it was frankly too late, descriptions were issued of the man: expensive grey suit, grey beret, one green eye and the other black. He arrives in Moscow one hot summer afternoon with various alarming accomplices, including a demonic, fast-talking black cat. When he leaves, the asylums are full and the forces of law and order are in disarray. Only the Master, a man devoted to truth, and Margarita, the woman he loves, can resist the devil’s onslaught. Brilliant and blackly comic, The Master and Margarita was repressed by Stalin’s authorities and only published after the author’s death. The Vintage Classic Russians Series: Published for the 100th anniversary of the 1917 Russian Revolution, these are must-have, beautifully designed editions of six epic masterpieces that have survived controversy, censorship and suppression to influence decades of thought and artistic expression.
THE ACCLAIMED TRANSLATION BY RICHARD PEVEAR AND LARISSA VOLOKHONSKY 'If you've never read it, now is the moment. This translation will show that you don't read War and Peace, you live it' The Times From sophisticated Moscow soirees to breathless troika rides through the snow, from the bloody front line at Austerlitz to a wife’s death in childbirth, Tolstoy conjures a broad panorama of rich, messy, beautiful and debased human life. We follow the fates of open-hearted, impulsive Pierre Bezukhov, his melancholy friend Prince Andrei and the enchanting Natasha Rostov, as history and fiction are combined in one of the wisest and most enthralling novels ever written. ‘A joy to read... The sense of actually being in the skin of these people is phenomenally, brilliantly rendered by this translation’ Simon Schama The Vintage Classic Russians Series: Published for the 100th anniversary of the 1917 Russian Revolution, these are must-have, beautifully designed editions of six epic masterpieces that have survived controversy, censorship and suppression to influence decades of thought and artistic expression.
"Sentenced to death for advocating socialism in 1849, Dostoevsky served a commuted sentence of four years of hard labor. The account he wrote afterward (sometimes translated as The House of the Dead) is filled with vivid details of brutal punishments, shocking conditions, and the psychological effects of the loss of freedom and hope, but also of the feuds and betrayals, the moments of comedy, and the acts of kindness he observed. As a nobleman and a political prisoner, Dostoevsky was despised by most of his fellow convicts, and his first-person narrator-a nobleman who has killed his wife-experiences a similar struggle to adapt. He also undergoes a transformation over the course of his ordeal, as he discovers that even among the most debased criminals there are strong and beautiful souls. Notes from a Dead Housereveals the prison as a tragedy both for the inmates and for Russia. It endures as a monumental meditation on freedom."
