History

Cubist Poems

Author: Max Weber

Publisher: BiblioBazaar, LLC

ISBN:

Category: History

Page: 66

View: 932

CUBIST POEMS CUBIST POEMS BY MAX WEBER - FOREWORD MAX WEBER is an American of Russian descent. He received his first art training at the Pratt Institute of Brooklyn, New York, became a teacher of art for several years, and on his savings went to Paris to
History

CUBIST POEMS

Author: Max 1881-1961 Weber

Publisher: Wentworth Press

ISBN:

Category: History

Page: 68

View: 893

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Poetry

Part of the Climate

Author: Jacqueline Vaught Brogan

Publisher: Univ of California Press

ISBN:

Category: Poetry

Page: 290

View: 253

Part of the Climate convincingly redefines American modernist poetry in light of developments in modern painting, particularly cubism. The traditional separation of the verbal and visual arts is cast aside here, as Brogan encourages a re-evaluation of "modernism" itself. Moreover, readers of modern poetry and literature will find this critical work doubly useful, since the author places the poetry of well-known modernists such as Pound, Eliot, and Williams alongside the harder-to-find work of important experimentalists such as Mina Loy, Louis Zukofsky, Gertrude Stein, and George Oppen. Jacqueline Vaught Brogan has assembled this much needed collection of experimental verse from the interwar years by going to the small magazines through which the poems reached their public. She not only shows how significantly many of these American poets of the early twentieth century were influenced by the aesthetic development of cubism in the visual arts but also argues that the cubist aesthetic, at least as it translated into the verbal domain, invariably involved political and ethical issues. The most important of these concerns was to extend the aesthetic revolution of cubism into a genuine "revolution of the word." Brogan maintains, in fact, that the multiplicity inherent in cubism anticipates the deconstructive enterprise now seen in criticism itself. With this history of the cubist movement in American verse, she raises serious questions about the politics of canonization and asks us to consider the ethical responsibility of interpretation, both in the creative arts and in critical texts.
Literary Criticism

Stein, Bishop, and Rich

Author: Margaret Dickie

Publisher: UNC Press Books

ISBN:

Category: Literary Criticism

Page: 234

View: 720

In an insightful and provocative juxtaposition, Margaret Dickie examines the poetry of three preeminent women writers_Gertrude Stein, Elizabeth Bishop, and Adrienne Rich_investigating the ways in which each attempts to forge a poetic voice capable of expr
Literary Criticism

Bodies of Poems

Author: Lennart Nyberg

Publisher: Peter Lang

ISBN:

Category: Literary Criticism

Page: 187

View: 303

How is meaning created by a poem? Through the invisible ideas and thoughts conveyed by the text or through the physical presence of book, paper and print? In "Bodies of Poems" the author argues that the material properties of poetic texts are meaningful in their own right but often ignored and made invisible in poetry criticism. Through a number of examples ranging from the introduction of print technology in the fifteenth century to late twentieth-century poets such as Adrienne Rich and Seamus Heaney, this study examines the ways in which poems are products of the contemporary state of print technology, legal and social definitions of authors and texts, and culturally and historically determined assumptions about the self and the body. Although indebted to recent innovative work in textual criticism, this book is a pioneering attempt to place the study of poetic texts as material artefacts in a sustained historical narrative.
Literary Criticism

A Companion to Modernist Poetry

Author: David E. Chinitz

Publisher: John Wiley & Sons

ISBN:

Category: Literary Criticism

Page: 624

View: 377

Offering a comprehensive and up-to-date survey of the field,A Companion to Modernist Poetry provides readers withdetailed discussions of individual poets, ‘schools’ and‘movements’ within modernist poetry, and the culturaland historical context of the modernist period. Provides an in-depth and accessible summary of the latesttrends in the study of modernist poetry Balances discussion of individual poets, ‘schools’,and ‘movements’ with in-depth literary and historicalcontext Brings recent scholarship to bear on the subject of modernistpoetry while also providing guidance on poets who are historicallyimportant Edited by highly respected and notable critics in the field whohave a broad knowledge of current debates and of rising and seniorscholars in the field
Literary Criticism

Selected Poems

Author: Kenneth Rexroth

Publisher: New Directions Publishing

ISBN:

Category: Literary Criticism

Page: 152

View: 271

Poems deal with love, sensuality, nature, the seasons, death, justice, music, war, and travel
Poetry

The Cubist Poets in Paris

Author: LeRoy C. Breunig

Publisher: U of Nebraska Press

ISBN:

Category: Poetry

Page: 326

View: 201

"One can only marvel at the instinct of Parisian painters to keep their art in the hands of poets."-Robert Motherwell. At the height of the Cubist movement in Paris, no fewer than fifteen significant poets kept company with the painters. "Every writer had his painter, " said Blaise Cendrars. "I myself had Delaunay and Liger, Max Jacob had Picasso, Reverdy Braque, and Apollinaire had everybody." The painters illustrated the poets' poems and painted their portraits; the poets wrote the painters' praise and defended them in journalistic wars. They loaned each other money, gave shelter to each other in times of need, inspired each other, and fortified each other's resolve through thick and thin. The Cubist Poets in Paris evokes the capital city of Cubism in all its flamboyant bustle. It includes groups of poems by Guillaume Apollinaire, Pierre Albert-Birot, Blaise Cendrars, Jean Cocteau, Sonia Delaunay, Paul Dermie, Pierre Drieu la Rochelle, Charlotte Gardelle, Vicente Huidobro, Max Jacob, Marie Laurencin, Hilhne Baronne d'Oettingen, Raymond Radiguet, Pierre Reverdy, and Andri Salmon. Each poem is presented in French and in English translation. Fifteen illustrations suggest the painters' close ties with the poets, including works by Juan Gris, Giorgio de Chirico, and Liopold Suvage. LeRoy C. Breunig has taught at Cornell University, Harvard, Columbia University, and at Barnard College, where he was Dean of Faculty and interim president. He has edited Guillaume Apollinaire's Chroniques d'art and Apollinaire on Art. His articles have appeared in Mercure de France, Comparative Literature, and Yale French Studies.
Poetry

The New Directions Anthology of Classical Chinese Poetry

Author: Eliot Weinberger

Publisher: New Directions Publishing

ISBN:

Category: Poetry

Page: 242

View: 359

Provides translations of more than two hundred-fifty poems by over forty poets, from early anonymous poetry through the T'ang and Sung dynasties.