Slavery is illegal throughout the world, yet more than twenty-seven million people are still trapped in one of history's oldest social institutions. Kevin Bales's disturbing story of contemporary slavery reaches from Pakistan's brick kilns and Thailand's brothels to various multinational corporations. His investigations reveal how the tragic emergence of a "new slavery" is inextricably linked to the global economy. This completely revised edition includes a new preface. All of the author's royalties from this book go to fund antislavery projects around the world.
For two years, Mayotte lived among refugee peoples when her family became Afghan refugees in Pakistan, Khmer refugees on the Thai-Cambodian border, and Eritrean refugees in Sudan. Faced with stagnation and total dependency, the refugees' lives have been shattered, yet their hope remains alive--as do their dreams of returning home. Mayotte has received Peabody and Emmy awards. Photographs. Index.
REGIONAL WINNER - COMMONWEALTH BOOK PRIZE 2013 Ten year old Kenneth Lovelace often went to bed without dinner. Instead of feeling hunger, however, what he mostly felt was fear and shame, knowing that his family's poverty was the reason he had no food. Kenneth also recalls his bitterness whenever his parents locked him out of their tiny, one-room house to act on their 'urge'. This was in the 1970s, when Jamaica's socialist regime was dragging the country into bankruptcy, and when an Old Timer had told him that he was cursed since birth. Beginning with his earliest memories, "Disposable People" traces the life of Kenneth Lovelace, now a consultant living in the USA. After a string of failed marriages, bad relationships and other misfortunes, Kenneth looks back at his life in his old, hateful village with hopes of finding the roots of his latest tragedy. What comes out is a story of mischief and adventures, sex, prejudice, evil spirits, adversities and, progressively, violence. "I listened to these and other trinkets of information with interest, as they read his eulogy. At the end of the service, and while our ageing Methodist choir sang with the melody of hogs in labor, I went to look at him again in the open casket. I wanted to see if I could match all the kind words spoken about him, with the person that was lying there. I wanted to see the young boy tending kindly to the animals, dutifully cutting the grass, always obeying his mama and helping those in need, respectfully going to church and worshipping the Lord. That boy wasn't there. Instead there was a man about 1.92 meters tall, with thick, coarse hands (that had once hit me so hard they nearly broke my ribs) folded gently across his chest. His beard looked grayer than it did before, and had been neatly cut so that it didn't have any bristles. I had seen his beard close up a few times before while he slept, but I had never played in it like those kids sometimes did with their dads on TV. He had the same long creases stretching across his forehead, like fossilized worms, and his eyes were closed - like they seemed to have always been towards me. He was my papa for sure. People expected me to cry while looking at his body, but I didn't. The only times I had ever cried because of my papa was when he whipped me. But it sure was nice to see him in a suit."
In the 'heroic' era of photojournalism a single image could define the greatest human dramas and catastrophes. Today, digital manipulation has undermined photography's claim to veracity; video is available on everyone's mobile; and artists and amateurs have taken over the territory of intimate revelation. What authority does documentary photography retain as a record of events and source of insight into the historical realities of the world? Featuring newly commissioned photo-essays by 8 internationally renowned Magnum photographers on diverse subjects including child labour in Bangladesh, sex slavery from Ukraine to Western Europe, and South Korean former sex slaves for Japanese troops during World War II. The plates will be accompanied by an introduction and commentaries on each section by the world's leading authority on contemporary slavery, Professor Kevin Bales, President of the US-based organisation Free the Slaves. Published to accompany the touring exhibition opening at the Southbank Centre, London, 26 September - 9 November 2008, and touring in 2009 to The Gallery, Peninsula Arts, University of Plymouth; University of Northumbria, Newcastle-Upon-Tyne; Tullie House Museum and Art Gallery, Carlisle; New Art Exchange, Nottingham; and Aberystwyuth Arts Centre.
Slavery is illegal throughout the world, yet more than twenty-seven million people are still trapped in one of history's oldest social institutions. Matthew Marsh's disturbing story of slavery today reaches from brick kilns in Pakistan and brothels in Thailand to the offices of multinational corporations. His investigation of conditions in Mauritania, Brazil, Thailand, Pakistan, and India reveals the tragic emergence of a "new slavery," one intricately linked to the global economy. The new slaves are not a long-term investment as was true with older forms of slavery, explains Bales. Instead, they are cheap, require little care, and are disposable.
We cannot solve the problem of plastics simply by recycling more. The plastic in the oceans, the soil, and our bodies is a symptom of the broader problem of disposable culture. We are not just treating objects as disposable—we are treating ourselves and each other as disposable, too. The story of plastics parallels the story of my life, from my childhood living aboard a sailboat to graduate work on plastics and endocrine disruption, and ultimately teaching about plastics, not only as a complex set of chemicals, but as a spiritual poison.
* Links development issues generally treated in isolation * Demonstrates how global transformations affect real people and communities As globalization rapidly replaces the cold war paradigm, the narrow distribution of benefits from globalization has created a disturbing gap in wealth and power both among and within states. In an impassioned style, Jan Black analyzes the problems of increased nationalism, growing refugee populations, and the politics of exclusion. This is a critical and brutally honest commentary on the complex transformation from a bipolar world to a global village.
As a young girl, G. C. Rossi must contend with a mother prone to violent outbursts. Even so, she's able to enjoy life with the help of a loving father and a great imagination. But everything changes when her father dies. At just ten years old, she becomes a ward of the state; when she contracts hepatitis, she is hospitalized and sinks into depression. Her condition becomes so serious that she is transferred to the Allan Memorial Institute. One of the institute's doctors, Ewan Cameron, is working with the Central Intelligence Agency to conduct mind control experiments on patients. He has a number of foot soldiers working on his behalf; as a result, for the next three and a half years, G. C. is pumped full of drugs. This account reveals serious flaws in the medical and psychiatric systems. While the world may have thought that experimenting on people ended with the Nazis, the story told in Exploitable Minds, Expendable People shows that the past may continue to haunt unsuspecting, innocent victims.