Edited and with an Introduction by Bryant Mangum Foreword by Roxana Robinson Benediction • Head and Shoulders • Bernice Bobs Her Hair • The Ice Palace • The Offshore Pirate • May Day • The Jelly Bean • The Diamond as Big as the Ritz • Winter Dreams • Absolution In the euphoric months before and after the publication of This Side of Paradise, F. Scott Fitzgerald, the flapper’s historian and poet laureate of the Jazz Age, wrote the ten stories that appear in this unique collection. Exploring characters and themes that would appear in his later works, such as The Beautiful and Damned and The Great Gatsby, these early selections are among the very best of Fitzgerald’s many short stories. This Modern Library Paperback Classic includes notes, an appendix of nonfiction essays by Scott and Zelda Fitzgerald and their contemporaries, and vintage magazine illustrations.
"Ideal for students and non-specialist general readers with an interest in the literary works of an iconic American author. Very highly recommended." ― The Midwest Book Review Although better known today for his novels, in the 1920s F. Scott Fitzgerald ranked among the top writers of magazine fiction. Fitzgerald represented the dreams and aspirations of the post-World War I generation in his life as well as his works. With his glamorous wife, Zelda, and cosmopolitan social circle, the gifted young wordsmith projected the perfect image for narrating tales of restless youth in a hectic world. These short stories offer insights into many themes, characters, and techniques that emerged in Fitzgerald's later works. "Winter Dreams," written three years before The Great Gatsby, shares the concept of commitment to an idealized dream. "Babes in the Woods," developed while the author was still a student at Princeton, evidences the roots of This Side of Paradise. A dozen other selections ― including "The Curious Case of Benjamin Button," "The Camel's Back," "The Four Fists," and "The Cut-Glass Bowl" ― offer further insights into the author's growing skills as well as individual examples of his sparkling prose, understated wit, and deft characterizations.
For the legions of Great Gatsby fans and scholars, F. Scott Fitzgerald’s early version of his masterpiece provides a new understanding of Fitzgerald’s working methods, fresh insight into his characters, and renewed appreciation of his genius—now available in ebook for the first time. Reading F. Scott Fitzgerald’s Trimalchio, an early and complete version of The Great Gatsby, is like listening to a familiar musical composition played in a different key. It is the same work and yet a different work. Fitzgerald wrote Trimalchio during the summer of 1924 and submitted it to Maxwell Perkins, his editor at Scribner’s, in October of that year. (He titled the book after the ostentatious party-giver in the Satyricon of Petronius.) Perkins had the novel set in type and sent the galleys to Fitzgerald in France. Fitzgerald then heavily revised the galley pages, shifting material around and changing the title. The result was The Great Gatsby, his signature work. Trimalchio, however, is also a remarkable achievement. It differs considerably from The Great Gatsby: its plot and structure are not the same, two chapters of Trimalchio were completely rewritten for the published novel, characterization is different, Nick Carraway’s narrative voice is altered, and it contains several passages and sequences missing from Gatsby. Most importantly, in Trimalchio Jay Gatsby’s past is revealed in a wholly different way.
F. Scott Fitzgerald was a handsome, ambitious sophomore at Princeton when he fell in love for the first time. Ginevra King, though only sixteen, was beautiful, socially poised, and blessed with the confidence that considerable wealth can bring. Their romance began instantly, flourished in heartfelt letters, and quickly ran its course–but Scott never forgot it. Now, for the first time, scholar and biographer James L. W. West III tells the story of the youthful passion that shaped Scott Fitzgerald’s life as a writer. When Scott and Ginevra met in January 1915, the rest of the world was at war, but America remained a haven for young people who could afford to have a good time. Privileged and mildly rebellious, the two were swept together in a whirl of dances, parties, campus weekends, and chaperoned visits to New York. “For heaven’s sake don’t idealize me!” Ginevra warned in one of the many letters she sent to Scott, but of course that’s just what he did–for the next two decades. Though he fell in love with Zelda Sayre soon after learning of Ginevra’s engagement to a well-to-do midwesterner, Scott drew on memories of Ginevra for his most unforgettable female characters–Isabelle Borgé and Rosalind Connage in This Side of Paradise, Judy Jones in “Winter Dreams,” and above all Daisy Buchanan in The Great Gatsby. Transformed by Scott’s art, Ginevra became a new American heroine who inspired an entire generation. From the Hardcover edition.
Years after his death, F. Scott Fitzgerald continues to captivate both the popular and the critical imagination. This collection of essays presents fresh insights into his writing, discussing neglected texts and approaching familiar works from new perspectives. Seventeen scholarly articles deal not only with Fitzgerald's novels but with his stories and essays as well, considering such topics as the Roman Catholic background of The Beautiful and Damned and the influence of Mark Twain on Fitzgerald's work and self-conception. The volume also features four personal essays by Fitzgerald's friends Budd Schulberg, Frances Kroll Ring, publisher Charles Scribner III, and writer George Garrett that shed new light on his personal and professional lives. Together these contributions demonstrate the continued vitality of Fitzgerald's work and establish new directions for ongoing discussions of his life and writing.
Tender Is the Night is a novel by American writer F. Scott Fitzgerald. It was his fourth and final completed novel, and was first published in Scribner's Magazine between January–April, 1934 in four issues. The title is taken from the poem "Ode to a Nightingale" by John Keats. In 1932, Fitzgerald's wife Zelda Sayre Fitzgerald was hospitalized for schizophrenia in Baltimore, Maryland. The author rented the "la Paix" estate in the suburb of Towson to work on this book, the story of the rise and fall of Dick Diver, a promising young psychoanalyst, and his wife, Nicole, who is also one of his patients. It was Fitzgerald's first novel in nine years, and the last that he would complete. While working on the book he several times ran out of cash and had to borrow from his editor and agent and write short stories for commercial magazines. The early 1930s, when Fitzgerald was conceiving and working on the book, were the darkest years of his life and, accordingly, the novel has its bleak elements. Two versions of this novel are in print. The first version, published in 1934, uses flashbacks; the second, revised version, prepared by Fitzgerald's friend and noted critic Malcolm Cowley on the basis of notes for a revision left by Fitzgerald, is ordered chronologically and was first published posthumously in 1948. Critics have suggested that Cowley's revision was undertaken due to negative reviews of the temporal structure of the first version of the book.