Everett Ruess was twenty years old when he vanished into the canyonlands of southern Utah, spawning the myth of a romantic desert wanderer that survives to this day. It was 1934, and Ruess was in the fifth year of a quest to record wilderness beauty in works of art whose value was recognized by such contemporary artists as Dorothea Lange, Ansel Adams, and Edward Weston. From his home in Los Angeles, Ruess walked, hitchhiked, and rode burros up the California coast, along the crest of the Sierra Nevada, and into the deserts of the Southwest. In the first probing biography of Everett Ruess, acclaimed environmental historian Philip L. Fradkin goes beyond the myth to reveal the realities of Ruess’s short life and mysterious death and finds in the artist’s astonishing afterlife a lonely hero who persevered.
Everett Ruess--a bold teenage adventurer, artist, and writer--tramped around the Sierra Nevada, the California coast, and the desert wilderness of the Southwest between 1930 and 1934. At the age of 20, he mysteriously vanished into the barren Utah desert. Ruess has become an icon for modern-day adventurers and seekers. His search for ultimate beauty and adventure is chronicled in two books that contain remarkable collections of his writings, extracted from his journals and from letters written to family and friends. Both books are reprinted here in their entirety.
Everett Ruess, the young poet and artist who disappeared into the desert canyonlands of Utah in 1934, has become widely known posthumously as the spokesman for the spirit of the high desert. Many have been inspired by his intense search for adventure, leaving behind the amenities of a comfortable life. His search for ultimate beauty and oneness with nature is chronicled in this remarkable collection of letters to family and friends.
The story of Everett Ruess, who disappeared in the wilderness of Southern Utah in 1934, has for decades been one of the most intriguing mysteries of western lore. A Californian off on an adventure at age 20, he loved poetry, nature, art, and beauty. His family tracked his wanderings for four years, and then Everett disappeared without a trace. In 2008 an old Navajo Indian came forward with information that he had witnessed a murder in 1934, probably that of young Ruess. The bones were recovered, DNA testing was done, National Geographic Adventurer picked up the story, and the family reacted. In a new epilogue, author Rusho confronts the truth. W. L. Rusho's is a historian and expert on the life of Everett Ruess. His first book on Ruess was published in 1985, and he authored two (four, six, eight?) more books on the subject. Lifetime sales of Everett Ruess: A Vagabond for Beauty, have been 20,000 plus.
The definitive biography of Everett Ruess, the artist, writer, and eloquent celebrator of the wilderness whose bold solo explorations of the American West and mysterious disappearance in the Utah desert at age 20 have earned him a large and devoted cult following. Wandering alone with burros and pack horses through California and the Southwest for five years in the early 1930s, on voyages lasting as long as ten months, Ruess became friends with photographers Edward Weston and Dorothea Lange, swapped prints with Ansel Adams, took part in a Hopi ceremony, learned to speak Navajo, and was among the first "outsiders" to venture deeply into what was then (and to some extent still is) largely a little-known wilderness. When he vanished without a trace in November 1934, Ruess left behind thousands of pages of journals, letters, and poems, as well as more than a hundred watercolor paintings and blockprint engravings. Everett Ruess is hailed as a paragon of solo exploration, while the mystery of his death remains one of the greatest riddles in the annals of American adventure. David Roberts began probing the life and death of Everett Ruess for National Geographic Adventure magazine in 1998. Finding Everett Ruess is the result of his personal journeys into the remote areas explored by Ruess, his interviews with oldtimers who encountered the young vagabond and with Ruess’s closest living relatives, and his deep immersion in Ruess’s writings and artwork. More than 75 years after his vanishing, Ruess stirs the kinds of passion and speculation accorded such legendary doomed American adventurers as Into the Wild’s Chris McCandless and Amelia Earhart.
Eighty years ago a young man disappeared in the Utah wilderness. A large manhunt followed, but all they turned up was his last camp and a couple burros. Numerous historical books have been published that attempt to prove what happened to Everett, but his fate remains one of the biggest mysteries of the southwest. Pledge to the Wind, the Legend of Everett Ruess follows the adventures of Everett Ruess from his appearance in the southwest in 1931 when he was barely seventeen, until his disappearance in 1934, shortly before he turned 21. This historical fiction novel focuses more on how he lived from day to day, the adventures he experienced, and the language he used to express them. Upon reading it, Brian Ruess wrote, "In this work of fiction ... I saw Everett for the first time, as he might actually have been."
9X12 In, 96 Pp, 45 Black & White Illustrations We Are Proud To Introduce This Handsome Commemorative Edition of On Desert Trails With Everett Ruess (First Introduced In Our 60, 000 Copy A Vagabond For Beauty), Which Was Originally Published In 1940 and Has Since Become A Collector's Item. The Poetry, Letters, and Artwork Contained In This Book Reveal The Adventurous Young Artist Who Loved The Arid Wilderness and Disappeared Into The Desert of Southern Utah. To The Original Book We Have Added Many Photographs of Ruess On The Trail, Along With Others Taken By Ruess of The Land That So Inspired Him. A Special Appenidx Tells The Salt Lake Tribune's Account of Its 1935 Expedition To Southern Utah In Search of Everett Ruess.
Pilgrims to the Wild is a survey of American writers who have responded to their encounters with the natural world. Ranging in its treatment from Thoreau's important but neglected essay, 'Walking,' to the exuberant letters of the young artist Everett Ruess (who disappeared in the Escalante canyonlands), this is a broadly based exploration that brings to bear Eastern and Western classical philosophy, as well as contemporary critical theory, on a distinctive tradition of American Writing--those works concerned with the human relationship to the nonhuman world. In addition to offering a fresh interpretation of classic authors such a Thoreau and Muir, this book introduces readers to the less widely known but equally fascinating writers Clarence King and Mary Austin.