In the worlds of Steve Rasnic Tem a father takes his son “fishing” in the deepest part of downtown, flayed rabbits visit a suburban back yard, a man is haunted by a surrealistic nightmare of crutches, a father is unable to rescue his son from a nightmare of trees, a bereaved man transforms memories of his wife into performance art, great moving cliffs of detritus randomly prowl the world, a seemingly pointless life finds final expression in bits of folded paper, a nuclear holocaust brings about a new mythology, an isolated man discovers he’s part of a terrifying community, a photographer discovers the unexpected in the faces of dead children, and a couple’s aging dismantles reality. Winner of the World Fantasy, British Fantasy and Bram Stoker Awards, Tem has earned a reputation as one of the finest and most original short fiction writers of our time, blending elements of horror, dark fantasy, science fiction and surreal nightmare into a genre uniquely his own. This new volume collects for the first time thirty-five of Tem’s best tales, selected by the author, and includes an introduction by Simon Strantzas.
Climate change: watershed or endgame? In this compelling new book, Noam Chomsky, the world’s leading public intellectual, and Robert Pollin, a renowned progressive economist, map out the catastrophic consequences of unchecked climate change—and present a realistic blueprint for change: the Green New Deal. Together, Chomsky and Pollin show how the forecasts for a hotter planet strain the imagination: vast stretches of the Earth will become uninhabitable, plagued by extreme weather, drought, rising seas, and crop failure. Arguing against the misplaced fear of economic disaster and unemployment arising from the transition to a green economy, they show how this bogus concern encourages climate denialism. Humanity must stop burning fossil fuels within the next thirty years and do so in a way that improves living standards and opportunities for working people. This is the goal of the Green New Deal and, as the authors make clear, it is entirely feasible. Climate change is an emergency that cannot be ignored. This book shows how it can be overcome both politically and economically.
Nemarluk, one of the most feared Aboriginal renegades in the north of Australia, had vowed to rid his land of all intruders. This is the story of the last three years of his life, and his extraordinary battle with the tracker, Bul-Bul, brought in by the Northern Territory police in a final desperate attempt to put an end to Nemarluk's fight. Ion L. Idriess had already brought Lasseter and Flynn to the public's attention with his action-packed stories. He had first-hand knowledge of the courage of Nemarluk and wanted to immortalise the man he called the King of the Wilds. 'Jack [Idriess] understood the depth of Nemarluk's hatred for the Japanese and the white intruders who had come, unasked, into his people's tribal lands of which he was chief. It was not only Nemarluk's desire to protect his people and their lands from the invaders, it was also his obligation and duty.' - Beverley Eley, biographer of Ion L. [Jack] Idriess
Long before cinema was invented, people went to picture shows. In the eighteenth and nineteenth centuries in Britain, Europe and America they were treated to dramatic pictorial spectacles. Audiences might be encircled by vast 360-degree canvases, or seated before continuous images drawn across a proscenium, or gathered in amusement parks to watch painted 3-D structures come 'alive' with the explosion of fireworks overhead. The sense of realism was enhanced by back-lighting, running commentaries and props such as real sand and trees. Canvas Documentaries captures the artistic, civic and social preoccupations of the times. Generously illustrated with paintings, etchings, engravings, mechanical drawings, architectural plans, photographs and advertising material, this beautiful book is a window on the vibrant popular culture of the Victorian era.
Tennessee Williams's second Pulitzer Prize-winning play, Cat on a Hot Tin Roof confronts homosexuality, father and son relationships, greed, manipulation, aging, and death. Study the play that has been referred to as brutally honest.
Sites Unseen examines the complex intertwining of race and architecture in nineteenth and early-twentieth century American culture, the period not only in which American architecture came of age professionally in the U.S. but also in which ideas about architecture became a prominent part of broader conversations about American culture, history, politics, and—although we have not yet understood this clearly—race relations. This rich and copiously illustrated interdisciplinary study explores the ways that American writing between roughly 1850 and 1930 concerned itself, often intensely, with the racial implications of architectural space primarily, but not exclusively, through domestic architecture. In addition to identifying an archive of provocative primary materials, Sites Unseen draws significantly on important recent scholarship in multiple fields ranging from literature, history, and material culture to architecture, cultural geography, and urban planning. Together the chapters interrogate a variety of expressive American vernacular forms, including the dialect tale, the novel of empire, letters, and pulp stories, along with the plantation cabin, the West Indian cottage, the Latin American plaza, and the “Oriental” parlor. These are some of the overlooked plots and structures that can and should inform a more comprehensive consideration of the literary and cultural meanings of American architecture. Making sense of the relations between architecture, race, and American writing of the long nineteenth century—in their regional, national, and hemispheric contexts—Sites Unseen provides a clearer view not only of this catalytic era but also more broadly of what architectural historian Dell Upton has aptly termed the social experience of the built environment.
Reveals how certain strategic metaphors embedded in the early Western literary canon have promoted--and continue to promote--systems of inequality and social control. Collins examines texts ranging from the Homeric epics and the Platonic dialogues to Virgil's Aeneid and the Book of Revelation. Drawing on the linguistic and documentary evidence of usages in early societies, chiefly Greek and Hebrew, Collins has produced a penetrating examination of social and personal structures in those worlds.
Quentin Blake's illustrations are instantly recognisable to millions of people around the world. A new exhibition to be held at London's House of Illustration will explore an unusual aspect of Blake's work, however, exhibiting for the first time 100 examples of his works of art. 100 Figures, will feature all of the 100 exhibited works - ranging from large-scale oil paintings to drawings and prints, created between the 1950s and today. Works included date back to his post-grad years in the 1950s when he struggled to make a living as an illustrator and took life-drawing classes at Chelsea School of Art. It was here that he first engaged with the human figure, but soon, having observed how the human body behaves, he found he was able to draw it from memory in any pose, working from his vivid imagination. 100 Figures will also offer the chance to catch a rare glimpse of early oil paintings by Blake - some painted on hardboard since he was unable to afford canvases at that time and painted using commercial house-painters' brushes. 00Exhibition: House of Illustration, London, UK (05.10.2018 - 27.01.2019).
An application of the classical figures of speech to the criticism of the motion picture. The author defines and illustrates each figure by literary analysis, then presents the filmic analogies. The occurrence in film of fantasy, allegory, and abstraction are also discussed.
Economics by George Douglas Campbell Duke of Argyll
