Place-Keeping presents the latest research and practice on place-keeping – that is, the long-term management of public and private open spaces – from around Europe and the rest of the world. There has long been a focus in urban landscape planning and urban design on the creation of high-quality public spaces, or place-making. This is supported by a growing body of research which shows how high-quality public spaces are economically and socially beneficial for local communities and contribute positively to residents’ quality of life and wellbeing. However, while large amounts of capital are spent on the creation of open spaces, little thought is given to, and insufficient resources made available for, the long-term maintenance and management of public spaces, or place-keeping. Without place-keeping, public spaces can fall into a downward spiral of disrepair where anti-social behaviour can emerge and residents may feel unsafe and choose to use other spaces. The economic and social costs of restoring such spaces can therefore be considerable where place-keeping does not occur. Place-Keeping also provides an accessible presentation of the outputs of a major European Union-funded project MP4: Making Places Profitable, Public and Private Open Spaces which further extends the knowledge and debate on long-term management of public and private spaces. It will be an invaluable resource for students, academics and practitioners seeking critical but practical guidance on the long-term management of public and private spaces in a range of contexts.
Dameon is kidnapped and the Misfits are forced to offer themselves to the rebels. Meanwhile, Elspeth journeys to Sador with Dragon, and there she finds the fifth and last sign in her quest to deactivate the weapon machines.
In 1851 there were over a million servants in Britain. This book reveals first-hand tales of put-upon servants, who often had to rise hours before dawn to lay fires, heat water and prepare meals for their employers, and then work into the small hours. Yet there are also heartwarming stories of personal devotion, and reward, and of how the servants enjoyed themselves in their time off. There are moments of great poignancy as well as hilarity: a steward's dawning realisation that the housekeeper he befriended is a thief; a young footman chasing a melon as it rolls through a castle's corridors into the moat; the smart manservant weeping at the station as he bids farewell to his mother. This was an era when footmen were paid extra for being six foot or over, and female servants had to wear black bonnets to church.
Thompson's study offers a fresh reading of Acts that keeps the church within its literary place within that narrative. His study uncovers descriptions of the church that emphasize certain characteristics presented in the opening scenes of the narrative: the blessing and presence of God, the unanimity of the believers, the communal caring for one another, and the proclamation of the gospel. The progression of the Acts narrative presents an evolving image of the church that eventually includes both Jewish and non-Jewish believers of the gospel, with growing opposition from the Jewish people and even from the Jewish believers in Jerusalem. This dynamic portrait of the church in the book of Acts contrasts three different views concerning "the people of God": the Jewish people as the historical people of God, Jewish believers as represented by the Jerusalem church, and the church that includes both Jews and Gentiles. By offering such a dynamic narrative of these various groups of believers, Acts encourages readers to defien and identify the church or Christian community as the people who belong to God rather than those whose identity as God's people is based on historical or religious categories.
Barrett Raines is a black detective on an isolated police force in Deacon Beach, a sweltering enclave on the Gulf Coast of northwestern Florida. Barrett's worked all his career to live up to the faith Romana Walker, Deacon Beach's eternal Homecoming Queen, showed in him when she pushed Barrett onto the all-white force in the face of local and bigoted opposition. Seven years later, Raines has made a place for himself and his schoolteacher wife in the hard-bitten community--to all appearances they are accepted. But affections can be fickle, as Barrett discovers when his despised elder brother, Delton Raines, becomes the chief suspect in the investigation of the brutal rape and murder of Ramona Walker. It's a no-win for Barrett. If he cannot find the much-loved Ramona's killer, locals will say he's shielding his brother. But if Barrett nails Delton for the crime, the detective's neighbors will say that he has used his badge to hang a brother he hates. There's a lynch mob brewing on The Beach, and the only way to calm the ugly waters is for Barrett to bring Ramona's killer to justice. There are a lot of things Barrett hates about this case. But what he hates most is that the only lead he has in the investigation comes form a prevaricating, hell-raising brother whom he has to trust.
How do some monuments become so socially powerful that people seek to destroy them? After ignoring monuments for years, why must we now commemorate public trauma, but not triumph, with a monument? To explore these and other questions, Robert S. Nelson and Margaret Olin assembled essays from leading scholars about how monuments have functioned throughout the world and how globalization has challenged Western notions of the "monument." Examining how monuments preserve memory, these essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale-killings in the Pacific Northwest serve to represent and negotiate time. Connecting that history to the present with an epilogue on the World Trade Center, Monuments and Memory, Made and Unmade is pertinent not only for art historians but for anyone interested in the turbulent history of monuments—a history that is still very much with us today. Contributors: Stephen Bann, Jonathan Bordo, Julia Bryan-Wilson, Jas Elsner, Tapati Guha-Thakurta, Robert S. Nelson, Margaret Olin, Ruth B. Phillips, Mitchell Schwarzer, Lillian Lan-ying Tseng, Richard Wittman, Wu Hung
FREEDOM FROM CLUTTER, CHAOS, AND DISORGANIZATION Busy lives can be messy – bills, mail, and catalogs pile up; appointments, school activities, and kids' sports events need to be scheduled and attended; the endless clutter of clothing, toys, and belongings can threaten to take over any home. To the rescue come Alicia Rockmore and Sarah Welch – with a system that will get you organized without having to make everything perfect. Everything (almost) In Its Place presents a new approach to organizing that is adaptable to any home. It is flexible and effective but you are not required to color-coordinate your closets or be able to eat off of the kitchen floor. You will learn to let go of perfection, keep things neat enough based on what's important for you and your family, and get other people (husbands and kids) to pitch in so everything isn't always on Mom's shoulders. Loaded with effective strategies, Everything (almost) In Its Place will teach you to get organized enough to get things done, get to where you (and the family) need to go and still have time for some rest and relaxation.
Gathered together for the first time, the essays in this volume were selected to give scholars ready access to important late-twentieth and early twenty-first-century contributions to scholarship on the Romantic period and twentieth-century literature and culture. Included are Charles J. Rzepka's award-winning essays on Keats's 'Chapman's Homer' sonnet and Wordsworth's 'Michael' and his critical intervention into anachronistic new historicist readings of the circumstances surrounding the composition of "Tintern Abbey." Other Romantic period essays provide innovative interpretations of De Quincey's relation to theatre and the anti-slavery movement. Genre is highlighted in Rzepka's exploration of race and region in Charlie Chan, while his interdisciplinary essay on The Wizard of Oz and the New Woman takes the reader on a journey that encompasses the Oz of L. Frank Baum and Victor Fleming as well as the professional lives of Judy Garland and Liza Minnelli. Taken together, the essays provide not only a career retrospective of an influential scholar and teacher but also a map of the innovations and controversies that have influenced literary studies from the early 1980s to the present. As Peter Manning observes in his foreword, "this collection shows that even in diverse essays the force of a curious and disciplined mind makes itself felt."
Explores the positive effects that practicing silence has on the body, soul, and mind, providing historical background and easy-to-follow instructions for a variety of Christian practices, including Benedictine rumination, psalm repetition, the Jesus Prayer, Ignatian meditation, meditation on icons or candles, walking the labyrinth or Stations of the Cross, and more. Original.
Keeping Score is a diverse collection of essays that argues for and demonstrates the current effort to redefine the methods, goals, and scope of musical scholarship. This volume gives voice to new directions in music studies, including traditional and "new" musicology, music and psychoanalysis, music and film, popular music studies, and gay and lesbian studies. These essays speak to music study from within its own language and enter into important conversations already taking place across disciplinary boundaries throughout the academy.