"Etta tells it like it is. I related to every page. Great book!"--Ray Charles Etta James--brash, sassy, and uncannily gifted--has left a soul-sized footprint on modern music, from blues to R&B to jazz. As the Houston Chronicle puts it, her "expressive voice and exquisite dramatic timing can actually make you tremble." Rage to Survive captures that amazing voice. Etta tells riveting stories of her youth in Los Angeles--from being discovered at age five singing in her church choir (when celebrities like Lana Turner and Orson Welles would sneak in the back to listen to the girl genius) to why she hates encores (her father would drag her out of bed in the middle of the night to sing for his card-playing buddies) to her first hit record and her work with Chuck Berry, Tina Turner, and the great stars of the Golden Age of Soul. She tells of meeting the man she believes is her father--the legendary pool hustler Minnesota Fats--her recovery from the grip of drugs, her childhood dealing with a mother who worked on the streets, and her lifelong trouble with "bad men." To quote Liz Smith in Newsday: "Candid? Brutally honest? You don't know about candor and brutal honesty until you've read Etta's life story in her own rough, unvarnished, and humorously right-on words . . . any major movie studio would do itself a huge favor by turning this book into a sizzling, big-screen saga."
Perhaps the finest soul singer of the rock era-but equally at home singing blues and jazz—Etta James is one of the great women of American music. In Rage to Survive she tells her mesmerizing tale in her uniquely big, bold, and unrepentant voice. Without a trace of self-pity she describes her chaotic world of early R&B, depicts legends like Sam Cooke and Little Richard, details her dependency on drugs and bad men, and unsparingly recounts the golden age of soul, when her “Tell Mama” topped the charts. Rage to Survive is a funky, ribald tale told with unparalleled sass.
Victor Breitburg is a survivor of the Lódz Ghetto, Auschwitz, Buchenwald, Rhemsdorf and Theresienstadt concentration camps. He was liberated with a group known as "The Boys". Their experiences have been documented in Sir Martin Gilbert's book, The Boys: Triumph Over Adversity. Victor's journey from Lódz, to the camps in Europe, to England, Scotland and the United States and his new life in America is the story told in this volume.
Richard Burton was a brilliant, charismatic man - a unique blend of erudite scholar and daring adventurer. Fluent in twenty-nine languages, he found it easy to pass himself off as a native, thereby gaining unique insight into societies otherwise closed to Western scrutiny. He followed service as an intelligence officer in India by a daring penetration of the sacred Islamic cities of Mecca and Medina disguised as a pilgrim. He was the first European to enter the forbidden African city of Harar, and discovered Lake Tanganyika in his search for the source of the Nile. His fascination with, and research into, the intimate customs of ethnic races (which would eventually culminate in his brilliant Kama Sutra) earned him a racy reputation in that age of sexual repression. Little surprise, then, that Isabel Arundell's aristocratic mother objected to her daughter's marriage to this most notorious of figures. Isabel, however, was a spirited, independent-minded woman and was also deeply, passionately in love with Richard. Against all expectations but their own, the Burtons enjoyed a remarkably successful marriage.
Collected for the first time, Alice Miller’s most helpful, therapeutic, and invaluable answers to hundreds of readers’ letters. The renowned childhood researcher, psychotherapist, and best-selling author Alice Miller has received, throughout her long and distinguished career, countless personal letters from readers all over the world. In From Rage to Courage, Dr. Miller has assembled the most recent, producing an insightful work that illuminates the issues and consequences of childhood abuse. Whether exploring the connection between repressed anger and physical illnesses like cancer, the reasons why many survivors of abuse turn to drugs or crime, or the cycle that condemns generations of families to cruelty in childhood, Dr. Miller’s answers are sensitive, honest, and supported by decades of experience. Unafraid of controversy, she discusses much-debated theories such as the impact of religious belief on the cultural traditions of child abuse and the therapeutic community’s denial of the truth and dependency on antidepressants. A practical guide to Dr. Miller’s unique therapeutic concept, this work once again affirms the healing and liberating power of retrieved emotions.
An "extraordinary biography" (New York Times Book Review) of a brilliant pair of adventurers. Their marriage was both improbable and inevitable. Isabel Arundell was a schoolgirl, the scion of England's most distinguished Catholic family. When she first saw him while walking at a seaside resort, Richard Burton had already made his mark as a linguist (he was fluent in twenty-nine languages), scholar, soldier, and explorer--at once a symbol of Victorian England's vision of empire and an avowed rebel against its mores. When she turned and saw him staring after her, she decided that she would marry him. By their next meeting, Burton had become the first infidel to infiltrate Mecca as one of the faithful, and, in an expedition to discover the source of the Nile, would soon be the first white man to see Lake Tanganyika. After being married, the Burtons traveled and experienced the world, from diplomatic postings in Brazil and Africa to hair-raising adventures in the Syrian desert. In later life Richard courted further controversy as a self-proclaimed erotologist and the translator of The Kama Sutra. Based on previously unavailable archives, Mary Lovell has written a compelling joint biography that sets Isabel in her proper place as Burton's equal in daring and endurance, a fascinating figure in her own right.
What explains the huge popular following for Dexter, currently the most-watched show on cable, which sympathetically depicts a serial killer driven by a cruel compulsion to brutally slay one victim after another? Although Dexter Morgan kills only killers, he is not a vigilante animated by a sense of justice but a charming psychopath animated by a lust to kill, ritualistically and bloodily. However his gory appetite is controlled by “Harry’s Code,” which limits his victims to those who have gotten away with murder, and his job as a blood spatter expert for the Miami police department gives him the inside track on just who those legitimate targets may be. In Dexter and Philosophy, an elite team of philosophers don their rubber gloves and put Dexter’s deeds under the microscope. Since Dexter is driven to ritual murder by his “Dark Passenger,” can he be blamed for killing, especially as he only murders other murderers? Does Dexter fit the profile of the familiar fictional type of the superhero? What part does luck play in making Dexter who he is? How and why are horror and disgust turned into aesthetic pleasure for the TV viewer? How essential is Dexter’s emotional coldness to his lust for slicing people up? Are Dexter’s lies and deceptions any worse than the lies and deceptions of the non-criminals around him? Why does Dexter long to be a normal human being and why can’t he accomplish this apparently simple goal?
The Crucible of Race, a major reinterpretation of black-white relations in the South, was widely acclaimed on publication and compared favorably to two of the seminal books on Southern history: Wilbur J. Cash's The Mind of the South and C. Vann Woodward's The Strange Career of Jim Crow. Representing 20 years of research and writing on the history of the South, The Crucible of Race explores the large topic of Southern race relations for a span of a century and a half. Oxford is pleased to make available an abridgement of this parent volume: A Rage for Order preserves all the theme lines that were advanced in the original volume and many of the individual stories. As in Crucible of Race, Williamson here confronts the awful irony that the war to free blacks from slavery also freed racism. He examines the shift in the power base of Southern white leadership after 1850 and recounts the terrible violence done to blacks in the name of self-protection. This condensation of one of the most important interpretations of Southern history is offered as a means by which a large audience can grasp the essentials of black-white relations--a problem that persists to this day and one with which we all must contend--North and South, black and white.