Winner of the US National Book Award for Non-Fiction -- Stamped from the Beginning is a redefining history of anti-Black racist ideas that dramatically changes our understanding of the causes and extent of racist thinking itself. Its deeply researched and fast-moving narrative chronicles the journey of racist ideas from fifteenth-century Europe to present-day America through the lives of five major intellectuals – Puritan minister Cotton Mather, President Thomas Jefferson, fiery abolitionist William Lloyd Garrison, brilliant scholar W.E.B. Du Bois, and legendary anti-prison activist Angela Davis – showing how these ideas were developed, disseminated and eventually enshrined in American society. Contrary to popular conception, it reveals that racist ideas did not arise from ignorance or hatred. Instead, they were devised and honed by some of the most brilliant minds of each era, including anti-slavery and pro-civil rights advocates, who used their gifts and intelligence wittingly or otherwise to rationalize and justify existing racial disparities in everything from wealth to health. Seen in this piercing new light, racist ideas are shown to be the result, not the cause, of inequalities that stretch back over centuries, brought about ultimately through economic, political and cultural self-interest. Stamped from the Beginning offers compelling new answers to some of the most troubling questions of our time. In forcing us to reconsider our most basic assumptions about racism and also about ourselves, it leads us to a true understanding on which to build a real foundation for change.
From the National Book Award–winning author of Stamped from the Beginning comes a bracingly original approach to understanding and uprooting racism and inequality in our society—and in ourselves. “The only way to undo racism is to consistently identify and describe it—and then dismantle it.” Ibram X. Kendi’s concept of antiracism reenergizes and reshapes the conversation about racial justice in America—but even more fundamentally, points us toward liberating new ways of thinking about ourselves and each other. In How to Be an Antiracist, Kendi asks us to think about what an antiracist society might look like, and how we can play an active role in building it. In this book, Kendi weaves an electrifying combination of ethics, history, law, and science, bringing it all together with an engaging personal narrative of his own awakening to antiracism. How to Be an Antiracist is an essential work for anyone who wants to go beyond an awareness of racism to the next step: contributing to the formation of a truly just and equitable society. Advance praise for How to Be an Antiracist “This latest from the National Book Award–winning author is no guidebook to getting woke. . . . Rather, it is a combination of memoir and extension of . . . Kendi’s towering Stamped From the Beginning that leads readers through a taxonomy of racist thought to anti-racist action. . . . Never wavering . . . Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth. . . . If Kendi is justifiably hard on America, he’s just as hard on himself. . . . This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory. Not an easy read but an essential one.”—Kirkus Reviews (starred review) “Ibram Kendi is today's visionary in the enduring struggle for racial justice. In this personal and revelatory new work, he yet again holds up a transformative lens, challenging both mainstream and antiracist orthodoxy. He illuminates the foundations of racism in revolutionary new ways, and I am consistently challenged and inspired by his analysis. How to Be an Antiracist offers us a necessary and critical way forward.”—Robin DiAngelo, New York Times bestselling author of White Fragility
America is five hundred years old; the United States is less than half that age. The term America was coined in 1507 to refer to a continent and a dream of a new world. People in the United States, especially government leaders, have a serious problem of regularly speaking as if their country were America. Author Gabriel Moran reflects on the use of the word America in the United States from its beginning to the present. He cites numerous examples to show the importance of distinguishing between the United States and America. The result is a different way of perceiving and understanding the history of the United States. This book is especially relevant to the current political division within the United States and some of the missteps in its foreign policy. The failure to consistently distinguish between the nation of the United States and the continent and dream America underlies nearly every political, cultural and economic problem that the country faces.
The essays in this book chart how women’s profound and turbulent experiences of migration have been articulated in writing, photography, art and film. As a whole, the volume gives an impression of a wide range of migratory events from women’s perspectives, covering the Caribbean Diaspora, refugees and slavery through the various lenses of politics and war, love and family. The contributors, which include academics and artists, offer both personal and critical points of view on the artistic and historical repositories of these experiences. Selfies, motherhood, violence and Hollywood all feature in this substantial treasure-trove of women’s joy and suffering, disaster and delight, place, memory and identity. This collection appeals to artists and scholars of the humanities, particularly within the social sciences; though there is much to recommend it to creatives seeking inspiration or counsel on the issue of migratory experiences.
"The problem of the twentieth century is the problem of the color line," wrote W.E.B. Du Bois in The Souls of Black Folk, one of the most prophetic and influential works in American literature. First published in 1903, this eloquent collection of essays exposed the magnitude of racism in our society. The book endures today as a classic document of American social and political history: a manifesto that has influenced generations with its transcendent vision of change. John Edgar Wideman observed: "Like Freud's excavations of the unconscious, Einstein's revelations of the physical universe, Marx's exploration of the economic foundations of social organization, Du Bois's insights have profoundly altered the way we look at ourselves." This edition includes an introduction by Herb Wood.The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with afford- able hardbound editions of impor- tant works of literature and thought. For the Modern Library's seventy- fifth anniversary, Random House redesigned the series, restoring as its emblem the running torch- bearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau- gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.