This setting of the Te Deum, dedicated to the wife of Franz I of Austria, is a rare example of a work from Haydn's late period that doesn't feature soloists. The second of Haydn's Te Deum settings, the work was performed in September 1800 on the name-day of the wife of Haydn's patron, Prince Nicolaus Esterhazy II, and it features the C major tonality and extensive use of trumpets and drums that were often associated with festive ceremony. This edition includes an orchestral reduction by Denis McCaldin, and full details of editorial practice can be found in the full score. Complete orchestral and vocal material is available on hire/rental, and the vocal score is also available on sale.
Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals
for SATB soloists, SATB choir, and orchestra There is no single definitive version of Messiah. Handel continued to make revisions to the score throughout his life either to improve it or to suit the abilities of individual performers or the needs of an occasion. This edition presents the standard version (with which most people are familiar) complete with a new, practical piano reduction. The appendix contains most of Handel's alternative movements and transpositions. The full score includes all the alternative movements and transpositions in their correct sequence and all material is signposted clearly and cross-referenced with the vocal score. Clifford Bartlett provides a text that is as close as possible to the sources, yet is presented with performers' needs in mind. Both full and vocal scores provide guidance on performance practice, and the vocal score includes ance piano/organ reduction suitable for both rehearsal purposes and performance without orchestra. Complete orchestral material and vocal scores are available on hire/rental,
Choral-Orchestral Repertoire: A Conductor's Guide offers an expansive compilation of choral orchestral works from 1600 to the present. Synthesizing Jonathan Green’s earlier six volumes on this repertoire, this edition updates and adds to the over 750 oratorios, cantatas, choral symphonies, masses, secular works for large and small ensembles, and numerous settings of liturgical and biblical texts for a wide variety of vocal and instrumental combinations. Each entry includes a brief biographical sketch of the composer, approximate duration, text sources, performing forces, currently available editions, and locations of manuscript materials, as well as descriptive commentary, discography, and bibliography. Unique to this edition are practitioner’s evaluations of the performance issues presented in each score. These include the range, tessitura, and nature of each solo role, and a determination of the difficulty of the choral and orchestral portions of each composition. There is also a description of the specific challenges, staffing, and rehearsal expectations related to the performance of each work. Choral-Orchestral Repertoire: A Conductor's Guide is an essential resource for conductors and students of conducting as they search for repertoire appropriate to their needs and the abilities of their ensembles.
Concert programs by University of Michigan. School of Music
Joseph Haydn is one of the greatest and most innovative of all composers, yet in some ways he is still curiously misunderstood. This engaging new Pocket Guide assesses what Haydn's music means to us today, and challenges some of the myths that have grown up around the composer. With suggestions for further reading and recommended CD recordings, Richard Wigmore's crisp and concise guide presents you with all you need to listen to and enjoy Haydn's music. It explores each of his key works, from his symphonies to his quartets, from his choral works to his sonatas, and invites a new generation of listeners to discover the depth and dazzling ingenuity of this most humane and life-affirming of composers.
FacultyAwards.org is the first and only university awards program in the United States based on faculty peer evaluation. Faculty Awards was created to recognize outstanding faculty members (as viewed by their Faculty peers) at colleges and universities across the United States. Faculty members voted through the 2014-2015 academic year for their peers at their academic departments and schools within a number of categories. Access to FacultyAwards.org to nominate and vote for Faculty was limited to university professors or faculty members at accredited U.S. institution of higher education. Faculty members were nominated and voted for by other faculty members in their own academic departments and schools. We strove to maintain an accurate peer-review process. Voting was not open to students or the public at large. In addition, faculty members voted for educators only at their own college or university. Winners for the 2014-2015 academic year, in all departments and colleges across U.S. institutions of higher education were announced in March 2015 and are permanently archived at FacultyAwards.org, as well as recognized in this 2015 print edition of the Faculty Awards Compendium. For the academic year 2014-2015 votes were cast to nominate and vote for Faculty members, and no self-voting was allowed, to assure the integrity of the whole process. This volume of the Faculty Awards Compendium includes Faculty awardees within Fine Arts, Humanities, Liberal Arts and Social Sciences Disciplines for the 2014-2015 academic year. A total of 1608 winning Faculty members in 584 higher education institutions were determined after tallying the votes. We would like to thank all Faculty members who participated in the voting process and to wish all the Faculty awardees continued success in their academic endeavors. We look forward to resuming the voting process for the 2015-2016 academic year awards.
(Unlocking the Masters). No composer has ever achieved the amazing progression that Haydn has. He invented the string quartet as we know it today, became "the Father of the Symphony," and founded the greatest school in the history of music. His life was one of ceaseless experimentation and invention, of problems surmounted and challenges met. In this book, No. 6 in the Amadeus Press Unlocking the Masters series, David Hurwitz acquaints readers with Haydn's innovative melodic creativity, his revolutionary use of musical form, and important characteristics of his personal style, including his genius for writing in minor keys and creating comedy in his music. In addition to Haydn's principal instrumental works, Hurwitz explores Haydn's vocal music and instrumental masterpieces that fall outside the mainstream. Four appendixes list all of his symphonies, string quartets, piano sonatas, and piano trios. Two Universal Records CDs provide over two and a half hours of music keyed to pieces described in the book.
This text provides conductors with the information necessary to select choral-orchestral works suitable to their needs and the abilities of their ensembles. It also provides them with the history of each piece and a detailed evaluation of performance issues for the choir, orchestra, and soloists.
Choral Repertoire is a comprehensive reference book about choral music in Western culture from Gregorian chant to compositions of the early twenty-first century. The material in the book covers general characteristics of the major historical eras, biographical sketches and discussions of the complete choral output of more than 500 composers, and performance annotations of more than 5,000 individual works.