Nova Scotia's Cape Breton Island is a beautiful region with a unique community whose history and ethnic composition have resulted in the evolution of a powerful sense of identity and place. While outsiders may think only of the island's perennial economic woes and long economic dependence on coal mining and steel production, it is also the home of a rich, vibrant, and distinct culture. Brian Douglas Tennyson's Cape Bretoniana is the first bibliography to gather together all known publications relating to the history, culture, economy, and politics of Cape Breton Island. With more than 6000 entries, it not only provides a comprehensive listing of publications and post-graduate theses, but also detailed annotations on the listings. Each entry lists the author, title, place of publication, publisher, date of publication, volume and issue number in the case of periodicals, and page references, followed by a brief description of the item. Cape Breton has never been so thoroughly documented. This bibliography will help to ensure that ? even in a world becoming increasingly homogenized by the forces of globalization ? unique cultural identities like Cape Breton's can be preserved and nurtured.
The writings of twentieth-century author Jack Finney are classic contributions to the genres of science fiction and suspense thrillers in American literature. Two of Finney's novels, The Body Snatchers and Good Neighbor Sam, became the basis of popular films, but it was his time-travel story Time and Again (1970) that won him a devoted following. The novel about an advertising artist who travels back to the New York of the 1880s quickly became a cult favorite, celebrated especially by New Yorkers for its rich descriptions of life in the city at that time. The year of his death, Finney finished the sequel, From Time to Time (1995). In 1955 he published The Body Snatchers, a chilling tale of aliens who emerge from pods in the guise of humans. Many critics interpreted the insidious infiltration by aliens as a cold war allegory that dramatized America's looming fear of a communist invasion, and the 1956 film Invasion of the Body Snatchers was remade twice. Over the course of his career, Finney wrote ten novels, more than 50 short stories, two plays, and a work of nonfiction, all of which are presented and discussed in this book. Also, reproduced in full and analyzed is a series of letters exchanged between Finney and various persons associated with his alma mater, Knox College. These letters give rare insight into Finney's character and demonstrate his personal interest in some of the themes that recur in his fiction. This work begins with an overview of Finney's life and career, presents a complete assessment of the author's works, and concludes with a look at the various ways that Finney's works have been adapted for the stage, television, and film. Also included is the first comprehensive list of Jack Finney's writings ever published.
Author: Norman Cazden Herbert Haufrecht Norman Studer
Publisher: SUNY Press
Notes and Sources to Folk Songs of the Catskills, also published by the State University of New York Press, is the companion volume to Folk Songs of the Catskills. It contains extensive reference notes that exemplify and support detailed citations in the commentary preceding each song. The book also includes a comprehensive list of sources, including books, broadsides or pocket songsters, disc recordings, music publications, periodicals, tape archives, and other miscellaneous material, as well as information on variants, adaptations, comments or references, texts, and tunes. These notes are designed to provide succinct reference information.
A multidisciplinary index covering the journal literature of the arts and humanities. It fully covers 1,144 of the world's leading arts and humanities journals, and it indexes individually selected, relevant items from over 6,800 major science and social science journals.
In this book, Steve Gronert Ellerhoff explores short stories by Ray Bradbury and Kurt Vonnegut, written between 1943 and 1968, with a post-Jungian approach. Drawing upon archetypal theories of myth from Joseph Campbell, James Hillman and their forbearer C. G. Jung, Ellerhoff demonstrates how short fiction follows archetypal patterns that can illuminate our understanding of the authors, their times, and their culture. In practice, a post-Jungian ‘mythodology’ is shown to yield great insights for the literary criticism of short fiction. Chapters in this volume carefully contextualise and historicize each story, including Bradbury and Vonnegut’s earliest and most imaginatively fantastic works. The archetypal constellations shaping Vonnegut’s early works are shown to be war and fragmentation, while those in Bradbury’s are family and the wholeness of the sun. Analysis is complemented by the explored significance of illustrations that featured alongside the stories in their first publications. By uncovering the ways these popular writers redressed old myths in new tropes—and coined new narrative elements for hopes and fears born of their era—the book reveals a fresh method which can be applied to all imaginative short stories, increasing understanding and critical engagement. Post-Jungian Psychology and the Short Stories of Ray Bradbury and Kurt Vonnegut is an important text for a number of fields, from Jungian and Post-Jungian studies to short story theoriesand American studies to Bradbury and Vonnegut studies. Scholars and students of literature will come away with a renewed appreciation for an archetypal approach to criticism, while the book will also be of great interest to practising depth psychologists seeking to incorporate short stories into therapy.