Witness a plan born of desperation and altered by passion in New York Times bestselling author Julia London’s classic, The Devil Takes a Bride. Once the toast of society, Grace Cabot and her sisters now await the shame of losing high status and fine luxuries upon the death of the Earl of Beckington. The dire circumstances are inevitable unless, of course, Grace’s wicked plot to seduce a wealthy viscount into marriage goes off without a single hitch. But once a stolen embrace with the wrong man leads her to be discovered in the arms of Jeffrey, the Earl of Merryton, her plan takes a most unexpected—and scorching—twist. Governed by routine and ruled by duty, Jeffrey had no desire for a wife before he succumbed to Grace’s temptation. Though his golden-haired, in-name-only bride is the definition of disorder, he can’t resist wanting her in every way. But once her secrets meet his, society might consider their lives to be ruined beyond repair…while Jeffrey might just see it as a new beginning. Originally published in 2015
From the bestselling Bridget Jones's Diary that started the trend to the television sensation Sex and the City that captured it on screen, "chick lit" has become a major pop culture phenomenon. Banking on female audiences' identification with single, urban characters who struggle with the same life challenges, publishers have earned millions and even created separate imprints dedicated to the genre. Not surprisingly, some highbrow critics have dismissed chick lit as trashy fiction, but fans have argued that it is as empowering as it is entertaining. This is the first volume of its kind to examine the chick lit phenomenon from a variety of angles, accounting for both its popularity and the intense reactions-positive and negative-it has provoked. The contributors explore the characteristics that cause readers to attach the moniker "chick" to a particular book and what, if anything, distinguishes the category of chick lit from the works of Jane Austen on one end and Harlequin romance novels on the other. They critique the genre from a range of critical perspectives, considering its conflicted relationship with feminism and postfeminism, heterosexual romance, body image, and consumerism. The fourteen original essays gathered here also explore such trends and subgenres as "Sistah Lit," "Mommy Lit," and "Chick Lit Jr.," as well as regional variations. As the first book to consider the genre seriously, Chick Lit offers real insight into a new generation of women's fiction.