This encyclopaedia provides specific information and guidance for everyone who is searching for a greater understanding the text includes theories of creativity, techniques for enhancing creativity and individuals who have contributed to creativity.
This encyclopaedia provides specific information and guidance for everyone who is searching for greater understanding and inspiration. Subjects include theories of creativity, techniques for enhancing creativity, individuals who have made contributions to creativity.
What goes on in creative writers’ heads when they write? What can cognitive psychology, neuroscience, literary studies and previous research in creative writing studies tell creative writers about the processes of their writing mind? Creative writers have for centuries undertaken cognitive research. Some described cognition in vivid exegetical essays, but most investigated the mind in creative writing itself, in descriptions of the thinking of characters in fiction, poetry and plays. The inner voicings and inner visualising revealed in Greek choruses, in soliloquies, in stream-of-consciousness narratives are creative writers’ ‘research results’ from studying their own cognition, and the thinking of others. The Creative Writer’s Mind is a book for creative writers: it sets out to cross the gap between creative writing and science, between the creative arts and cognitive research.
How fast and powerful can computers become? Will it be possible someday to create artificial brains that have intellectual capabilities comparable to those of human beings? The answers to these questions depend to a very great extent on a single factor: how small and dense we can make computer circuits. Very recently, scientists have achieved revolutionary advances that may very well radically change the future of computing. There are significant advantages to using biological molecules in a new computational paradigm, since nature has solved similar problems to those encountered in harnessing organic molecules to perform data manipulation. Biomolecules could be used as photonic devices in holography, as spatial light modulators, in neural network optical computing, as nonlinear optical devices, and as optical memories. Such computers may use a billion times less energy than electronic computers, while storing data in a trillionth of the space, while also being highly parallel. Research projects implemented by national and international groups have produced a large amount of data from multidisciplinary work, ranging from physics and engineering to chemistry and biology.
Creativity and culture are inherently linked. Society and culture are part and parcel of creativity’s process, outcome, and subjective experience. Equally, creativity does not reside in the individual independent of culture and society. Vlad Petre Glveanu’s basic framework includes creators and community, from which new artifacts emerge and existing artifacts are developed. He points to a relationship between self and other, new and old, specific for every creative act. Using this multifaceted system requires that researchers employ ecological research in order to capture the heterogeneity and social dimensions of creativity. Glveanu uses an approach based on cultural psychology to present creativity in lay terms and within everyday settings. He concludes with a unitary cultural framework of creativity interrelating actors, audiences, actions, artifacts, and affordances.
While there are countless books focused on craft projects for young adults and teens, few describe how creativity actually relates to teens or shows them how to access their creative selves. This book is designed to help teens remove the barriers to being creative and will help young adults maximize their creative potential. Teens will get the chance to explore what creativity means to them and what they should do when they’re having trouble being creative. The author explores everyday creativity and play and even looks at creativity’s role in a teen’s happiness.
The universe is a secret mine of twelve energy assets concealed in planetary dimensions Endless resources in search to discover develop and connect our core innate potentials Big data processed on these mines are derived through science equations and formulas From a multidisciplinary complex of objective algorithms to a simple smart code on Mind The World Encyclopedia on Creative Sciences and Mind Computing can only be Makupedia.
Creativity Across Domains: Faces of the Muse sorts through the sometimes-confusing theoretical diversity that domain specificity has spawned. It also brings together writers who have studied creative thinkers in different areas, such as the various arts, sciences, and communication/leadership. Each contributor explains what is known about the cognitive processes, ways of conceptualizing and solving problems, personality and motivational attributes, guiding metaphors, and work habits or styles that best characterize creative people within the domain he or she has investigated. In addition, this book features: *an examination of how creativity is similar and different in diverse domains; *chapters written by an expert on creativity in the domain about which he or she is writing; *a chapter on creativity in psychology which examines patterns of performance leading to creative eminence in different areas of psychology; and *a final chapter proposing a new theory of creativity--the Amusement Park Theoretical Model. This book appeals to creativity researchers and students of creativity; cognitive, education, social, and developmental psychologists; and educated laypeople interested in exploring their own creativity.
What happens in our brains when we compose a melody, write a poem, paint a picture, or choreograph a dance sequence? How is this different from what occurs in the brain when we generate a new theory or a scientific hypothesis? In this book, Anna Abraham reveals how the tools of neuroscience can be employed to uncover the answers to these and other vital questions. She explores the intricate workings of our creative minds to explain what happens in our brains when we operate in a creative mode versus an uncreative mode. The vast and complex field that is the neuroscience of creativity is disentangled and described in an accessible manner, balancing what is known so far with critical issues that are as yet unresolved. Clear guidelines are also provided for researchers who pursue the big questions in their bid to discover the creative mind.