The first in a series of books about the much-loved guinea-pig, Olga da Polga.Olga has a wild imagination, and from the minute she arrives at her new home, she begins entertaining all the other animals in the garden with her outrageous tales and stories - but she still has time to get up to all kinds of mischief and have lots of wonderful adventures too.* First in a series of books about Olga da Polga, being reissued to coincide with the publication of a brand new Olga da Polga book.* Best-selling author of 'Paddington Bear' books.* Illustrated throughout with enchanting black and white artwork.* Lively and humorous stories with a wonderful leading character.
'From the very beginning there was not the slightest doubt that Olga da Polga was the sort of guinea-pig who would go places.' Michael Bond's guinea-pig has been charming readers for over 40 years. Catherine Rayner illustrates this stunning small format gift edition of Olga da Polga with glorious full colour watercolours and siilkscreen images.
Olga da Polga has left the pet shop to start a new life with her owners. Her home is now a large and airy hutch and it's not long before she meets Noel the cat, Fangio the hedgehog, and Graham the tortoise. Her garden companions soon discover that Olga loves an audience and from the moment she arrives she tells them stories about her wild and exciting adventures. Although they are not always sure whether to believe everything Olga says, one thing is certain - since Olga moved in, life is never dull! Whether she's Olga the explorer, Olga the prizewinner, or Olga the storyteller, she is always Olga da Polga! Written by the beloved Michael Bond, with wonderful illustrations by Catherine Rayner, this is a gift edition for young readers to treasure.
Now you have three times the fun and three times the adventures in this bumper edition of three hilarious Olga da Polga books in one volume. This book contains : The Tales of Olga da Polga, Olga Meets Her Match, and Olga Carries On.Each story has short chapters, each with their own plot, to build reading confidence
Lots of exciting things are happening in the Sawdust household, and Olga da Polga is right in the thick of them. First of all she finds a strange jigsaw puzzle that looks good enough to eat, and then she discovers a mysterious visitor in the garden who thinks that she looks good enough to eat! How is Olga going to get out of this sticky situation? More crazy schemes and outrageous tall tales from the fantastic Olga da Polga.
'Wheeeeeeeee!' squeaked Olga. 'Ombomstiggywoggles and Wheeeeeeeeee! Wheeeeeeeeeeee! Wheeeeeeeeeeeeeeeee!' What can it mean? Olga isn't telling, but Noel, Fangio, and Graham are very impressed. So are Fircone and Raisin the newcomers to the Sawdust family home who arrive just in time to hear Olga's first attempts at poetry.
Upon publication, Anita Silvey’s comprehensive survey of contemporary children’s literature, Children’s Books and Their Creators, garnered unanimous praise from librarians, educators, and specialists interested in the world of writing for children. Now The Essential Guide to Children’s Books and Their Creators assembles the best of that volume in one handy, affordable reference, geared specifically to parents, educators, and students. This new volume introduces readers to the wealth of children’s literature by focusing on the essentials — the best books for children, the ones that inform, impress, and, most important, excite young readers. Updated to include newcomers such as J. K. Rowling and Lemony Snicket and to cover the very latest on publishing and educational trends, this edition features more than 475 entries on the best-loved children’s authors and illustrators, numerous essays on social and historical issues, thirty personal glimpses into craft by well-known writers, illustrators, and critics, and invaluable reading lists by category. The Essential Guide to Children’s Books and Their Creators summarizes the canon of contemporary children’s literature, in a practical guide essential for anyone choosing a book for or working with children.
The fourth in a series of books about the much-loved guinea-pig, Olga da Polga. Olga was in a jam. In fact, that day she had been in a number of different jams, each worse than the one before, until her mind was in such a whirl she didn't know which way to turn. Olga is a very busy guinea-pig. She attempts to save the Sawdust family from the effects of a drought, she participates in a sponsered squeak, and she even takes up jogging. But somehow she always manages to find time to delight her friends with her tall tales and far-fetched stories.
A brand new book about the mischievous guinea-pig, Olga da Polga. Winter has come to the Sawdust household, and Olga's been moved into a new home, inside the house. She's very excited about this and even manages to get Mrs Sawdust to redecorate her box! Olga enjoys watching the comings and goings in the house and gets up to all kinds of mischief and embarks on many wonderful adventures. * A brand new Olga da Polga book, being published together with reissues the backlist titles. * Best-selling author of 'Paddington Bear' books. This is his first book for some years. * Illustrated throughout with enchanting black and white artwork. * Lively and humorous stories with a wonderful leading character.
Lots of exciting things are happening at the Sawdust house and Olga da Polga is right in the thick of it. First there's the strange jigsaw puzzle which looks good enough to eat, and then there's a mysterious visitor in the garden who thinks that Olga looks good enough to eat! And as if thatweren't enough, Olga and her friends hear some shocking news that turns a perfectly ordinary day into 'Black Friday'...Each story has short chapters, each with their own plot, to build reading confidence.
A hilarious story about the bongleweed, a weird and wonderful plant that's threatening to take over the village. It's up to Becky and Jason to try and stop the wickedly wild weed before it's too late...* Helen Cresswell has been twice BAFTA-nominated for her tv adaptations of such books as The Demon Headmaster and The Phoenix and the Carpet.
Reference by University of Chicago. Center for Children's Books
This book offers a variety of approaches to children's literature from a postcolonial perspective that includes discussions of cultural appropriation, race theory, pedagogy as a colonialist activity, and multiculturalism. The eighteen essays divide into three sections: Theory, Colonialism, Postcolonialism. The first section sets the theoretical framework for postcolonial studies; essays here deal with issues of "otherness" and cultural difference, as well as the colonialist implications of pedagogic practice. These essays confront our relationships with the child and childhood as sites for the exertion of our authority and control. Section 2 presents discussions of the colonialist mind-set in children's and young adult texts from the turn of the century. Here works by writers of animal stories in Canada, the U.S. and Britain, works of early Australian colonialist literature, and Frances Hodgson Burnett's A Little Princess come under the scrutiny of our postmodern reading practices. Section 3 deals directly with contemporary texts for children that manifest both a postcolonial and a neo-colonial content. In this section, the longest in the book, we have studies of children's literature from Canada, Australia, Africa, the Caribbean, and the United States.
This book is based on the belief that deep subject knowledge of language and literature provides a foundation for effective teaching and learning. It provides a comprehensive guide to the range of genres and characteristic features of English language fiction written for children. It will help readers to: o develop their understanding of literature within social, cultural and political reading practices o extend their knowledge of language features and conventions of different genres o develop skills in analytical and critical reading. The scope of the first edition has been expanded from solely fiction to cover a range of contemporary literature, including poetry, plays and picture books. The case study material, investigative activities and practical exercises promote an active approach to learning. The second edition focuses on a range of fiction relevant to the National Curriculum for England and the National Literacy Strategy. It provides examples from a range of world literature written in English. Examples from work in translation are also included. It also addresses the requirements of the primary curriculum for ITT English. This book is essential reading for student teachers on PGCE, and undergraduate teacher education courses, and for teachers undertaking CPD in English, literacy or children's literature. It provides useful support material for language coordinators, SCITT coordinators and literacy consultants.
Guinea pigs are one of the world’s most popular pets—small, friendly, easy to care for, and unbearably cute. We have felt this way for a long time: guinea pigs were first domesticated in 5000 B.C.E. Since then they have inspired historical figures ranging from the scientist William Harvey to the artists Jan Brueghel and Beatrix Potter. In this book, Dorothy Yamamoto offers the first in-depth treatment of this cuddly little creature over the several millennia it has been a part of our lives. Yamamoto examines the role guinea pigs have today—as pets—but also looks back to less loving times when guinea pigs were put to more direct use. She discusses them as a crucial sacrificial offering to Incan gods, as the entrée in the Cusco Cathedral’s painting of The Last Supper, and as a highly favored experimental subject—for which they have become the quintessential metaphor for anyone in the same unfortunate circumstance. Threading her account with examples from the guinea pig’s many appearances in literature and art, Yamamoto reveals the personality and cultural importance of an animal we have always wanted to keep nearby, providing a fun and unique book for any animal lover. Published in Association with the Science Museum, London