Powerful, moving and elegant, these stories cover every aspect of the human condition, from tales of the family to those of the macabre... A man watches his family dine as he sits in his car at the kerb, and realises he lives in a household of strangers . . . Menaced by a gang of skinheads in a Jewish cemetery, an American tourist in Germany placates the Neo-Nazis with a formula he continues to repeat even after he is safely back home . . . the problem of a ghost in a nursery . . . the often surprising demands of love . . . These elegant, eloquent stories engage the world in sometimes shocking ways, surprising in their plotting, sly in their humour. Such mastery of craft is impressive, and whether it seeks to amuse or move, each story has the power and style to affect the reader to the very core...
This brilliant debut collection of stories by O. Henry Award winner John Biguenet is as notable for the rigor of its intellect as for the sweep of its imagination. Whether recounting the predicament of an atheistic stigmatic in "The Vulgar Soul" or a medieval torturer who must employ his terrible skills upon his own apprentice in the title tale, these stories decline to settle for ready sentiments or easy assurances. Rather than add to the massive canon of the victimized, for example, "My Slave" takes the perspective of the victimizer. In "The Open Curtain," a man achieves intimacy with his family only when he recognizes -- watching them dine as he sits in his car at the curb -- that he lives in a household of strangers. Menaced by a gang of skinheads in a Jewish cemetery, an American tourist in Germany placates the Neo-Nazis with a formula he continues to repeat even after he is safely back home in "I Am Not a Jew." And as for love, it makes demands in such stories as "Do Me" that shake our very notions of what it means to love. If these stories engage the world in sometimes shocking ways, they are virtuoso engagements, eloquent in their prose, surprising in their plotting, sly in their humor. Biguenet shifts among voices and narrative strategies and imposes neither a single style nor a repeated structure as he depicts the ecological catastrophe of "A Plague of Toads," the problem posed by a ghost in the nursery in "Fatherhood," and the ghastly discovery a grieving widower defends as "another kind of memory" in "Rose." Such mastery of craft may come as a surprise in a first-time author, but even more impressive is the object of his art. For whether it seeks to prick or to tickle, each story in The Torturer's Apprentice addresses its subject with an authority unusual in contemporary literature as it entices the reader beyond the boundaries of the expected and the accepted.
The Book of the New Sun is unanimously acclaimed as Gene Wolfe's most remarkable work, hailed as "a masterpiece of science fantasy comparable in importance to the major works of Tolkien and Lewis" by Publishers Weekly. Shadow & Claw brings together the first two books of the tetralogy in one volume: The Shadow of the Torturer is the tale of young Severian, an apprentice in the Guild of Torturers on the world called Urth, exiled for committing the ultimate sin of his profession -- showing mercy toward his victim. Ursula K. Le Guin said, "Magic stuff . . . a masterpiece . . . the best science fiction I've read in years!" The Claw of the Conciliator continues the saga of Severian, banished from his home, as he undertakes a mythic quest to discover the awesome power of an ancient relic, and learn the truth about his hidden destiny. "One of the most ambitious works of speculative fiction in the twentieth century." -- The Magazine of Fantasy and Science Fiction At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Severian is a torturer, born to the guild and with an exceptionally promising career ahead of him . . . until he falls in love with one of his victims, a beautiful young noblewoman. Her excruciations are delayed for some months and, out of love, Severian helps her commit suicide and escape her fate. For a torturer, there is no more unforgivable act. In punishment he is exiled from the guild and his home city to the distant metropolis of Thrax with little more than Terminus Est, a fabled sword, to his name. Along the way he has to learn to survive in a wider world without the guild - a world in which he has already made both allies and enemies. And a strange gem is about to fall into his possession, which will only make his enemies pursue him with ever-more determination . . . Winner of the World Fantasy Award for best novel, 1981 Winner of the BSFA Award for best novel, 1982
From 1994 to 2006, William F. Schulz headed Amnesty International USA. During this time, he and the organization confronted some of the greatest challenges to human rights, including genocides in Rwanda, Bosnia, and Sudan; controversies over the prison camp at Guantanamo Bay, Cuba, and the use of torture by the United States after 9/11; as well as growing concern about inequities in the American justice system, from police misconduct to the death penalty. Drawing upon his encounters with tyrants, the inspiration of brave human rights heroes, and collaborations with celebrities ranging from Patrick Stewart to Salma Hayek, Schulz uses poignant narrative and amusing anecdotes to discuss the day-to-day realities of struggling with life-and-death human rights crises. In the process he ducks an assassination threat in Liberia; brings tears to the eyes of the Prime Minister of Northern Ireland; and bests America's self-described "toughest sheriff" on Bill Maher's Politically Incorrect. Full of reflection as well as action, Reversing the Rivers provides Schulz with the opportunity to address profound philosophical questions, such as "What is the nature of evil?"; "How do we foster the 'better angels of our nature'?" "When may we use force to stop people from using force?" "Is the prohibition on torture as simple as it seems?" and "What's wrong with an eye for an eye?" Most important, in an eloquent concluding chapter, he answers the quandary most frequently posed to him during his years at Amnesty, "Given all the horrors in the world you see day after day, how do you retain any hope at all in humanity?"
Torture. Kidnapping. Bogus wars. Illegal wiretapping. Propaganda. Spies in the newsrooms. Oil profiteers. Soldiers who won't fight. Mothers of fallen soldiers Who will. In Static, the bestselling brother-sister team of Amy Goodman, host of Democracy Now!, and investigative journalist David Goodman takes on government liars, corporate profiteers, and the media that have acted as their cheerleaders. The authors cut through the official static to show the truth about war, torture, and government control of the media. Static breaks the sound barrier to present the voices of dissidents, activists, and others who are often frozen out of official debate. Read Static. Become informed. Fight back. Defend democracy.
This collection of essays will address some of the most controversial issues surrounding torture: how it is used by governments, legal definitions of torture, the theological implications of torturing, torture in declared states of emergency and why it should be prohibited.
The counterterrorism policies following September 11, 2001, brought the definition and legitimacy of torture to the forefront of political, military, and public debates. This timely volume explores the question of torture through multiple lenses by situating it within systems of belief, social networks of power, and ideological worldviews. Individual essays examine the boundaries of what is deemed legitimate political violence for the sake of state security, the immediate and long-term effects of torture on human and social bodies, the visual and artistic representations of torture, how certain people are dehumanized to make it acceptable to torture them, and how we understand complicity in and the ethical boundaries of torture.