This chilling novel from the bestselling, award-winning author of The Lake of Dead Languages blends the gothic allure of Daphne DuMaurier’s Rebecca and the crazed undertones of Charlotte Perkins Gilman’s The Yellow Wallpaper with the twisty, contemporary edge of A.S.A. Harrison’s The Silent Wife—a harrowing tale of psychological suspense set in New York’s Hudson Valley. When Jess and Clare Martin move from Williamsburg, Brooklyn, to their former college town in the Hudson River valley, they are hoping for rejuvenation—of their marriage, their savings, and Jess's writing career. They take a caretaker's job at Riven House, a crumbling estate and the home of their old college writing professor. While Clare once had dreams of being a writer, those plans fell by the wayside when Jess made a big, splashy literary debut in their twenties. It's been years, now, since his first novel. The advance has long been spent. Clare's hope is that the pastoral beauty and nostalgia of the Hudson Valley will offer some inspiration. But their new life isn't all quaint town libraries and fragrant apple orchards. There is a haunting pall that hangs over Riven House like a funeral veil. Something is just not right. Soon, Clare begins to hear babies crying at night, see strange figures in fog at the edge of their property. Diving into the history of the area, she realizes that Riven House has a dark and anguished past. And whatever this thing is—this menacing force that destroys the inhabitants of the estate—it seems to be after Clare next…
THE RISE OF THE DRAGON AND THE FALL OF KINGS Lord Regent Geder Palliako's war has led his nation and the priests of the spider goddess to victory after victory. No power has withstood him, except for the heart of the one woman he desires. As the violence builds and the cracks in his rule begin to show, he will risk everything to gain her love - or her destruction. Clara Kalliam, the loyal traitor, is torn between the woman she once was and the woman she has become. With her sons on all sides of the conflict, her house cannot stand, but there is a power in choosing when and how to fall. And in Porte Oliva, banker Cithrin bel Sarcour and Captain Marcus Wester learn the terrible truth that links this war to the fall of the dragons millennia before, and that to save the world, Cithrin must conquer it.
A Historical Sketch Of The Widow'S House At Bethlehem, Pa., 1768-1892, has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
"These are lovely poems. I have come to think of 'widowness' as transpersonal almost-it will strike those who are reckless enough to become wives and can recall so intensely the feeling of being in the hospital-vigil with an ending not yet known."-Joyce Carol Oates, author of A Widow's Story "I love this book! It's very moving and complex both. A fearless journey into the mystery of grief and love and loss. Her powers of observation are so accurate and careful . . . and tough."-Jonis Agee, author of The Bones of Paradise "So many poems today say so much but I experience so little-I understand all right, but I don't get pushed into second gear, don't get moved into the feeling that is meant to be offered up, no rough leap into the world off the page. This leap happens in a poem like 'On Green.'"-Alberto Rios, author of A Small Story about the Sky "She knows how to take risks, how to deliver sharp pathos. . . . This eloquent book is her obligation to her beloved. She remembers. 'Listen, ' she writes, 'I am never lonely when I can imagine you.' Perhaps this brave book saves her life."-Michael Dennis Browne, author of The Voices "This honest and unflinching collection does not leave the reader without hope: 'Right at the worst time of your life someone/helps you in some way, ' she writes. 'You must take the least shred of it in, ' and she does."-Joyce Sutphen, Minnesota Poet Laureate, author of Modern Love and Other Myths"
A gripping account of thirteen women who joined, endured, and, in some cases, escaped life in the Islamic State—based on years of immersive reporting by a Pulitzer Prize finalist. FINALIST FOR THE BAILLIE GIFFORD PRIZE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY AND ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • NPR • Toronto Star • The Guardian Among the many books trying to understand the terrifying rise of ISIS, none has given voice to the women in the organization; but women were essential to the establishment of Abu Bakr al-Baghdadi’s caliphate. Responding to promises of female empowerment and social justice, and calls to aid the plight of fellow Muslims in Syria, thousands of women emigrated from the United States and Europe, Russia and Central Asia, from across North Africa and the rest of the Middle East to join the Islamic State. These were the educated daughters of diplomats, trainee doctors, teenagers with straight-A averages, as well as working-class drifters and desolate housewives, and they joined forces to set up makeshift clinics and schools for the Islamic homeland they’d envisioned. Guest House for Young Widows charts the different ways women were recruited, inspired, or compelled to join the militants. Emma from Hamburg, Sharmeena and three high school friends from London, and Nour, a religious dropout from Tunis: All found rebellion or community in political Islam and fell prey to sophisticated propaganda that promised them a cosmopolitan adventure and a chance to forge an ideal Islamic community in which they could live devoutly without fear of stigma or repression. It wasn’t long before the militants exposed themselves as little more than violent criminals,more obsessed with power than the tenets of Islam, and the women of ISIS were stripped of any agency, perpetually widowed and remarried, and ultimately trapped in a brutal, lawless society. The fall of the caliphate only brought new challenges to women no state wanted to reclaim. Azadeh Moaveni’s exquisite sensitivity and rigorous reporting make these forgotten women indelible and illuminate the turbulent politics that set them on their paths.
China by United States. Congress. House. Committee on Veterans' Affairs
This work, written by 16th-century Jesuit priest John Gerard, details the treatment of Catholics during the end of the reign of Elizabeth and throughout the reign of James I. Though by most historical accounts King James I was quite lenient in his treatment of Catholics, Gerard was not of the same mind, as evidenced by his writings.