Thomas Covenant returns unwillingly to a Land ravaged by four thousand years of Lord Foul's pestilence. Under the evil Sunbane, the people of the Land submit to cruel sacrifices; the rulers of Revelstone are corrupt, the fields and forests laid waste; the healing Earth-power impotent. Accompanied by a woman from his own world, Covenant begins a new quest to save the Land from the forces that have all but destroyed it.
“Wounded Land is . . . a deeper, richer world than that presented in the previous volumes. . . . [Stephen R.] Donaldson is extending himself, creating a fuller, more mature world of imagination.”—Seattle Post-Intelligencer Four thousand years have passed since Covenant first freed the Land from the devastating grip of Lord Foul and his minions. The monstrous force of Evil has regained its power, once again warping the very fabric and balance of the Land. Armed with his stunning white gold, wild magic, Covenant must battle not only terrifying external forces but his own capacity for despair and devastation. His quest to save the Land from ultimate ruin is exciting and heroic as ever.
One of Turkey's most celebrated writers explores themes of violence, otherness, and exile through a thrilling hybrid of poetry and prose that paints a vivid picture of Turkey's conflict-torn lands. In the two books paired here, translated into English for the first time, the great Turkish writer Ferit Edgü represents complex social and political realities with startling lyricism. The Wounded Age features a newspaper reporter from Istanbul, assigned to write about ethno-national violence in the mountains of eastern Turkey. Like the narrators in Eastern Tales, he is a stranger in a region where a buried history—the state’s violence against Armenians, Greeks, and Assyrians—continues uninterrupted with the subjugation of the Kurds. Language in this place, especially the language of outsiders, cannot be trusted. In the story “Interview,” an old villager tells the narrator, “Make our photograph,” and adds, “Send us the pictures. No need to write us letters.” The minimal tales Edgü tells are vivid pictures of life in the East—a house in ruins, an empty crib, wolves howling in the hills—and transcriptions of living voices. The reporter in The Wounded Age has no illusions that his story will stop the bloodletting; instead, he goes east because he knows he must open his eyes and unstop his ears.
The tale of the quest for the Holy Grail is more than a story and a spiritual mystery; it also has a part to play in enhancing the modern reader's psychological, emotional, and spiritual well-being. This book includes well-known and well-loved stories, including the tale of the Wounded King, which have the ability to promote inner change, to heal, and to reawaken us to life.
Children's encyclopedias and dictionaries by Arthur Mee