Theatres of Violence

Author: Philip G. Dwyer

Publisher: Berghahn Books


Category: History

Page: 323

View: 493

Massacres and mass killings have always marked if not shaped the history of the world and as such are subjects of increasing interest among historians. The premise underlying this collection is that massacres were an integral, if not accepted part (until quite recently) of warfare, and that they were often fundamental to the colonizing process in the early modern and modern worlds. Making a deliberate distinction between 'massacre' and 'genocide', the editors call for an entirely separate and new subject under the rubric of 'Massacre Studies', dealing with mass killings that are not genocidal in intent. This volume offers a reflection on the nature of mass killings and extreme violence across regions and across centuries, and brings together a wide range of approaches and case studies.
Performing Arts

Violent Women in Contemporary Theatres

Author: Nancy Taylor Porter

Publisher: Springer


Category: Performing Arts

Page: 410

View: 852

This book brings together the fields of theatre, gender studies, and psychology/sociology in order to explore the relationships between what happens when women engage in violence, how the events and their reception intercept with cultural understandings of gender, how plays thoughtfully depict this topic, and how their productions impact audiences. Truthful portrayals force consideration of both the startling reality of women's violence — not how it's been sensationalized or demonized or sexualized, but how it is — and what parameters, what possibilities, should exist for its enactment in life and live theatre. These women appear in a wide array of contexts: they are mothers, daughters, lovers, streetfighters, boxers, soldiers, and dominatrixes. Who they are and why they choose to use violence varies dramatically. They stage resistance and challenge normative expectations for women. This fascinating and balanced study will appeal to anyone interested in gender/feminism issues and theatre.
Social Science

Theatres of Human Sacrifice

Author: Mark Pizzato

Publisher: SUNY Press


Category: Social Science

Page: 275

View: 150

Provides insight into the ritual lures and effects of mass media spectatorship, especially regarding the pleasures, risks, and purposes of violent display. Contemporary debates about mass media violence tend to ignore the long history of staged violence in the theatres and rituals of many cultures. In Theatres of Human Sacrifice, Mark Pizzato relates the appeal and possible effects of screen violence todayin sports, movies, and television newsto specific sacrificial rites and performance conventions in ancient Greek, Aztec, and Roman culture. Using the psychoanalytic theories of Lacan, Kristeva, and Zðizûek, as well as the theatrical theories of Artaud and Brecht, the book offers insights into the ritual lures and effects of current mass media spectatorship, especially regarding the pleasures, purposes, and risks of violent display. Updating Aristotle’s notion of catharsis, Pizzato identifies a sacrificial imperative within the human mind, structured by various patriarchal cultures and manifested in distinctive rites and dramas, with both positive and negative potential effects on their audiences. Mark Pizzato is Associate Professor of Theatre at the University of North Carolina at Charlotte and the author of Edges of Loss: From Modern Drama to Postmodern Theory.
Burlesque (Theater)

Knockabout and Slapstick

Author: Paul Michael Walter Babiak



Category: Burlesque (Theater)

Page: 498

View: 920

This thesis examines laughter that attends violent physical comedy: the knockabout acts of the nineteenth-century variety theatres, and their putative descendants, the slapstick films of the early twentieth-century cinema. It attempts a comparative functional analysis of knockabout acts and their counterparts in slapstick film. In Chapter 1 of this thesis I outline the obstacles to this inquiry and the means I took to overcome them; in Chapter 2, I distinguish the periods when knockabout and slapstick each formed the dominant paradigm for physical comedy, and give an overview of the critical changes in the social context that separate them. In chapter 3, I trace the gradual development of comedy films throughout the early cinema period, from the "comics" of 1900 to 1907, through the "rough house" films of the transitional era, to the emergence of the new genre in 1911-1914. Chapters 4, 5, 6 and 7 present my comparative analyses of the workings of four representative "tropes" ubiquitous in various forms of knockabout performance and in various representative slapstick films: i) The burlesque prize fight (in variety theatre, in the Ethiopian sketches of blackface minstrelsy and in Keystone's "The Knockout"); ii) the Pete Jenkins act (in nineteenth-century circus) and the "Wild Ride" (a sub-subgenre of chase film); iii) the "One-Two-Three-Switch motif" in knockabout song and dance and in the slapstick pie fight; iv) The "White Night" of the Ethiopian sketches and the "Inn Where No Man Rests" of early film. Chapters 8 and 9 present my attempt to synthesize my findings and come to a conclusion by concretely theorizing what this comparison teaches us about knockabout and slapstick performance. Slapstick has a twofold nature: as a 'performance style', it is a quasi-verisimilar acting "anti-technique," incorporating acrobatic elements. As a 'film genre', slapstick represents an intervention in the 'superfluous' violence of everyday life: it functions to recuperate the spectator's sense of his/her own potential freedom from complicity in social violence; and to make reconciliation with others possible. Nevertheless, the spectator may well reject these functions and use the slapstick film as a pleasurable outlet for his/her own sadistic energies.

Violent Victorians

Author: Rosalind Crone

Publisher: Manchester University Press


Category: History

Page: 320

View: 638

By drawing attention to the wide range of gruesome, bloody and confronting amusements patronised by ordinary Londoners this book challenges our understanding of Victorian society and culture. From the turn of the nineteenth century, graphic, yet orderly, ‘re-enactments’ of high level violence flourished in travelling entertainments, penny broadsides, popular theatres, cheap instalment fiction and Sunday newspapers. This book explores the ways in which these entertainments siphoned off much of the actual violence that had hitherto been expressed in all manner of social and political dealings, thus providing a crucial accompaniment to schemes for the reformation of manners and the taming of the streets, while also serving as a social safety valve and a check on the growing cultural hegemony of the middle class.

Collective Violence in a Provincial City

Author: D. Parthasarathy

Publisher: Oxford University Press, USA


Category: Communalism

Page: 204

View: 448

Drawing On A Vast Body Of Sociological Literature, This Book Gives On Entirely New Focus To The Concept Of Collective Violence.
Language Arts & Disciplines

The Voice in Violence

Author: Voice and Speech Trainers Association

Publisher: Applause Theatre & Cinema


Category: Language Arts & Disciplines

Page: 336

View: 635

(Applause Books). This collection from The Voice and Speech Trainers Association focuses on the voice in stage violence, addressing such questions as: * How does one scream safely? * What are the best ways to orchestrate voices in complex battle scenes? * How to voice coaches work collaboratively with fight directors and the rest of the creative team? * What techniques are used to re-voice violent stunt scenes on film? * How accurate are actor presentations of extreme emotion? * What is missing from many portrayals of domestic violence? Written by leading theatre voice and speech coaches, the volume contains 63 articles, essays, interviews and reviews covering a wide variety of professional concerns.
Performing Arts

Performing Violence

Author: Birgit Beumers

Publisher: Intellect Books


Category: Performing Arts

Page: 316

View: 359

New Russian Drama began its rise at the end of the twentieth century, following a decline in dramatic writing in Russia that stemmed back to the 1980s. Authors Beumers and Lipovetsky examine the representation of violence in these new dramatic works penned by young Russian playwrights. Performing Violence is the first English-language study of the consequent boom in drama and why this new breed of authors were writing fierce plays, whilst previous generations had preferred poetry and prose. Since 1999 numerous festivals of new Russian drama have taken place, which have brought international recognition to such playwrights as the Presnyakov brothers, Evgeni Grishkovets and Vasili Sigarev. At the same time, young stage directors and new theatres also emerged. New Russian Drama is therefore one of a few artistic and cultural phenomena shaped entirely in the post-Soviet period and this book investigates the violent portrayal of identity crisis of the generation as represented by theatre. Reflecting the disappointment in Yeltsin’s democratic reforms and Putin’s neo-conservative politics, the focus is on political and social representations of violence, its performances and justifications. Performing Violence seeks a vantage point for the analysis of brutality in post-Soviet culture. It is a key text for students of theatre, drama, Russian studies, culture and literature.
Aggressiveness in children

Television Violence

Author: Wendy L. Josephson



Category: Aggressiveness in children

Page: 70

View: 257


Violence Today

Author: Leo Panitch

Publisher: Merlin; Monthly Review Press; Fernwood


Category: Capitalism

Page: 277

View: 912

Is this a new age of barbarism? The scale and pervasiveness of violence today calls urgently for serious analysis of: the 'war on terror' and counter-insurgencies; terror and counter-terror; suicide bombings and torture; civil wars and anarchy; urban gang warfare; and the persistence of chronic violence against women.
Performing Arts

Ghosts of Theatre and Cinema in the Brain

Author: M. Pizzato

Publisher: Springer


Category: Performing Arts

Page: 323

View: 423

Pizzato focuses on the staging of Self and Other as phantom characters inside the brain (in the 'mind's eye', as Hamlet says). He explores the brain's anatomical evolution from animal drives to human consciousness to divine aspirations, through distinctive cultural expressions in stage and screen technologies.

Dreams of Violence

Author: Stella Feehily

Publisher: Out of Joint: Soho Theatre


Category: Drama

Page: 83

View: 501

For forty-something Hildy, political activism comes easier than dealing with the disorder of her family life: her druggie son; her philandering soon-to-be-ex husband; her father, misbehaving in a hugely expensive retirement home. Then there's Shirley, Hildy's charismatic mother - a former pop star with a fondness for booze - who sets up camp in Hildy's spare room to belittle her from close range. By day, Hildy leads the City's cleaners in revolt against the bankers. But by night, she dreams of unsettling acts of violence. A comedy about love, death and responsibility, Dreams of Violence was premiered in 2009 by Out of Joint, in a co-production with Soho Theatre, London. It was directed by Max Stafford-Clark and opened at Soho before touring the UK.