Religion

Toward a New Modernism

Author: Kenneth Cauthen

Publisher: University Press of Amer

ISBN:

Category: Religion

Page: 170

View: 143

This book presents a neo-modernist outlook of the Bible, God, and Christ that challenges many of the assumptions underlying most contemporary theological perspectives. On the basis of a thoroughly relativistic empirical-rational pragmatism, a form of theistic naturalism and a radical Christology are set forth that proposes that living Christians should regard themselves as the functional authorities who determine what religious and moral views are normative for today based on the best they know up to now from all sources, the Bible being central among them.
Social Science

Toward a New Metropolitanism

Author: Günter H. Lenz

Publisher: Universitaetsverlag Winter

ISBN:

Category: Social Science

Page: 496

View: 949

International conference proceedings, New York University, February 2000, and Humboldt University, June-July 2000.
Performing Arts

Arab Modernism as World Cinema

Author: Peter Limbrick

Publisher: University of California Press

ISBN:

Category: Performing Arts

Page: 302

View: 357

Arab Modernism as World Cinema explores the radically beautiful films of Moroccan filmmaker Moumen Smihi, demonstrating the importance of Moroccan and Arab film cultures in histories of world cinema. Addressing the legacy of the Nahda or “Arab Renaissance” of the nineteenth and early twentieth century—when Arab writers and artists reenergized Arab culture by engaging with other languages and societies—Peter Limbrick argues that Smihi’s films take up the spirit of the Nahda for a new age. Examining Smihi’s oeuvre, which enacts an exchange of images and ideas between Arab and non-Arab cultures, Limbrick rethinks the relation of Arab cinema to modernism and further engages debates about the use of modernist forms by filmmakers in the Global South. This original study offers new routes for thinking about world cinema and modernism in the Middle East and North Africa, and about Arab cinema in the world.
Literary Criticism

Modernist Time Ecology

Author: Jesse Matz

Publisher: Johns Hopkins University Press

ISBN:

Category: Literary Criticism

Page: 320

View: 210

Modernist Time Ecology is a deeply interdisciplinary book that changes what we think literature and the arts can do for the world at large.
Literary Criticism

Modernism's Metronome

Author: Ben Glaser

Publisher: Johns Hopkins University Press

ISBN:

Category: Literary Criticism

Page: 304

View: 228

In Modernism's Metronome, Ben Glaser revisits early twentieth-century poetics to uncover a wide range of metrical practice and theory, upending our inherited story about the "breakingof meter and rise of free verse.
Literary Criticism

Modernism after Postcolonialism

Author: Mara de Gennaro

Publisher: Johns Hopkins University Press

ISBN:

Category: Literary Criticism

Page: 248

View: 414

Drawing on interdisciplinary postcolonial efforts, especially in the social sciences, to deterritorialize categories of identity, culture, and community, Modernism after Postcolonialism dispenses with outdated modernist and postcolonial paradigms to reveal how the anxious, inconclusive comparisons of transnational modernist poetics can call us to imagine new solidarities across bounded territories.
Literary Collections

Anarcho-modernism

Author: Ian H. Angus

Publisher: Talonbooks Limited

ISBN:

Category: Literary Collections

Page: 384

View: 968

Essays in honour of the founding director of the Institute for the Humanities at Simon Fraser University.
Art

Realism After Modernism

Author: Devin Fore

Publisher: Mit Press

ISBN:

Category: Art

Page: 404

View: 294

The human figure made a spectacular return in visual art and literature in the 1920s. Following modernism's withdrawal, nonobjective painting gave way to realistic depictions of the body and experimental literary techniques were abandoned for novels with powerfully individuated characters. But the celebrated return of the human in the interwar years was not as straightforward as it may seem. In Realism after Modernism, Devin Fore challenges the widely accepted view that this period represented a return to traditional realist representation and its humanist postulates. Interwar realism, he argues, did not reinstate its nineteenth-century predecessor but invoked realism as a strategy of mimicry that anticipates postmodernist pastiche. Through close readings of a series of works by German artists and writers of the period, Fore investigates five artistic devices that were central to interwar realism. He analyzes Bauhaus polymath László Moholy-Nagy's use of linear perspective; three industrial novels riven by the conflict between the temporality of capital and that of labor; Brecht's socialist realist plays, which explore new dramaturgical principles for depicting a collective subject; a memoir by Carl Einstein that oscillates between recollection and self-erasure; and the idiom of physiognomy in the photomontages of John Heartfield. Fore's readings reveal that each of these "rehumanized" works in fact calls into question the very categories of the human upon which realist figuration is based. Paradoxically, even as the human seemed to make a triumphal return in the culture of the interwar period, the definition of the human and the integrity of the body were becoming more tenuous than ever before. Interwar realism did not hearken back to earlier artistic modes but posited new and unfamiliar syntaxes of aesthetic encounter, revealing the emergence of a human subject quite unlike anything that had come before.
Literature, Modern

Beyond Modernism

Author: Ted Ray Spivey

Publisher: University Press of Amer

ISBN:

Category: Literature, Modern

Page: 201

View: 493

Literary Criticism

Toward a Modernist Style: John Dos Passos

Author: Donald Pizer

Publisher: Bloomsbury Publishing USA

ISBN:

Category: Literary Criticism

Page: 160

View: 698

A new appraisal of Dos Passos's work and life, Toward a Modernist Style describes both the central currents in his early work, and his full participation in literary modernism, culminating in his U.S.A. trilogy, as well as the relationship of these currents to those of an especially vibrant period in American expression. Donald Pizer charts the evolution of Dos Passos's artistic sensibility from its largely conventional expression at the start of the 1920s to the radical formal experimentation of U.S.A. at its close. He places this development in Dos Passos's writing in the context of contemporary ideas about art and society. Pizer also looks at the important roles that Dos Passos's expatriation and his relationship with Ernest Hemingway played in his work as well as his efforts as a painter and their relationship to his literary art. Toward a Modernist Style is both an incisive guide to a major American modernist as well as an exploration of the wider currents that created literary modernism in the early twentieth century.
Language Arts & Disciplines

Modernism

Author: Ástráður Eysteinsson

Publisher: John Benjamins Publishing

ISBN:

Category: Language Arts & Disciplines

Page: 1024

View: 684

The two-volume work Modernism has been awarded the prestigious 2008 MSA Book Prize! Modernism has constituted one of the most prominent fields of literary studies for decades. While it was perhaps temporarily overshadowed by postmodernism, recent years have seen a resurgence of interest in modernism on both sides of the Atlantic. These volumes respond to a need for a collective and multifarious view of literary modernism in various genres, locations, and languages. Asking and responding to a wealth of theoretical, aesthetic, and historical questions, 65 scholars from several countries test the usefulness of the concept of modernism as they probe a variety of contexts, from individual texts to national literatures, from specific critical issues to broad cross-cultural concerns. While the chief emphasis of these volumes is on literary modernism, literature is seen as entering into diverse cultural and social contexts. These range from inter-art conjunctions to philosophical, environmental, urban, and political domains, including issues of race and space, gender and fashion, popular culture and trauma, science and exile, all of which have an urgent bearing on the poetics of modernity.
American literature

Cumulative Book Index

Author:

Publisher:

ISBN:

Category: American literature

Page:

View: 224

A world list of books in the English language.
Reference

Book Review Index 1998 Cumulation

Author: Beverly Baer

Publisher: Gale / Cengage Learning

ISBN:

Category: Reference

Page: 1089

View: 792

'Book Review Index' provides quick access to reviews of books, periodicals, books on tape and electronic media representing a wide range of popular, academic and professional interests. More than 600 publications are indexed, including journals and national general interest publications and newspapers. 'Book Review Index' is available in a three-issue subscription covering the current year or as an annual cumulation covering the past year.
History

Romania's Tortured Road Toward Modernity

Author: Thomas J. Keil

Publisher:

ISBN:

Category: History

Page: 568

View: 429

This book addresses the form and nature of the transition Romania has undergone since the fall of the Ceausescu regime in 1989. The reconstruction of Romania has taken place not only within the context of the legacy of state socialism, but within an even greater context of general historical, political social and economic legacies. Some of the problems Romania has encountered during this progression are its system of social stratification, economic development and the struggle to create a solid national identity.

New Outlook

Author: Alfred Emanuel Smith

Publisher:

ISBN:

Category:

Page:

View: 219

Literary Criticism

Playing the Changes

Author: Craig Hansen Werner

Publisher: University of Illinois Press

ISBN:

Category: Literary Criticism

Page: 341

View: 278

A final sequence highlights the centrality of black music to African American writing, arguing that recognizing blues, gospel, and jazz as theoretically suggestive cultural practices rather than specific musical forms points to what is most distinctive in twentieth-century African American writing: its ability to subvert attempts to limit its engagement with psychological, historical, political, or aesthetic realities.