Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This study of narrative technique in Victorian novels introduces the concept of 'narrative annexes' whereby unexpected characters, impermissible subjects and plot-changing events are introduced within fictional worlds which otherwise exclude them. They are marked by the crossing of borders into previously unrepresented places and new genres or modes, challenging Victorian cultural and literary norms. Suzanne Keen's original readings of novels by Charlotte Brontë, Dickens, Disraeli, Hardy, Kingsley, Trollope, and Wells show these writers negotiating the boundaries of representation to reveal in narrative annexes the subjects (notably sexuality and social class) which contemporary critics sought to exclude from the realm of the novel. Fears of disease, of working men, of Popery, of dark-skinned 'others', of the poor who toil and starve in close proximity to the rectories, homes, clubs and walled gardens of Victorian polite society draw readers down narrow alleys, through thorny hedges, across desolate heaths, into narrative annexes.
First published in 1902, this volume contains a detailed history of English literature beginning in the Anglo-Saxon Period and ending with contemporary literature. “A History of English Literature” is highly recommended for all students of literature, and it would make for a worthy addition to any collection. Contents include: “The Anglo-Saxon Period”, “The Norman-French Period”, “The Age of Chaucer”, “The Renaissance: Non-Dramatic Literature to the Death of Spenser”, “The Renaissance: Shakespeare”, ‘The Seventeenth Century: Shakespeare’s Contemporaries and Successors in the Drama”, “The Seventeenth Century: Non-dramatic Literature before the Restoration”, etc. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with the original text and artwork.